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PIANO & KEYBOARDS
Piano, Voice
612
Piano Trio: piano, violin, cello
95
1 Piano, 4 hands
52
Piano solo
44
Piano Quartet: piano, 2 violins, cello
26
Piano Quartet: piano, violin, viola, cello
25
Piano Quintet: piano, 2 violins, viola, cello
21
Easy Piano
20
2 Pianos, 4 hands
19
Organ, Trumpet (duet)
16
Piano Accompaniment
14
Piano, Vocal and Guitar
13
1 Piano, 6 hands
9
Organ
5
Organ, Piano (duet)
4
C Instruments
2
Piano (band part)
2
Accordion ensemble
1
Accordion
1
2 Pianos, 8 hands
1
2 Accordions
1
Harpsichord
1
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GUITARS
2 Guitars (duet)
29
4 Guitars (Quartet)
26
Guitar notes and tablatures
22
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14
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14
3 Guitars (trio)
11
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7
Bass guitar
4
Guitar, Violin, Cello (trio)
3
Dulcimer
2
Guitar (band part)
2
3 Dulcimers (trio)
1
Mandolin
1
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VOICE
Choral SATB
283
Choral 3-part
117
Choral 2-part
57
Choral TTBB
44
Choral SSAA
20
Choral Unison
12
Vocal duet, Piano
6
Choral SSAB a cappella
3
Tenor voice, Piano
2
Vocal duet
2
Soprano voice, Piano
1
High voice
1
Choral SSATB
1
Medium voice, Piano
1
Children choir
1
Instrumentations suivantes
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WOODWIND
Flute and Piano
287
Clarinet and Piano
195
Clarinet Quartet: 4 clarinets
168
Saxophone Quartet: 4 saxophones
138
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
127
Alto Saxophone and Piano
110
Flute, Oboe, Clarinet, Bassoon
96
Oboe, Piano (duet)
94
Tenor Saxophone and Piano
88
Flute Quartet: 4 flutes
77
Soprano Saxophone and Piano
64
2 Saxophones (duet)
50
2 Flutes (duet)
37
3 Clarinets (trio)
33
Flute, Clarinet (duet)
30
3 Saxophones (trio)
30
Clarinet Quintet: 5 clarinets
28
2 Clarinets (duet)
27
Saxophone Quintet: 5 Saxophones
26
Clarinet Ensemble
26
Clarinet
24
Flute ensemble
24
Flute and Guitar
23
Flute Trio: 3 flutes
22
Recorder Quartet
19
Flute, Clarinet, Piano (trio)
18
Baritone Saxophone, Piano
18
Saxophone (band part)
15
Saxophone ensemble
13
Piccolo, Piano
13
2 Clarinets, Piano
12
Oboe, Bassoon (duet)
12
Flute, Viola and Piano
11
2 Flutes, Piano
11
Flute, Violin, Piano
11
Flute, Cello, Piano (trio)
11
Flute, trombone and piano
10
Bass Clarinet, Piano
10
Clarinet, Bassoon (duet)
10
Flute, Violin and Violoncello
9
Clarinet, Cello, Piano (trio)
9
Clarinet, Violin (duet)
9
Flute, Oboe, Piano (trio)
8
English horn, Piano
8
Flute, Bassoon, and Piano
8
Oboe, Clarinet, Bassoon (trio)
8
Saxophone, Clarinet (duet)
7
Flute, Violin
7
2 Oboes (duet)
7
Flute, Clarinet and Bassoon.
