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Price Tag (Easy/Intermediate Level, Accompaniment Guitar) - Acoustic Version
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Jessie J,B.o.B
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Tomplay
Price Tag (Very Easy Level, Accompaniment Guitar) - Acoustic Version
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Jessie J,B.o.B
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Tomplay
Price Tag (Easy Level, Accompaniment Guitar) - Acoustic Version
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Jessie J,B.o.B
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Tomplay
O'Carolan Favorites for Classical Guitar
Guitar
Guitar (classical and lute) - Intermediate - Digital Download SKU: M0.30623EB Compo…
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Guitar (classical and lute) - Intermediate - Digital Download SKU: M0.30623EB Composed by Guido Boger. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30623EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30623EB). ISBN 9781619117686. 8.75x11.75 inches.In this edition, Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough Oâ??Carolan, arranged for classical guitar. These solo pieces are generally of intermediate difficulty, and convey the beautiful, lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however, along with his Turlough Oâ??Carolan Irish Harp Pieces for Classical Guitar, Oâ??Carolanâ??s Laments have now been arranged in their entirety. These pieces will provide the guitarist with a wonderful collection of new and fascinating pieces for use in study, concerts, or for your musical pleasure.
$17.99
16.21 €
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Guitar
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Guido Boger
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font-family: Segoe UI
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O'Carolan Favorites for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
O Come, All Ye Faithful (Adeste Fidelesin) (Easy Level, Accompaniment Guitar in E-flat major)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Traditionnel
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Tomplay
O Come, All Ye Faithful (Adeste Fideles) (Easy/Intermediate Level, Accompaniment Guitar in E-flat major)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Traditionnel
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Tomplay
O Come, All Ye Faithful (Adeste Fideles) (Intermediate Level, Accompaniment Guitar in E-flat major)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Traditionnel
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Tomplay
O Come, All Ye Faithful (Adeste Fideles) (Very Easy Level, Accompaniment Guitar in E-flat major)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Traditionnel
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Tomplay
O Come, All Ye Faithful (Adeste Fideles) (Beginner Level, Accompaniment Guitar in E-flat major)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Traditionnel
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Tomplay
O for a Thousand Tongues to Sing (Guitar Solo or Duet)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1083249 Composed by Carl G. Glazer…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1083249 Composed by Carl G. Glazer. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 1 pages. Ben Dockery #687450. Published by Ben Dockery (A0.1083249). Arranged for guitar solo or duet: melody with chords. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$2.99
2.69 €
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Guitar
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Carl G
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O for a Thousand Tongues to Sing
#
Ben Dockery
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SheetMusicPlus
The Best of Olympic Songs for Guitar, Beginner, Vol. 1
Guitar
19.99 €
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Guitar
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B.o.B,Eric Clapton,Jessie J,Pi
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Tomplay
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.16 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Amigo do peito Opus 30
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1019685 Composed by Ivan Lyran. Co…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1019685 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. Individual part. 7 pages. Publicado por Ivan Lyran #4800543. Published by Publicado por Ivan Lyran (A0.1019685). É uma homenagem declarada do compositor ao violão, seu amigo e companheiro fiel em muitos momentos bons e ruÃnas da adolescência, essa amizade perdura até os dias de hoje e certamente perdurará por toda a vida. A peça escrita em três movimentos têm uma mistura de ritmo e lirismo bem distribuÃdos entre os movimentos. O primeiro deles; Violão companheiro, utiliza um motivo ritual em semicolcheias e colcheias, combinando com rasgueados na maior parte do movimento, além do nosso ritmo mais conhecido, o samba. Já na parte B, encontramos uma melodia um pouco mais lÃrica, que vai se desenvolvendo até a retomada do tema rÃtmico inicial. O segundo movimento; Interlúdio, tem um caráter mais romântico, bem cantábile, melodia simples e sucinta que transmite um sentimento de saudade. O terceiro movimento é um Estudo em Mi menor,
$5.00
4.51 €
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Guitar
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Ivan Lyran
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Amigo do peito Opus 30
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Publicado por Ivan Lyran
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.56 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
In An English Garden
Guitar
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
5.36 €
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Guitar
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Ocean Eyes
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1048663 By Billie Eilish. By Finne…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1048663 By Billie Eilish. By Finneas O'Connell. Arranged by Amanda J. Herold. Hip-Hop,Pop,R & B. Individual part. 2 pages. Amanda's Music Channel #653074. Published by Amanda's Music Channel (A0.1048663).
$4.99
4.5 €
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Guitar
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Billie Eilish
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Ocean Eyes
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Amanda's Music Channel
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SheetMusicPlus
Ocean Eyes
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1048658 By Billie Eilish. By Finne…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1048658 By Billie Eilish. By Finneas O'Connell. Arranged by Amanda J. Herold. Hip-Hop,Pop,R & B. Individual part. 2 pages. Amanda's Music Channel #653068. Published by Amanda's Music Channel (A0.1048658).
$4.99
4.5 €
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Guitar
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Billie Eilish
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Ocean Eyes
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Amanda's Music Channel
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SheetMusicPlus
20 Greatest Hymns for Solo Guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1093821 Composed by Various. Arran…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1093821 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 23 pages. Ben Dockery #697906. Published by Ben Dockery (A0.1093821). These classic hymns have been arranged for guitar solo or duet: melody with chords. Easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail the Power of Jesus' Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$7.99
7.2 €
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Guitar
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Various
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20 Greatest Hymns for Solo Guitar
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Ben Dockery
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SheetMusicPlus
Etude de Bossa
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Co…
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Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Contemporary,Instructional,Jazz,Latin. Individual part. 2 pages. Prima Acoustic Music #6535489. Published by Prima Acoustic Music (A0.928065). Key: A minor (Section A) A Major (Section B) Musical Form: Ternary form with introduction and coda Musical Texture: Homophonic Rhythm: Bossa nova dance Tempo: Andante moderato Etude de Bossa is a Bossa Nova music. Bossa nova is Portuguese, Bossa refers to the natural style and temperament when playing the Samba music, and Nova means new. This style originated in Brazil in the late 1950s. The composer Antonio Carlos Jobim and the guitarist João Gilberto may be considered the founders of this style, and later became the style of the theme song of A Felicide and Desafinado in the film Black Orpheus and caused a craze. The characteristic of Bossa nova rhythm is that the first, fourth, seventh, and eleventh beats of every two bars are retakes, and the others are light beats.
$10.00
9.01 €
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Guitar
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Vincent Ong
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Etude de Bossa
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Prima Acoustic Music
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SheetMusicPlus
Serj Tankian: B.Y.O.B. for guitar
Guitar
Instantly downloadable sheet music by Serj Tankian for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Serj Tankian for guitar of MEDIUM skill level.
$2.99
2.69 €
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Guitar
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Serj Tankian
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Virtualsheetmusic
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitar
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.21 €
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Guitar
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William Bay
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Achieving Guitar Artistry - Contemporary Baroque Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
T-R-O-U-B-L-E - Guitar
Guitar
By Elvis Presley. By Jerry Chesnut. Arranged by Ed Lojeski. For Guitar. Combo. Concert; Co…
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By Elvis Presley. By Jerry Chesnut. Arranged by Ed Lojeski. For Guitar. Combo. Concert; Country; Film/TV; Pop. Individual instrument part. 2 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music
$7.00
6.31 €
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Guitar
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Elvis Presley
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Country
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T-R-O-U-B-L-E - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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