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Dance for Pan
Guitar
Sheetmusic to print
33 sheet music found
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1
26
Danza Espanola No.2 'Oriental' for Spanish Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1442514 By Keith Terrett. By Panta…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1442514 By Keith Terrett. By Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916). Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Individual part. 5 pages. Keith Terrett #1022477. Published by Keith Terrett (A0.1442514). Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916), commonly known as Enrique Granados in Spanish or Enric Granados in Catalan, was a Spanish composer of classical music, and concert pianist from Catalonia, Spain. His most well-known works include Goyescas, the Spanish Dances [es], and María del Carmen.Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar; examples include Dedicatoria, Danza No. 5, and Goyescas.His music can be divided into three styles or periods:A romantic style including such pieces as Escenas Románticas and Escenas Poeticas.A more typically nationalist, Spanish style including such pieces as Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Pieces based on popular Spanish songs).The Goya (Goyesca) period, which includes the piano suite Goyescas, the opera Goyescas, various Tonadillas for voice and piano, and other works.Granados was a significant influence on at least two other famous Spanish composers and musicians, Manuel de Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
$1.99
1.83 €
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Guitar
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Keith Terrett
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Danza Espanola No.2 'Oriental' for Spanish Guitar
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Keith Terrett
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SheetMusicPlus
Garcia Dionisio Aguado: Country Dances, 8 - Op.8 for guitar solo
Guitar
Instantly downloadable sheet music by Garcia Dionisio Aguado for guitar solo of EASY/MEDIU…
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Instantly downloadable sheet music by Garcia Dionisio Aguado for guitar solo of EASY/MEDIUM skill level. Contents: opus 8, op. 8, 8 country dances, eight country dances,[no.1-8] / classical,spanish
$3.99
3.67 €
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Guitar
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Garcia Dionisio Aguado
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Virtualsheetmusic
Spanish Dance for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Historic,Instructional. Individual part. 6 pages. Keith Terrett #1024245. Published by Keith Terrett (A0.1444330). The story of “Spanish Fandango” begins in 1825, when Henry Worrall was born in Liverpool, England. Worrall immigrated to New York as a child, and his biography is a classic American tale of energy and self-invention. After his family moved to Cincinnati, Ohio, around 1835, young Worrall left his occupation as a newsboy to work for a decorative glass cutter.At the same time, Worrall set about teaching himself to play guitar—and, eventually, painting, engraving, and design. In the 1850s, he published a popular tutorial, Worrall’s Guitar School, and his original compositions, with evocative titles like “Mexican Airs,” “Saint Louis Rondo,” and “Sebastopol—A Descriptive Fantaisie for the Guitar,” became part of America’s popular music canon.
$1.99
1.83 €
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Guitar
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Henry Worrall
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Hispanic-American Guitar
Guitar
Guitar (classical & fingerpicking) - Intermediate - Digital Download Composed by …
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Guitar (classical & fingerpicking) - Intermediate - Digital Download Composed by Doug Back. All styles. E-book and online audio. 112 pages. Mel Bay Publications - Digital Sheet Music #97100BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656139.<br> <br> The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist / composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillano, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of The Celebrated Spanish Retreat, a programmatic work with an unusual 'C' tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. The book features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.
$19.99
18.41 €
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Guitar
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Doug Back
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Hispanic-American Guitar
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SheetMusicPlus
Juanita Spanish Dance for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1442836 By keith terre. By Arling …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1442836 By keith terre. By Arling Shaeffer (1859 – February 21, 1943). Arranged by Keith Terrett. 19th Century,A Cappella,Contest,Festival,Instructional,Romantic Period. Individual part. 5 pages. Keith Terrett #1022770. Published by Keith Terrett (A0.1442836). Arling Shaeffer (1859 – February 21, 1943) was an American composer and arranger.Shaeffer was born in Fond du Lac, Wisconsin in 1859. He was also a musician known for his mastery of fretted instruments such as the guitar, mandolin, ukulele, and banjo. He wrote a mandolin method book, Elite Mandolin Instructor, published by Lyon and Healy in 1891, and a guitar method book, the Elite Guitar Instructor, published in 1895.Shaeffer died in Marinette, Wisconsin on February 21, 1943 and was buried in Fond du Lac.
$1.99
1.83 €
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Guitar
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keith terre
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Juanita Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Piece en Forme de Habenera
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5957569. Published by Maggie Creek Music (A0.899152). Arranged for solo classical guitar 4 pp intermediate difficulty Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Piece en Forme de Habenera is from the 'Rapsodie espagnole', written for orchestra in 1907. Habenera is a Cuban dance that came to Spain in the mid-19th century and named after Havana (Habana).