7
Flute Quintet : 5 flutes
7
Clarinet, Guitar (duet)
6
Clarinette, Viola and Piano (trio)
5
2 Saxophones, Piano
5
Flute, Violin, Violoncello and Piano
5
Flute, Violoncello
4
Clarinet, Harp (duet)
4
5 Recorders
4
Clarinet and Viola
4
Treble (Alto) Recorder, Piano
4
Flute
4
3 Recorders (trio)
4
Oboe, Flute
4
Flute, Oboe, Bassoon
4
Oboe, Clarinet (duet)
4
Clarinet, Trumpet (duet)
4
Flute, Saxophone (duet)
4
Recorder
3
Tenor Recorder
3
Flute and Strings Trio
3
Flute and String Quartet
3
Descant (Soprano) Recorder
3
Recorder, Piano
3
Clarinet, trumpet and piano
3
Flute, Cello, Guitar
3
Flute, Oboe, Clarinet (trio)
3
Tenor Saxophone
3
Flute, Trumpet (duet)
3
Saxophone and Organ
3
Flute (band part)
3
Clarinet, Cello (duet)
3
Oboe, Clarinet and Piano (Trio)
2
Saxophone and Harp
2
Clarinet, Bassoon, Piano (trio)
2
Oboe, Cello and Piano
2
Oboe
2
Descent (Soprano) Recorder, Piano
2
Recorder Ensemble
2
Oboe, Violin, Piano
2
2 English horns and Pianoforte
2
Saxophone and Guitar
2
Flute, Oboe (duet)
2
Alto Saxophone
2
Oboe, Harp
2
Clarinet (band part)
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Viola (duet)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
English Horn
1
2 Recorders (duet)
1
Clarinet, Organ
1
3 Oboes
1
Flute, Oboe, Violin
1
Oboe (band part)
1
Oboe and viola (duet)
1
Flute, Clarinet, Violin (trio)
1
Flute, Viola and Cello
1
Clarinet, Trombone (duet)
1
Flute, harp and violin
1
Treble (Alto) Recorder
1
Flute, Harp and Cello
1
Flute, Trombone (duet)
1
Oboe, Guitar (duet)
1
4 Oboes
1
Flute, Violin, Guitar
1
Flute, Organ (duet)
1
Recorder, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
347
Brass quartet : 2 trumpets, trombone, tuba
211
Trumpet, Piano
206
Trombone and Piano
116
French Horn and Piano
87
Tuba and Piano
57
Brass Quartet: 2 trumpets, horn, trombone
46
Brass Quartet: 4 trombones
32
Trumpet, Horn (duert)
24
Brass Quartet
23
Euphonium, Piano (duet)
19
Brass Quartet: 4 horns
16
Brass Quartet: 4 trumpets
16
2 Euphoniums and 2 Tubas
16
Horn Ensemble
16
Trumpet, Trombone (duet)
15
Trombone ensemble
15
Trumpet
14
3 Trombones (trio)
12
2 French horns (duet)
12
Brass Trio
11
4 Tubas
10
3 Trumpets (trio)
10
Bass Trombone and Piano
10
Trumpet, Cello, Piano
9
English horn, Piano
8
2 Euphoniums (duet)
8
Trumpet (band part)
8
2 Trombones (duet)
8
Trumpet, Saxophone (duet)
8
Trombone (band part)
7
2 Tubas (duet)
7
Euphonium, Tuba (duet)
7
Trumpet, Harp
6
French Horn and Harp
6
Trumpet ensemble
5
3 French horns (trio)
5
2 Trumpets (duet)
5
Trombone, Organ
4
Cornet and Piano
3
French horn
3
Trombone
3
French horn (band part)
2
Tuba
2
Tuba and Organ
2
2 English horns and Pianoforte
2
Tuba (band part)
2
3 Tubas (trio)
1
Trombone, Tuba (duet)
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
English Horn
1
Trumpet, Trombone, Piano
1
Bass Clef Instruments
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn and Organ
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba ensemble
1
Bass Trombone
1
Horn, Trumpet, Trombone (trio)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1809
Violin and Piano
495
Cello, Piano
394
String Trio: violin, viola, cello
195
Violin, Cello (duet)
128
Viola, Piano
122
String trio
57
String Quintet: 2 violins, viola, cello, bass
48
4 Cellos
44
Violin, Viola (duet)
41
String Trio: 2 violins, cello
37
Piano Trio: Violin, Viola, Piano
34
2 Violins (duet)
30
Violin
30
2 Cellos (duet)
26
String quartet: 4 violins
20
String Trio: 3 cellos
15
2 Harps (duet)
15
Viola, Cello (duet)
14
2 Violins, Piano
14
String Trio: 3 violins
14
Violin, Guitar (duet)
13
Harp
12
Harp, Violin (duet)
11
Cello
11
Cello, Guitar (duet)
10
Double bass, Piano (duet)
10
Violin (band part)
9
Violin, Clarinet, Piano (trio)
9
Harp, Flute (duet)
9
String Quartet : 4 violas
9
2 Cellos, Piano
7
String Trio: 2 violins, viola
7
Viola
6
2 Double basses (duet)
5
2 Violas, Piano
5
2 Violas (duet)
5
Harp, Cello (duet)
4
Viola and Harp
4
Doublebass (band part)
4
Cello Ensemble
4
Viola (band part)
4
Violin, Organ
3
3 Harps
2
Viola, Guitar (duet)
2
Harp and mandolin
1
Cello, String Bass (duet)
1
4 Double Basses
1
Flute, Doublebass (duet)
1
Harp and Piano
1
Violin, Bassoon (duet)
1
Harp, Voice
1
Violin, Trumpet and Piano
1
Double Bass
1
String Quintet: 2 violins, 2 violas, cello
1
Cello, Orchestra
1
String Trio: 3 violas
1
Cello (band part)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
String Orchestra
327
Brass ensemble
242
Concert band
183
Orchestra
167
Chamber Orchestra
95
Jazz Ensemble
76
Percussion Ensemble
76
Marching band
33
Jazz combo
