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Eric Bass
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2,496
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5
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43
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39
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22
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17
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11
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9
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15 sheet music found
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1
Tu Vuò Fà L'americano
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Guitar
#
INTERMEDIATE/ADVANCED
#
Renato Carosone
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Dusan Bogdanovic
#
Tu Vuò Fà L'americano
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Singidunum Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1232559 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Dusan Bogdanovic. 20th Ce...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1232559 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Dusan Bogdanovic. 20th Century,Comedy,Jazz,Standards. Individual part. 3 pages. Singidunum Music #828214. Published by Singidunum Music (A0.1232559). Tu vuo fa l’Americano (You want to be American) is a hit single by the Neapolitan Italian singer Renato Carosone from 1956. The song is a swing parody of a young Italian trying to imitate the American lifestyle, including whiskey and soda, rock ‘n roll, and baseball. This arrangement of the song for guitar solo retains the humorous character of the music, which is orchestrated here with guitar effects such as pizzicato, ponticello, and walking bass.
$7.99
Nocturne in Eb Major, Op. 9, No. 2 (For 2 Guitars and 2 Basses)
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Guitar
#
INTERMEDIATE
#
Classical
#
Frederic Chopin
#
Danny Crocome
#
Nocturne in Eb Major, Op. 9, N
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Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1284592 Composed by Frederic Chopin. Arranged by Danny Crocome. 19th Century,Chamber,Classical,Romantic Perio...
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Guitar - Level 3 - Digital Download SKU: A0.1284592 Composed by Frederic Chopin. Arranged by Danny Crocome. 19th Century,Chamber,Classical,Romantic Period,Traditional. 5 pages. Danny Crocome Music #875767. Published by Danny Crocome Music (A0.1284592). This arrangement of Chopin's timeless Nocturne in Eb Major, Op. 9, No. 2, is for 2 guitars and 2 basses.
$9.99
The Vampire: A Dramatic Theme
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Guitar
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INTERMEDIATE/ADVANCED
#
Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Homage to Latin Music - Salsa
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Guitar
#
INTERMEDIATE
#
Latin/World Music
#
Jorge Morel
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Homage to Latin Music - Salsa
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
By Jorge Morel. For Guitar (Classical). Latin American. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Jorge Morel. For Guitar (Classical). Latin American. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610650939. Argentine master Jorge Morel combines his years of experience of life in Cuba and Puerto Rico and acquaintances with great Latin musicians with his talent for guitar performance in composing this delightful extended dance for solo classic guitar. Written in separate standard notation and tablature editions within the same folio (13 pages each), Morel's Homage makes extensive use of the syncopated clave rhythm pattern and the anticipated attack of bass notes so typical of salsa music. The standard notation edition is carefully fingered for the left hand to facilitate performance, with only minimal suggestions for the right hand. Audio available online.
$9.99
Passacaglia
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Eric J Roth
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Passacaglia
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #475682...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
Preludio in A (estudio nº15)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Jiménez Manjón
#
Rui Namora
#
Preludio in A
#
Rui Namora
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romanti...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00
Waltz #4
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Guitar
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INTERMEDIATE
#
Contemporary
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Paul Erickson
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Waltz #4
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Paul Erickson
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.987938 Composed by Paul Erickson. Contemporary. Individual part. 1 pages. Paul Erickson #519311. Publish...
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Solo Guitar - Level 3 - Digital Download SKU: A0.987938 Composed by Paul Erickson. Contemporary. Individual part. 1 pages. Paul Erickson #519311. Published by Paul Erickson (A0.987938). A nice Waltz in G Major. Feature nice low bass with drop D tuning on the 6th String. 1 Page.
$3.99
Etude #11
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Guitar
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INTERMEDIATE
#
Contemporary
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Paul Erickson
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Etude #11
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Paul Erickson
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.987936 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #51...
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Solo Guitar - Level 3 - Digital Download SKU: A0.987936 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #519245. Published by Paul Erickson (A0.987936). This study in D Major uses drop D tuning in the bass. It also covers intervals in thirds and 4ths. 1 Page.
$3.99
Etude #7
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Guitar
#
INTERMEDIATE
#
Contemporary
#
Paul Erickson
#
Etude #7
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Paul Erickson
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.987931 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #51...
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Solo Guitar - Level 3 - Digital Download SKU: A0.987931 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #519237. Published by Paul Erickson (A0.987931). This study in G minor emphasizes carrying the melodic line in the bass and study of 6/8 timing. 1 Page.
$3.99
Etude #5
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Paul Erickson
#
Etude #5
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Paul Erickson
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.987929 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #51...
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Solo Guitar - Level 4 - Digital Download SKU: A0.987929 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #519233. Published by Paul Erickson (A0.987929). This study features hammer on notes, triplets and independent bass voicings. 1 Page.
$3.99
Élégie
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Guitar
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INTERMEDIATE
#
Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Every Breath You Take
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Guitar
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EASY
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual pa...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
Perfect
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Guitar
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EASY
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Pop music
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Ed Sheeran
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Pablo Alcázar
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Perfect
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheeran. Arranged by Pablo Alcázar. 21st Century,Classical,Pop,Singer/So...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheeran. Arranged by Pablo Alcázar. 21st Century,Classical,Pop,Singer/Songwriter,Wedding. Individual part. 2 pages. Pablo Alcázar #856994. Published by Pablo Alcázar (A0.1264082). This arrangement of Perfect (for solo guitar) fits perfectly on Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass is giving a nice feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need fast repertoire for wedding events.Perfect is a song written and recorded by English singer-songwriter Ed Sheeran. It was released on November 24, 2017, as the fourth single from his album. The song reached as high as number three on the Billboard Hot 100 in the United States. The following week, Sheeran re-released the song as a duet with American singer Beyoncé, who sings the second verse from a female perspective. The duet version has reached number one in both the US and UK. It became Sheeran's second American chart-topper and Beyoncé's sixth as a solo artist (tenth including songs with Destiny's Child).
$4.99
Variations on a Theme by Tommie Wright
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Ted Stanley
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Variations on a Theme by Tommi
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Ted Stanley
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published...
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Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00
Romance Variations
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Guitar
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Classical
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Rico Dwight Stover
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Romance Variations
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.
$14.99
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