$5.00
4.6 €
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Guitar
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Maurice Ravel
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#
Piece en Forme de Habenera
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Maggie Creek Music
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SheetMusicPlus
Spanish Rhapsody
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1191073 Composed by Peter Mallende…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1191073 Composed by Peter Mallender. Classical,Contemporary,Multicultural,Romantic Period,Thriller,World. Individual part. 7 pages. Peter Mallender #790589. Published by Peter Mallender (A0.1191073). A piece with Spanish influence that includes some popular Spanish melodies, most notably, La Paloma and The Miller's Dance. This is a very difficult and relatively long piece when compared the music of the standard repertoire, but it's not only playable, but fun to learn for both private study as well as public performances.
$4.99
4.59 €
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Guitar
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Peter Mallender
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Spanish Rhapsody
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Peter Mallender
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SheetMusicPlus
Rondalla Aragonesa (Spanish Dance No. 6) Enrique Granados arr. for two classical guitars
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granados (1867-1916). Arranged by John Pinno. 20th Century,Concert. Individual part. 13 pages. John Pinno #5022851. Published by John Pinno (A0.775478). An arrangement by John Pinno for two classical guitars, of Rondella Aragonesa (Spanish Dance #6) by Enrique Granados. The two separate guitar parts each come fully fingered in standard music notation. Note to purchasers of arrangements and/or compositions by John Pinno published on Sheet Music Plus: ~For any comments and/or questions, email to jpinno093@hotmail.com with subject of sheet music plus ~Please also see my other publications on Sheet Music Plus at http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 ~This includes arrangements and/or compositions for solo classical guitar, classical guitar duos and quartets, Christmas arrangements for solo guitar and guitar quartets, classical ensemble arrangements for voice and guitar, flute and guitar, and other combinations, and also works for recorder ensembles.
$14.00
12.89 €
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Guitar
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Enrique Granados
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Rondalla Aragonesa
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John Pinno
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SheetMusicPlus
Oriental (Spanish Dance No. 2) by Enrique Granados arr. for classical guitar duo
Guitar
Solo Guitar - Digital Download SKU: A0.775482 Composed by Enrique Granados (1867-19…
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Solo Guitar - Digital Download SKU: A0.775482 Composed by Enrique Granados (1867-1916). Arranged by John Pinno. 20th Century,Concert. Individual part. 12 pages. John Pinno #5306581. Published by John Pinno (A0.775482). An arrangement by John Pinno for classical guitar duo of Oriental (Spanish Dance No. 2) by Enrique Granados (1867-1916).
$14.00
12.89 €
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Guitar
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Enrique Granados
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Oriental
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John Pinno
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SheetMusicPlus
Prelude and Wedding Dance
Guitar
By Benjamin Verdery (1955-). For solo guitar. Level 4. 8 pages. Published by Les Editions …
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By Benjamin Verdery (1955-). For solo guitar. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$5.95
5.48 €
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Guitar
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Benjamin Verdery
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Prelude and Wedding Dance
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Les Editions Doberman-Yppan
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SheetMusicPlus
Folk Songs, Dance and Lullabies
Guitar
By Dusan Bogdanovic (1955-). For solo guitar. Level 3. 6 pages. Published by Les Editions …
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By Dusan Bogdanovic (1955-). For solo guitar. Level 3. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.24 €
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Guitar
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Dusan Bogdanovic
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Folk Songs, Dance and Lullabies
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Les Editions Doberman-Yppan
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SheetMusicPlus
Averroes Dance
Guitar
By Milos Petrovic. For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman…
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By Milos Petrovic. For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
7.32 €
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Guitar
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Milos Petrovic
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Averroes Dance
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Les Editions Doberman-Yppan
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SheetMusicPlus
Laments, Dances and Lullabies, volume 1
Guitar
By Miroslav Tadic. For solo guitar. Level 3. 8 pages. Published by Les Editions Doberman-Y…
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By Miroslav Tadic. For solo guitar. Level 3. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
7.32 €
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Guitar
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Miroslav Tadic
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Laments, Dances and Lullabies, volume 1
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Les Editions Doberman-Yppan
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SheetMusicPlus
"Danza" for solo classical fingerstyle guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1412810 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1412810 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 3 pages. Keith Gehle #994814. Published by Keith Gehle (A0.1412810). â??Danzaâ? (or Dance) was recorded as part of Keithâ??s album of 20 original guitar solos entitled Wintersong released in 2002. With its use of rasqueado (strumming), the piece has a distinct Spanish/flamenco sound and is fun to play and a real crowd pleaser. Thereâ??s also a version available with TAB on this site. Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound... beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
1.83 €
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Guitar
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Keith Gehle
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"Danza" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Patios de Córdoba
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.67 €
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Guitar
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Traditional
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Spanish Dance for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1443629 Composed by Adolf Frey (4 …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 6 pages. Keith Terrett #1023567. Published by Keith Terrett (A0.1443629). Adolf Frey (4 April 1865 – 4 October 1938) was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893. From Wikipedia, the free encyclopedia This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.Find sources: Adolf Frey composer – news · newspapers · books · scholar · JSTOR (October 2010)Adolf Frey (4 April 1865 – 4 October 1938)[1] was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893.[2].