32
Handbells
12
Woodwind Quintet
7
Drums
5
Woodwind Quartet: any 4 woodwinds
4
Vibraphone
3
Drums-Marching band
3
Brass Quintet: other combinaisons
2
Drum (band part)
2
Vibraphone (band part)
2
Marimba
1
School Ensemble
1
3 Percussions
1
Woodwind Trio: any 3 woodwinds
1
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
4
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Guitar
Sheetmusic to print
14 sheet music found
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1
Moves Like Jagger
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Chris…
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Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by TopDots Orchestrations. Contemporary,Pop. Individual part. 15 pages. TopDots Orchestrations #110597. Published by TopDots Orchestrations (A0.496393). Key Gm. NOTE: DOWN 4 SEMITONES FROM ORIGINAL RECORDED KEY Tempo 128bpm Based upon the live recording, this classic song has been faithfully reproduced, playable by an ensemble of 4 rhythm section players, 4 front line players plus singers – lead and group. * Our Professional Arranger series includes parts of the highest quality and are note-for-note accurate to the original recording. All solos are meticulously and faithfully recreated so that bands and ensembles can authentically reproduce the sound of the original. All audio examples are produced ONLY from the musical parts contained in this arrangement. As a professional product, our audio examples do not include the vocal melody of the song. *Additional parts to supplement and augment this arrangement are included in the Educational Edition of this work. Separate Xtra Packs are available for this song. (Also available in keys of Bm and Em).
$4.99
4.52 €
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Guitar
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Maroon 5 Featuring Christina Aguilera
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Moves Like Jagger
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TopDots Orchestrations
#
SheetMusicPlus
Canon in D (Guitar Trio)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. A…
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Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 15 pages. John A. Dempsey #680431. Published by John A. Dempsey (A0.1076277). A celebrated Baroque work, Pachelbel's Canon in D exudes warmth, beauty, and serenity, all in a stylishly flowing, timeless way. Â A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this peaceful arrangement is a guitar trio. Â Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â 11 pages of music (includes score and parts for guitar 1, guitar 2 and guitar 3).
$9.99
9.04 €
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Guitar
#
Johann Pachelbel
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Canon in D
#
John A. Dempsey
#
SheetMusicPlus
Summertime
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heywar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #879957. Published by Roger Wallace (A0.1289186). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: SopranoVoice: SopranoFlute/Oboe/Violin/VibraphoneClarinet/Soprano Sax/Trumpet Alto SaxGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.52 €
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Guitar
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Summertime
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heywar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.52 €
#
Guitar
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Love Hurts
Guitar
Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleau…
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Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #3550449. Published by Derek Hasted (A0.797695). LOVE HURTS - GUITAR QUARTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This gloriously punchy piece has been performed by The Everly Brothers, Jim Capaldi, Roy Orbison and many more!I originally arranged this for my Guitar Workshop and it’s proved a real crowd pleaser at concerts, being easy, upbeat and well-known. The parts lock together securely and even an inexperienced ensemble can play this without a conductor. Yes, this really has been tried and tested in concert many times!A more experienced ensemble will enjoy playing this in a full-length concert - it offers a rewarding sound for little effort and takes away some of the pressure that comes from playing a varied concert!I hope you enjoy performing this piece!
