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You've selected:
Comme D
Guitar
Sheetmusic to print
36 sheet music found
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1
26
Comme un blues, Comme un prélude
Guitar
Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3286 Composed by Adrian Andr…
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Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3286 Composed by Adrian Andrei. Score. 8 pages. Les Productions d'OZ - Digital #DZ 3286. Published by Les Productions d'OZ - Digital (ZZ.DZ-3286). ISBN 9782897952020.
$5.95
5.39 €
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Guitar
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Adrian Andrei
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Comme un blues, Comme un prélude
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Les Productions d'OZ - Digital
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SheetMusicPlus
Comme d'habitude
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Guitar
#
Claude François
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Tomplay
Comme d'habitude (Very Easy Level, Solo Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Guitar
#
Claude François
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Tomplay
Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare
Guitar
Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Contempo…
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Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Contemporary, Standards, World. Individual part. 6 pages. MCM Editions Musicales France #5759629. Published by MCM Editions Musicales France
Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare<br> niveau 2ème -3ème année de guitare partitions manuscrites de 2 pages
$6.00
5.44 €
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Guitar
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Frédéric Gasse
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Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare
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MCM Editions Musicales France
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SheetMusicPlus
Comme des etudes..., vol. 1
Guitar
Composed by Thierry Tisserand. Score. 24 pages. Les Productions d'OZ - Digital #DZ 2603…
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Composed by Thierry Tisserand. Score. 24 pages. Les Productions d'OZ - Digital #DZ 2603. Published by Les Productions d'OZ - Digital
$9.95
9.02 €
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Guitar
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Thierry Tisserand
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Comme des etudes..., vol. 1
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Les 100 de Roland Dyens - Comments after a famous Etude by Sor
Guitar
Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Sc…
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Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Score. 8 pages. Les Productions d'OZ - Digital #DZ 1991. Published by Les Productions d'OZ - Digital
$5.95
5.39 €
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Guitar
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Roland Dyens (1955-)
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Les 100 de Roland Dyens - Comments after a famous Etude by Sor
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Comme toi (Easy/Intermediate Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Jean Jacques Goldman
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Tomplay
Comme toi (Very Easy Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Jean Jacques Goldman
#
Tomplay
Comme toi (Easy Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Jean Jacques Goldman
#
Tomplay
Comme le jour...
Guitar
By Roland Dyens (1955-). For solo guitar. Level 4. Published by Les Productions d'OZ - Dig…
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By Roland Dyens (1955-). For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$5.95
5.39 €
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Guitar
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Roland Dyens
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Comme le jour...
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Les 100 de Roland Dyens - Juste comme ca
Guitar
By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d…
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By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d'OZ - Digital
$3.95
3.58 €
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Guitar
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Roland Dyens
#
Les 100 de Roland Dyens - Juste comme ca
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Les Productions d'OZ - Digital
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SheetMusicPlus
Comme une suite
Guitar
By Eric Penicaud (1952-). For solo guitar. Level 3. Published by Les Productions d'OZ - Di…
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By Eric Penicaud (1952-). For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
$3.95
3.58 €
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Guitar
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Eric Penicaud
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Comme une suite
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Les Productions d'OZ - Digital
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SheetMusicPlus
Une allee au bois, Comme une etoile
Guitar
By David Gaudreau. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
By David Gaudreau. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
$6.95
6.3 €
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Guitar
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David Gaudreau
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Une allee au bois, Comme une etoile
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Les Productions d'OZ - Digital
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SheetMusicPlus
ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Lud…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. Individual part. 1 pages. Arezzo Music #839047. Published by Arezzo Music (A0.1244072). Ode to joy in d guitar sheet music - arezzo sheet music engraver for beginnerswe present a beginner-friendly guitar sheet music arrangement of Beethoven's iconic Ode to Joy in the key of D major, engraved with precision using Arezzo, the renowned sheet music engraving software. Immerse yourself in the uplifting melodies of this timeless composition as we guide you through the steps to master this classic piece on the guitar. Whether you're a beginner guitarist or someone looking to learn this famous melody, this sheet music tutorial is perfect for you. Follow along with the provided sheet music and discover the joy of playing Ode to Joy on the guitar. The notation, meticulously engraved with Arezzo, ensures clarity and readability, making it easier for beginners to learn and play. Join us as we delve into the world of Beethoven's masterpiece, and let the guitar bring the joy of music into your life. Don't forget to like, comment, and subscribe to our channel for more beginner-friendly sheet music tutorials and captivating performances.  ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
$2.99
2.71 €
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Guitar
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L
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ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
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Arezzo Music
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SheetMusicPlus
Canon in D (Guitar Trio)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. A…
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Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 15 pages. John A. Dempsey #680431. Published by John A. Dempsey (A0.1076277). A celebrated Baroque work, Pachelbel's Canon in D exudes warmth, beauty, and serenity, all in a stylishly flowing, timeless way. Â A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this peaceful arrangement is a guitar trio. Â Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â 11 pages of music (includes score and parts for guitar 1, guitar 2 and guitar 3).
