Download Digital Sheet Music of If I Had Been for Guitar

Digital scores (access after purchase)

Post mailing Digital sheet music

SORTING AND FILTERS

Sorting and filtering :

with audio

with video

with play-along

Not classified 147

PIANO & KEYBOARDS

Piano, Vocal and Guitar 347 Piano solo 75 Piano, Voice 15 Easy Piano 4 C Instruments 3

Organ 2 1 Piano, 4 hands 1 Accordion 1 2 Pianos, 4 hands 1

Instrumentations suivantes

Retracter

GUITARS

Guitar 2 Bass guitar 2 Guitar notes and tablatures 1 4 Guitars (Quartet) 1

VOICE

Choral SATB 17 Choral 2-part 3 Choral TTBB 2 Choral 3-part 2 Alto voice, Piano 1

Vocal duet, Piano 1 Baritone voice, Piano 1 Tenor voice 1 Choral SSAA 1

Instrumentations suivantes

Retracter

WOODWIND

Saxophone Quintet: 5 Saxophones 50 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 47 Clarinet Ensemble 7 Saxophone Quartet: 4 saxophones 6 Flute Quintet : 5 flutes 5

Flute, Violin 2 2 Saxophones (duet) 2 Clarinet Quartet: 4 clarinets 2 Clarinet Quintet: 5 clarinets 1 Clarinet, Trombone (duet) 1 Clarinet 1 2 Flutes (duet) 1 Flute 1 Clarinet, Trumpet (duet) 1 Saxophone ensemble 1 2 Clarinets (duet) 1 Saxophone and Organ 1 Flute, Viola (duet) 1 Tenor Saxophone 1 Flute and Piano 1 Flute, Clarinet (duet) 1 Clarinet and Piano 1 Clarinet, Bassoon (duet) 1 Oboe, Piano (duet) 1 2 Flutes, Piano 1 Flute, Oboe, Clarinet, Bassoon 1 Clarinet, Cello (duet) 1

Instrumentations suivantes

Retracter

WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 28 Trombone ensemble 6 Trumpet ensemble 5 Trumpet 4 Brass Quintet: 2 trumpets, horn, trombone, tuba 3

Trumpet, Saxophone (duet) 1 4 Tubas 1 Tuba ensemble 1 Trombone 1

Instrumentations suivantes

Retracter

STRINGS

Violin ensemble 6 Violin, Cello (duet) 5 String Quintet: 2 violins, viola, cello, bass 5 Violin and Piano 4 Viola ensemble 4

String Quartet: 2 violins, viola, cello 3 Viola, Cello (duet) 1 Viola, Piano 1 2 Cellos (duet) 1 Viola and Bassoon 1 2 Violas (duet) 1 Harp 1 Violin 1

Instrumentations suivantes

Retracter

PERCUSSION & ORCHESTRA

Concert band 16 Orchestra 10 Brass ensemble 5 Chamber Orchestra 4 String Orchestra 2

Piano and Orchestra 1

Instrumentations suivantes

Retracter

OTHERS

You've selected:

If I Had Been

Guitar

Sheetmusic to print

2 sheet music found

Edwin Culver: a bridge a-way, exits within (for solo guitar) Guitar

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canâ€™t fully understand no matter how hard you try? Perhaps itâ€™s something from our past that we never invited...or something weâ€™ve missed in our closest relationships, maybe itâ€™s just the dread weâ€™ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâ€™re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâ€™s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâ€™re spinning our wheelsâ€¦But one of the interesting things about great minimalist music is that itâ€™s not merely about repetition. I donâ€™t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâ€™s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canâ€™t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâ€™s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnâ€™t feel like weâ€™re making headway whenever weâ€™re having to crawl out of our skin - until, suddenly, when itâ€™s all over. And you hear this towards the end of the piece, when thereâ€™s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâ€™ve put my trust in, because I canâ€™t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.

$11.99 11.05 € #Guitar #Edwin Culver #Edwin Culver: a bridge a-way, exits within #Edwin Culver #SheetMusicPlus

Royal Winter Music Guitar

Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Compo…(+)

Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.<br> The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.<br> - Hans Werner Henze.

$19.99 18.43 € #Guitar #Hans Werner Henze #Royal Winter Music #Schott Music - Digital #SheetMusicPlus