$4.99
4.52 €
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Guitar
#
Ernesto Nazareth
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Love Hurts
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Derek Hasted
#
SheetMusicPlus
One Last Wish
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner.…
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Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.52 €
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Guitar
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Soundtrack
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One Last Wish
#
Derek Hasted
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SheetMusicPlus
Tasty Tango for Guitar Quartet
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.558527 Composed by David Burndrett…
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Solo Guitar - Level 2 - Digital Download SKU: A0.558527 Composed by David Burndrett. Contemporary. Individual part. 15 pages. David Burndrett #3462375. Published by David Burndrett (A0.558527). This piece works well as a concert piece or just for fun!Download includes the score and all of the parts.
$8.95
8.1 €
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Guitar
#
David Burndrett
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Tasty Tango for Guitar Quartet
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David Burndrett
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SheetMusicPlus
"Odeon" & "Apanhei-te, Cavaquinho", for guitar and piano duo.
Guitar
Solo Guitar - Digital Download SKU: A0.1177140 Composed by Ernesto Nazareth. Arrang…
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Solo Guitar - Digital Download SKU: A0.1177140 Composed by Ernesto Nazareth. Arranged by João Balducci. 20th Century,Classical,Latin,Multicultural,Patriotic,World. Individual part. 15 pages. João Balducci #777149. Published by João Balducci (A0.1177140). Arranjo das obras-primas de Nazareth para violão e piano. Partes do piano e violão separadas inclusas no PDF. Arrangement of Ernesto Nazareth's masterpieces for guitar and piano. Separate piano and guitar parts included in the PDF.
$10.99
9.95 €
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Guitar
#
Ernesto Nazareth
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"Odeon" & "Apanhei-te, Cavaquinho", for guitar and piano duo.
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João Balducci
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SheetMusicPlus
Cornucopia (Guitar Part)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.948709 Composed by Brad Powell (Th…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948709 Composed by Brad Powell (The Candlelight Guitarist). Folk,Holiday,Jazz,Latin. Individual part. 5 pages. Geofonica Artistworks #6855841. Published by Geofonica Artistworks (A0.948709). Cornucopia is the recent single release by The Candlelight Guitarist (Brad Powell)...featuring an ensemble of guitar, mandolin, string bass, and percussion, in a contemporary bossa-nova style. The instrumental parts for GUITAR (this part), mandolin, and string bass are each available here separately. (Renown percussionist Ms. Bobbye Hall recorded using a bass part for her reference.) These instrumental parts are fairly straightforward (easy to intermediate) professional jazz level. The video (linked herein) shows each performing playing their respective parts. Brad plays both the classical guitar part and mandolin part. The string bassist is Frank Sanchez (original bassist for Weird Al Yankovic), and the percussionist is Ms. Bobbye Hall (with dozens of hit songs to her credit, with many famous artists).ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.
$3.99
3.61 €
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Guitar
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Brad Powell
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Cornucopia
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Geofonica Artistworks
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.33 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.33 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.33 €
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Guitar
#
Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.33 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
In Motion - for Guitar Orchestra
Guitar
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Brit…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classical Publications #3141393. Published by Indie Classical Publications (A0.971811). IN MOTION was written in the Summer of 2017 as a result of a friend's suggestion. This is the first time I have attempted to compose for a guitar orchestra ensemble, which has only emerged in recent years. This somewhat syncopated work is meant to be both fun for the performers and the audience. The 5th Guitar 's sixth string must be tuned down to drop-D tuning. The rest of the guitars are in standard tuning. It is recommended to double each part with at least three guitarists if possible. The key signatures represent A Dorian and F Lydian. Level: grade 4 (intermediate). Duration: About 2 minutes, 5 seconds. Instrumentation: Five Nylon-String Guitars (15 players or more).
$25.00
22.62 €
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Guitar
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Britt Andrew Burns
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In Motion - for Guitar Orchestra
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Indie Classical Publications
#
SheetMusicPlus
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