$1.99
1.83 €
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Guitar
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Adolf Frey
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
12 Spanish Dances by Granados
Guitar
By Enrique Granados (1867-1916). For Guitar (Classical). Classic. 76 pages. Published by M…
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By Enrique Granados (1867-1916). For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742317. The complete set of Twelve Spanish Dances transcribed and arranged for guitar. The transcriptions remain true to the original piano score, but have been arranged in an idiomatic style for the guitar. The Spanish Romantic compositional style of Enrique Granados comes through in these elegant dances. The simplistic and intimate nature of the melodies make them very accessible for the guitar. These arrangements are a fresh approach to the familiar dances and an incentive to play some of the lesser known. A valuable addition to any guitar library. The edition includes a composer bio and program notes about each of the dances. Written in standard notation.
$17.99
16.57 €
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Guitar
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Enrique Granados
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12 Spanish Dances by Granados
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Spanish Dance No. 5 Andaluza
Guitar
(arranged for two guitars). Composed by Enrique Granados (1867-1916). Arranged by Pepe Rom…
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(arranged for two guitars). Composed by Enrique Granados (1867-1916). Arranged by Pepe Romero. For Guitar (Classical). Classic. Intermediate. E-book. 12 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743642. Arranged and edited by guitar legend Pepe Romero this guitar duet of Spanish Dance No. 5 by Enrique Granados is a must for any collection. Book includes full score, Guitar I and Guitar II parts.
$9.99
9.2 €
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Guitar
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Enrique Granados
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Spanish Dance No. 5 Andaluza
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.36 €
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Guitar
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The Andrews Sisters
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Sarabanda
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.978141 Composed by Valery Dzyabenk…
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Solo Guitar - Level 2 - Digital Download SKU: A0.978141 Composed by Valery Dzyabenko. Baroque,Contemporary,Standards,World. Individual part. 2 pages. Valery Dzyabenko #5733559. Published by Valery Dzyabenko (A0.978141). Sarabande. Old Spanish dance. Performed in the key of A minor. Music of polyphonic structure. Designed for the section Polyphony in the educational process of music schools. 3rd grade. Duration 1:40.
$2.00
1.84 €
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Guitar
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Valery Dzyabenko
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Sarabanda
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Valery Dzyabenko
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SheetMusicPlus
Spanish Dance Nr. 5 for classical guitar
Guitar
Composed by Enrique Granados (1867-1916). Arranged by John Oliver. Romantic Period. …
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Composed by Enrique Granados (1867-1916). Arranged by John Oliver. Romantic Period. Individual part. 3 pages. Johnolivermusic #5721547. Published by johnolivermusic
$1.99
1.83 €
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Guitar
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Enrique Granados (1867-1916)
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Spanish Dance Nr. 5 for classical guitar
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johnolivermusic
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SheetMusicPlus
Reveries
Guitar
Guitar - intermediate - Digital Download 4 Pieces for Guitar. Composed by Laurent Men…
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Guitar - intermediate - Digital Download 4 Pieces for Guitar. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q20923. Published by Schott Music - Digital
A slow waltz, a romance with Iberian colour, a Baroque dance and 'Pensees andalouses' with its Spanish and dance-like atmosphere carry you away to the musical world of 'Reveries'. The four pieces for solo guitar by Laurent Meneret (*1963) deal with different musical and technical aspects enabling the guitar player to discover different styles, colours and ways of playing. A rewarding addition to the modern guitar repertoire for performances and advanced lessons.
$11.99
11.04 €
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Guitar
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Reveries
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Schott Music - Digital
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SheetMusicPlus
Romance Variations
Guitar
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Pub…
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By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.
$14.99
13.8 €
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Guitar
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Rico Dwight Stover
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Romance Variations
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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