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Be Still - Violin I
Guitar
Sheetmusic to print
12 sheet music found
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1
I'll Still Be Loving You
Guitar
Easy Guitar (no TAB) - Digital Download SKU: HX.1386205 By Restless Heart. This edi…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1386205 By Restless Heart. This edition: scorch. Country,Love,Pop. Score. 2 pages. Hal Leonard - Digital #378665. Published by Hal Leonard - Digital (HX.1386205).
$2.99
2.76 €
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Guitar
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Restless Heart
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I'll Still Be Loving You
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Hal Leonard - Digital
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.44 €
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Guitar
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.6 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
What A Wonderful World
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.6 €
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Guitar
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Louis Armstrong
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Descriptive Pieces for Guitar Solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1028890 Composed by Scott A. Nieba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028890 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 9 pages. Ponticello Music #4601489. Published by Ponticello Music (A0.1028890). Descriptive Pieces for guitar solo are snippets of ongoing efforts to create new guitar music. It is a representation of a search for sounds - things the guitar can do that I love and enjoy. These pieces are representative of attempts to create interesting sounding music compositions that are effective in evoking certain feelings or moods. These are older pieces recently reformulated and edited, and still sound fresh and new to my ears, so I like them and I hope you will too. I have tried to include all fingerings and indications to make them clearer for the performer. Ideally, there should not be anything too challenging in these pieces as it is all attempting to be idiomatic for the guitar - that is the goal, anyway! - SN 2019
$4.99
4.6 €
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Guitar
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Scott A
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- SN 2019
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Descriptive Pieces for Guitar Solo
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Ponticello Music
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SheetMusicPlus
Prelude No 4 in Em (Fire In The Sky)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
2.76 €
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Guitar
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Interrupted Dance (He Who Sings is Not Always Happy)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
11.06 €
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Guitar
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
On Parade (The Lion Tamer) by John Philip Sousa for Guitar Solo
Guitar
Solo Guitar - Digital Download SKU: A0.1031003 Composed by John Philip Sousa 1892. …
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Solo Guitar - Digital Download SKU: A0.1031003 Composed by John Philip Sousa 1892. Arranged by Art Carnrick / Arturo. 20th Century,Contemporary,Holiday,Jazz,Patriotic. Individual part. 3 pages. Art Carnrick #2855797. Published by Art Carnrick (A0.1031003). There is not enough good marching / toe tapping patriotic music for guitar solo that is easier to play... what is out there is often too difficult. I arranged this for a 50 year high school reunion. This arrangement is of intermediate difficulty and can be played at 120 to 130 and still sound fine... March tempo is probably 140 to 150 per quarter note. Appropriate for picnics, the parlor, the patriotic, or parishioners in church especially for Memorial day, fourth of July. It will work in a Dixieland style. This is my first submission and I hope to upload more... contact at www.arturoworks.com. .
$5.00
4.61 €
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Guitar
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John Philip Sousa 1892
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On Parade
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Art Carnrick
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SheetMusicPlus
We Don't Talk About Bruno
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1015945 By Carolina Gaitan, Mauro …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1015945 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Kevin Wallace (Rossendale Guitar). Contemporary. Individual part. 37 pages. Rossendale Guitar #6711035. Published by Rossendale Guitar (A0.1015945). This is a fantastically fun arrangement of We dont talk about Bruno from the film Encanto. I have arranged it for 4 classical guitars and a bass but it would work equally with a mix of acoustic and classical. Due to the timing involved and quite high positions it does not suit beginners but would be great fun for an intermediate level ensemble. This song seems to appeal to both young and old alike. I have been nearly deafened by classes of 8 year olds screaming the words at me and had some brilliant sessions with adults playing too.
$12.99
11.98 €
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Guitar
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
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Rossendale Guitar
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.83 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
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