$9.99
9.06 €
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Guitar
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Johann Pachelbel
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Canon in D (Guitar Quintet)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1081987 Composed by Johann Pachelbel. A…
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Guitar - Level 3 - Digital Download SKU: A0.1081987 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 22 pages. John A. Dempsey #686121. Published by John A. Dempsey (A0.1081987). A celebrated Baroque work, Pachelbel's Canon in D radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. Â A favorite for concerts, recitals and especially weddings (as a prelude, a bridal march, bridesmaid processional, wedding recessional and/or unity candle music), this peaceful guitar quintet is also recommended for traditional church services and other worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. 18 pages of music (that includes the score and separate two-page parts for guitar 1, guitar 2, guitar 3, guitar 4 and guitar 5).
$12.99
11.78 €
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Guitar
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Johann Pachelbel
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Canon in D
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John A. Dempsey
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SheetMusicPlus
La D´Héricourt by Claude Balbastre (1724-1799) transcribed for solo guitar by Runar Kjeldsberg
Guitar
Solo Guitar - Digital Download SKU: A0.945698 Composed by Claude Balbastre (1724-17…
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Solo Guitar - Digital Download SKU: A0.945698 Composed by Claude Balbastre (1724-1799). Arranged by Runar Kjeldsberg. Contemporary. Individual part. 7 pages. Runar Kjeldsberg #6049771. Published by Runar Kjeldsberg (A0.945698). A beautiful rondo in French late baroque style. This piece will be a nice addition to your concert repertoar. Recommended to be performed in set with my other Balbastre arrangements.
$4.99
4.52 €
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Guitar
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Claude Balbastre
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La D´Héricourt by Claude Balbastre
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Runar Kjeldsberg
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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SheetMusicPlus
Un jour de mars
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4277 Composed by Michel Dalle A…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4277 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4277. Published by Les Productions d'OZ - Digital (ZZ.DZ-4277). Découvrez Un Jour de Mars, une ballade musicale envoûtante pour guitare seule qui capture l'espoir et la douceur de l'arrivée du printemps. Laissez-vous transporter par cette mélodie évocatrice qui sâ??interpréte comme un préludeâ?¦Discover Un Jour de Mars, a haunting musical ballad for solo guitar that captures the hope and sweetness of the arrival of spring. Let yourself be transported by this evocative melody which is interpreted like a prelude...
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3.58 €
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Guitar
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Michel Dalle Ave
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Un jour de mars
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Les Productions d'OZ - Digital
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
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SheetMusicPlus
Women Composers
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4265 Guitar Works by Caroline V. Hayd…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4265 Guitar Works by Caroline V. Hayden. Composed by C.V. Hayden. Arranged by Annette Kruisbrink. Score. 63 pages. Les Productions d'OZ - Digital #DZ 4265. Published by Les Productions d'OZ - Digital (
Ce volume de la série Women Composers pour guitare contient 20 compositions de la compositrice américaine Caroline V. Hayden. Au XIXe siècle, une grande quantité de musique pour instruments à cordes pincées, comme la guitare, le banjo, la mandoline et la harpe, a été publiée en Amérique. Les danses populaires étaient la Polka, la Valse, la Mazurka, la Gavotte, la Schottische, la Marche et le Galop. Caroline V. Hayden était une représentante importante de ce mouvement musical. This volume in the series of Women Composers for the guitar contains 20 compositions by the American composer Caroline V. Hayden. In the 19th century a large quantity of music for plucked string instruments, such as the guitar, banjo, mandolin and harp was published in America. Popular were dances such as the Polka, Waltz, Mazurka, Gavotte, Schottische, March and Galop. Caroline V. Hayden was an important representative of this musical movement.
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitar
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
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Guitar
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
Peated Waltzes
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
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the Broad Bay
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Selected Works, vol. 1
Guitar
The present collection is around the idea of paying homage to the people that each piece i…
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The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.Canción de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.Canción de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous
Song List: El Colibri El Faro Gratitud Cancion De Cuna
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Selected Works, vol. 1
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
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5.39 €
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Guitar
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
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