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But I Do
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But I Do
Guitar
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24 sheet music found
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1
Do I Wanna Know? (Beginner Level)
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Guitar
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BEGINNER
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Rock
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Pop music
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Arctic Monkeys
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Do I Wanna Know?
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Could Have Lied
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Guitar
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INTERMEDIATE
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Rock
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The Red Hot Chili Peppers
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Cleber Correia
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I Could Have Lied
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Cleber Domingues
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.
$10.00
Three-dimensional study I
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Guitar
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Alejandro Goldenberg
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Three-dimensional study I
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Alejandro Goldenberg
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro...
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Solo Guitar - Digital Download SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #4832485. Published by Alejandro Goldenberg (A0.1025538). The main idea was to write a music material with a study structure that allowed it to be performed by two players, but also by only one. This characteristic inspired the name of the studies, as I imagined each part of the duet as a dimension, and the whole of it, the union of both, as the third dimension. This score include the two guitars version and the one guitar version.Moreover with the Three-Dimensional, I searched for a diversity of composition styles, starting by the music of our American Continent and reflecting some of its traces.Thus sometimes in an explicit way, others only suggesting, River Plate, Brazilian, Caribbean and North American atmospheres are present. It is basically an integrating music, and because of its construction it asks the performer to improvise, compose and do whatever he likes with it.
$1.99
PRELUDIO EN DO MENOR
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Guitar
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ADVANCED
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Contemporary
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PeterMallender
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Luiz C Teixeira
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PRELUDIO EN DO MENOR
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Luiz C Teixeira
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Ce...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,Latin,Multicultural,World. Individual part. 2 pages. Luiz C Teixeira #995883. Published by Luiz C Teixeira (A0.1414112). This arrangement is designed to be performed on the guitar, taking into account the instrument's capabilities and limitations. Agustin Barrios' arrangements are often challenging but rewarding for experienced guitarists, and I'm happy to have completed it while maintaining the original proposed by the composer.
$9.00
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Classical
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad R...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
2018 Holiday Contest Entry, "Away in a Manger"
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Guitar
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INTERMEDIATE
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Christmas
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James R
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R
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2018 Holiday Contest Entry, "A
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ralph scott carrier
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sac...
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Solo Guitar - Level 3 - Digital Download SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Larry Williams Compositions- The Guitar Book
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Guitar
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INTERMEDIATE/ADVANCED
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Will...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
The Jazz Method (in A Flat)
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Guitar
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EASY
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Wesley Besancon
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Wesley Besancon
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The Jazz Method
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Wesley Besancon
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1173615 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individ...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1173615 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 9 pages. Wesley Besancon #773762. Published by Wesley Besancon (A0.1173615). Does your band ever struggle with jazz? Do you ever struggle with jazz? Has any of your friends stuggled with jazz? If you said yes to any of these, then I would recommend the First Place For Jazz book by Dean Sorenson. But I have seen one problem. They do not dicuss A flat! A flat is a crucial key in jazz. So I have extended his book with 4 new orginal pieces in A flat. 1. (major)2. (mixolydian)3. (dorian)4. (blues).
$19.99
KriyÄ (Direction, Goal) for 10-String Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
Portrait Of Tracy
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Guitar
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ADVANCED
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Jaco Pastorius
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Grégoire Pearce
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Portrait Of Tracy
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Grégoire Pearce
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1404303 By Jaco Pastorius. By Jaco Pastorius. Arranged by Grégoire Pearce. 20th Century,Jazz. Individ...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1404303 By Jaco Pastorius. By Jaco Pastorius. Arranged by Grégoire Pearce. 20th Century,Jazz. Individual part. 3 pages. Grégoire Pearce #987401. Published by Grégoire Pearce (A0.1404303). This is an arrangement for solo guitar of the very beautiful, mesmerizing, and technically challenging 'Portrait of Tracy' by Jaco Pastorius. The orginal work, composed for the fretless electric bass, is comprised mostly of natural and artificial harmonics. I have done my best to honor as many of Jaco's original voicings but as fretted picthes for this arrangement played on a six string guitar. I hope you enjoy playing it as much as I do!
$7.00
Silent Night
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Guitar
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INTERMEDIATE
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Christmas
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João Fernandes
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João Fernandes
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Silent Night
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João Fernandes
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By Franz Gruber. Arranged by João Fernandes. Christmas,Classical,Religi...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By Franz Gruber. Arranged by João Fernandes. Christmas,Classical,Religious,Traditional. Individual part. 1 pages. João Fernandes #921067. Published by João Fernandes (A0.1335243). Silent Night - F. Gruber (arr: João Fernandes)Ho ho ho!! Do you like counterpoint? So enjoy this polyphonic version of this Christmas classic. I was only going to post it on the 24th, but I couldn't resist. Then I record again with better capture.P.s: only for people with artistic sensitivity.#MerryChristmas #SilentNight.
$5.00
Song And Dance
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Guitar
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INTERMEDIATE/ADVANCED
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Tim Rushworth
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Song And Dance
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. Contemporary,Latin,Standards. Individual part. 4 pages. Tim Rushworth ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. Contemporary,Latin,Standards. Individual part. 4 pages. Tim Rushworth #4321487. Published by Tim Rushworth (A0.943117). This piece was written in 2010, but I still enjoy playing it now. I hope you do to.
$4.50
Le chemin de croix / Labyrinthe
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Guitar
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Francis Kleynjans
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Le chemin de croix / Labyrinth
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Produ...
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Nadir
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle ...
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Jesu Joy Of Man's Desiring BWV 147
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV
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DML
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contem...
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
Bach to Africa
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Guitar
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ADVANCED
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Classical
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,S...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Fantasy on a Mozart Theme
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Guitar
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INTERMEDIATE
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Classical
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Publishe...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitar
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INTERMEDIATE
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Classical
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Chris...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
Standard Music Reading for Beginning Guitar
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Guitar
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BEGINNER
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Instructional
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Jay Jordan
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Standard Music Reading for Beg
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Pro Creations Music
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SheetMusicPlus
Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Mus...
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Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
Greensleeves (Finger-style Guitar Version)
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Guitar
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EASY
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Traditional Folk Anon
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Brian Streckfus
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Greensleeves
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1162994 Composed by Traditional Folk Anon. Arranged by Brian Streckfus. Early Music,Instructional,Mediev...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1162994 Composed by Traditional Folk Anon. Arranged by Brian Streckfus. Early Music,Instructional,Medieval,Renaissance,Traditional. Individual part. 1 pages. Brian Streckfus #763346. Published by Brian Streckfus (A0.1162994). 1. Arranged for guitar. 2. Guitar TAB w/ rhythms added. 3. Left and Right hand fingerings added 4. Chord nomenclature added to roughly summarize the harmony and to aid in improvising.5. Fonts made larger and more attractive.6. Mordent added.I added quite a bit of fingerings to this. Ideally performers should do this themselves but adding them also solidifies the arrangement and saves the performer some time.
$2.99
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