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11 sheet music found
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1
The Painter
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Guitar
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INTERMEDIATE
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Contemporary
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Lance Olivieri
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The Painter
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Lance Olivieri
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published by Lance Olivieri (A0.1025659). The Painter was inspired by living my life close to an artist. I wanted to portray the difficulty, passion and elation an artist of any type experiences when creating a piece that aims to express emotions or a meaning that is something not tangible; the enlightening that an artist feels when a painting finally comes together after a long struggle for the subject, composition and color. It consists of 3 separate parts or conversations she is having with her work. 6th string to D, 2nd string to A tuning allows for an ease to fingering.
$1.99
FAQ: Types and Uses of the Capo
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Guitar
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BEGINNER
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Tom Rasely
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FAQ: Types and Uses of the Cap
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #...
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Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21002EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21002EB). ISBN 9781609742089. 8.75x11.75 inches.The capo is a tool of the trade. This will guide you through an understanding of how it works, and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on an understanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos, examples, charts, and exercises are included. The author has created a systematic method that aids your understanding of note relationships, offers a practical application of Circle of Fifths, and works it all from the orientation of the guitar itself, so you also gain valuable knowledge about note relationships and chord shapes all over the fretboard.Since not all capos are created equal, a complete gallery of capos is presented to make your selection process that much easier.,• Guides you through an understanding of how the capo works., ;• Teaches how to select the one that is right for you and your guitar. • Lots of photos, examples, charts, and exercises are included.   • A theoretically correct method of capo use that relies mainly on an understanding of the fingerboard of the guitar; from note relationships to the Circle of Fifths to valuable knowledge about chord shapes all over the fretboard.
$3.99
Suite in D Lydian Mixed Mode
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Classical
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Ar...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
Tala
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Guitar
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INTERMEDIATE/ADVANCED
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Alfred Feenstra
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Tala
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. P...
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Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfred Feenstra (A0.978015). Tala is a facebook girlfriend of me from Iraq where she lives. Through Facebook, we had and still have a quite special relation. For that reason, I composed this song for her. She sends me recordings of her singing in Arabic language, nice although I can not understand the meaning of the words and I wrote for her this song. Now she works in a hospital and supports with her friendship and good care young children with cancer.
$4.00
Partita II (BWV1004) in d minor transcribed for guitar
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Guitar
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ADVANCED
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Classical
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. ...
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Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
Fingerstyle Pattern Picking
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Guitar
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BEGINNER
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Folkloric/Traditional
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Jon Ten Broek
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Fingerstyle Pattern Picking
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Beginning - Digital Download SKU: M0.96936EB Composed by Jon Ten Broek. Traditional. 0. E-book. Mel Bay Publications - Digital S...
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Guitar (fingerpicking) - Beginning - Digital Download SKU: M0.96936EB Composed by Jon Ten Broek. Traditional. 0. E-book. Mel Bay Publications - Digital Sheet Music #96936EB. Published by Mel Bay Publications - Digital Sheet Music (M0.96936EB). ISBN 9781619117419. 8.75x11.75 inches.This book presents 150 fingerstyle guitar picking patterns for 2/4, 3/4, and 4/4 time - all based on the first position C-major chord. An explanation of the pattern notation system is given in diagram form at the beginning, followed by the patterns themselves. Includes alternate bass-note patterns, bass connecting runs, practice progressions, capo positions with their corresponding key relationships, a transposing chart, information on transposing progressions and a brief section on alternate tunings. Written in a simple diagram format without notation or tablature.
$9.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitar
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INTERMEDIATE
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Contemporary
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Parting for Guitar Solo
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Guitar
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INTERMEDIATE
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Dosia McKay
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Dosia McKay
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Parting for Guitar Solo
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Gavia Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.876661 Composed by Dosia McKay. Arranged by Dosia McKay. 20th Century,Contemporary,Pop. Individual part....
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Solo Guitar - Level 3 - Digital Download SKU: A0.876661 Composed by Dosia McKay. Arranged by Dosia McKay. 20th Century,Contemporary,Pop. Individual part. 6 pages. Gavia Music #18657. Published by Gavia Music (A0.876661). From the composer: I wrote Parting for Baroque lutenist Will Tocaben in the summer of 2013. At that time it seemed that everywhere I turned, I saw relationships falling apart and close and distant friends going through breakups. I wanted to write a reflective piece expressing the sense of being pulled back and forth, the feeling of loss and uncertainty, with the final release and acceptance. Originally composed for Baroque lute in Dm, this transcription is prepared in Bm notated in treble clef for classical guitar, edited by Argentine virtuoso Sergio Puccini. Total duration 5'00''.
$20.00
Photo Barre Chord Book
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Guitar
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BEGINNER
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Chords/Scales
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Gene Kerr
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Photo Barre Chord Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Gene Kerr. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Gene Kerr. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742270. This is a "tried and true" must-have book for the guitarist who wishes to learn commonly used barre chords, chord structure, the similarities and relationships of one chord to another, and most importantly, the locations of notes on the fretboard. Diagrams and descriptions are laid out progressively in a way that will make this information easy to understand and use. This book is a valuable resource for the beginner who wishes to learn a few chords, as well as the advanced player in need of a comprehensive chord reference. Written in diagram format.
$12.99
Eight Octatonic Studies for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Studies
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Kenneth Pasciak
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Eight Octatonic Studies for Gu
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Kenneth Pasciak
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages...
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Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages. Published by Kenneth Pasciak
Inspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight short studies for classical or electric guitar. Each study explores the expressive potential of a single octatonic collection (also referred to as an octatonic scale or diminished scale).
Studies I, IV and VI feature ostinato patterns that support evocative melodies. Study II is an exercise in octatonic counterpoint and imitation. Studies III and VII feature octatonic scalar motives punctuated by dyads and seventh chords. Study V simulates a tonal context, implying the key of D flat major. Finally, Study VIII explores the intervallic relationships inherent in an octatonic collection. Includes preface, 9 pages sheet music
$6.99
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