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17 sheet music found
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1
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
Guitar
Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book.…
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Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.<br> <br> One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.
$9.99
9.1 €
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Guitar
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Nestor Ausqui
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CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Guitar
Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Ar…
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Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.
$7.99
7.28 €
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Guitar
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Elton John
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Sorry Seems To Be The Hardest Word
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David Jaggs
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SheetMusicPlus
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitar
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
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Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.38 €
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Guitar
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SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hotel California
Guitar
Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felde…
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Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Pop,Rock. 79 pages. Duration 372. Ron Calabrese #TNcRYrWN5BaTRWl6j56eK. Published by Ron Calabrese (A0.1350516). Key: A minor.Guitar, Guitar Ensemble, Guitar Ensemble – Beginner/Advanced – Ron Calabrese Hotel California (Arrangement by Ron Calabrese): Score, 5 Guitar Parts, Guitar Tablature: 49 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players. The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion. The iconic guitar solo includes smooth harmonies across multiple guitar parts. Part Descriptions: Guitar 1: The Guitar 1 Part is written to showcase the tune’s main melody and chorus. This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece. All fingering and tabulator are included for convenience. Guitar 2: The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable. Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo. This part can be played by an intermediate player. All fingering and tabulator are included for convenience. Guitar 3 & 4: The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections. These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5: The Guitar 5 Part is the bass guitar part (written in G clef). From time to time, the part includes key rhythmic phrases used to complement the other parts. The Guitar 5 Part also includes the chords as a potential 6th Part.
$19.99
18.2 €
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Guitar
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The Eagles
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Hotel California
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
18.19 €
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Guitar
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The Eagles
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Peated Waltzes
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
5.42 €
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Guitar
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Despacito
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99
4.54 €
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Guitar
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Luis Fonsi and Daddy Yankee
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
One More Light
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1485765 By Linkin Park. By Brad De…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1485765 By Linkin Park. By Brad Delson, Chester Bennington, David Farrell, Francis White, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Stelios Kyriakidis. Pop,Rock. Individual part. 5 pages. Stelios Kyriakidis #1062810. Published by Stelios Kyriakidis (A0.1485765). My arrangement of a favourite song, One More Light by Linkin Park.It's a solo guitar arrangement, suitable for acoustic or nylon string guitar. The level is intermediate to advanced. Hope you enjoy it!
$5.99
5.45 €
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Guitar
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Linkin Park
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One More Light
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Stelios Kyriakidis
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SheetMusicPlus
What Was I Made For?
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1489295 By Billie Eilish. By Billi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1489295 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dondee Magnata. Film/TV,Pop. Individual part. 3 pages. Dondee Magnata #1066153. Published by Dondee Magnata (A0.1489295). Fingerstyle Guitar Arrangement of What Was I Made For?Dive deep into the emotional resonance of What Was I Made For? with this meticulously crafted fingerstyle guitar arrangement. Designed for intermediate to advanced guitarists, this arrangement captures the song's delicate nuances and poignant melodies, allowing you to express its haunting beauty through your fingertips. Each note is carefully placed to stay true to the original while offering a unique, immersive experience that will captivate both you and your audience. Perfect for personal enjoyment, performances, or as a valuable addition to your repertoire.
$5.99
5.45 €
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Guitar
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Billie Eilish
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What Was I Made For?
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Dondee Magnata
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SheetMusicPlus
Chet Atkins Off the Record
Guitar
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.93395EB C…
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.93395EB Composed by Tommy Flint. Edited by Tommy Flint. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #93395EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93395EB). ISBN 9781609748517. 8.75x11.75 inches.Chet's actual recorded solos are: I'll Say She Does; Me and Merle; Yanky Doodle Dixie; Mr. Bojangles; Walk-Don't Run; Wheels; The Odd Folks of Okracoke; Yellow Bird; Windy & Warm; Just As I Am; John Henry; Spanish Fandango; Wimoweh; Liebestraum; and Czardas. In notation and tablature.
$14.99
13.65 €
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Guitar
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Tommy Flint
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Me and Merle
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Chet Atkins Off the Record
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.24 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
À vos guitares, prêts, jouez! Vol. 4
Guitar
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
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1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
9.06 €
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Guitar
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À vos guitares, prêts, jouez! Vol. 4
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SheetMusicPlus
Sarabande and Double - BWV 1002
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.938369 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938369 Composed by Johann Sebastian Bach. Arranged by Robert Adler. Baroque,Standards. Individual part. 3 pages. Robert Adler #3872483. Published by Robert Adler (A0.938369). An arrangement of J. S. Bach's beautiful Sarabande and Double from Violin Partita No. 1, BWV 1002, for classical guitar, done in the style of Busoni/Godowski, with a few enrichments in the bass and accompanying voices. Difficulty level is for intermediate/advanced level players, video performance of the Sarabande: https://tinyurl.com/yabqq7wb
$2.99
2.72 €
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Guitar
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Johann Sebastian Bach
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Sarabande and Double - BWV 1002
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Robert Adler
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SheetMusicPlus
Suite
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11490 London Manus…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q11490 London Manuscript No. 26. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11490. Published by Schott Music - Digital (S9.Q11490). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
$15.99
14.56 €
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Guitar
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Silvius Leopold Weiss
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Suite
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Schott Music - Digital
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SheetMusicPlus
Suite "L'Infidèle"
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manus…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manuscript No. 23. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11491. Published by Schott Music - Digital (S9.Q11491). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
$15.99
14.56 €
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Guitar
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Silvius Leopold Weiss
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Suite "L'Infidèle"
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Schott Music - Digital
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.66 €
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Guitar
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Various
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitar
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.65 €
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Guitar
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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