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Mendelssohn's Andante - Excerpt from Violin Concert #1 in E minor, 2nd Movement
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1473187 By Tom Salvatori. By Felix…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Salvatori Productions, Inc. #1050809. Published by Salvatori Productions, Inc. (A0.1473187). A note about this Guitar Arrangement - This piece presents a reimagined excerpt from Felix Mendelssohn's Violin Concerto #1 in E minor, 2nd Movement. My goal in the arrangement was to stay strongly reverent to the original form and structure of the composition, but to present it in a manner that I anticipate even Mendelssohn himself would have never expected to hear his work...as a solo nylon string guitar lullaby. My hope is that you will enjoy listening to it in it's new form, and that it will help bring Felix Mendelssohn's composing work newly to the ears of folks who may not be inclined to attend Classical Symphony concerts. - Tom Salvatori, Guitar ArrangerShow less.
$3.99
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Guitar
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Tom Salvatori
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Mendelssohn's Andante - Excerpt from Violin Concert #1 in E minor, 2nd Movement
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Salvatori Productions, Inc.
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SheetMusicPlus
Prelude to Cello Suite no. 5, BWV 1011 (excerpt)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946414 By Johann Sebastian Bach. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946414 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Renaissance. Individual part. 1 pages. Nick Mordal #6274995. Published by Nick Mordal (A0.946414). This is a mere excerpt from one of Bach's longest fugues. It is the prelude to the fugue and is a wonderfully moody baroque lute piece in A minor. Like most well written minor pieces, it utilizes natural minor, harmonic minor and melodic minor scales throughout. Techniques used in the arrangement include slurs, cross string trills, barre and familiarity with the higher notes of the fretboard.
$4.00
3.63 €
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Guitar
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Johann Sebastian Bach
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Prelude to Cello Suite no. 5, BWV 1011
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Nick Mordal
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.53 €
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Guitar
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Alban Berg
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitar
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.53 €
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Guitar
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Alban Berg
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
"Cavatina" from Beethoven String Quartet No 13, excerpt for guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.944220 Composed by Ludwig van Beet…
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Solo Guitar - Level 4 - Digital Download SKU: A0.944220 Composed by Ludwig van Beethoven. Arranged by Martin Tang Bruland. 20th Century,Classical,Romantic Period. Individual part. 1 pages. Martin Tang Bruland #4643145. Published by Martin Tang Bruland (A0.944220). String Quartet No. 13, Op. 130, fifth movement - Cavatina.Arrangement of the first 39 bars of the cavatina for classical guitar.
$1.99
1.8 €
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Guitar
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Ludwig van Beethoven
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"Cavatina" from Beethoven String Quartet No 13, excerpt for guitar
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Martin Tang Bruland
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SheetMusicPlus
The Entertainer (Excerpt)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.8 €
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Guitar
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Scott Joplin
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Two Excerpts from the G minor Symphony
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899129 Composed by Wolfgang Amadeu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899129 Composed by Wolfgang Amadeus Mozart. Arranged by Rod Whittle. Classical. Individual part. 5 pages. Maggie Creek Music #3141149. Published by Maggie Creek Music (A0.899129). Transcription for solo classical guitar 5 pp.
$7.00
6.35 €
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Guitar
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Wolfgang Amadeus Mozart
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Two Excerpts from the G minor Symphony
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Maggie Creek Music
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SheetMusicPlus
Adagietto (excerpt) by Gustav Mahler - Guitar Solo
Guitar
Sheet Music for Adagietto (excerpt) by Gustav Mahler arranged for Guitar Solo in F Major. …
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Sheet Music for Adagietto (excerpt) by Gustav Mahler arranged for Guitar Solo in F Major. Digital sheet music from Musicnotes. --
$5.79
5.25 €
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Guitar
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Guitar Solo
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Musicnotes
Wolfgang Amadeus Mozart - Symphony No. 40 in G Minor, K. 550: I. Molto allegro [excerpt] - (Digital Download)
Guitar
Wolfgang Amadeus Mozart - Symphony No. 40 in G Minor, K. 550: I. Molto allegro [excerpt] D…
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Wolfgang Amadeus Mozart - Symphony No. 40 in G Minor, K. 550: I. Molto allegro [excerpt] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 2 pages -- Classical~~18th-Century~~Classical Period
$4.99
4.52 €
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Guitar
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Symphony No. 40 in G Minor, K. 550: I. Molto allegro [excerpt]
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Musicnotes
Chorus of the Hebrew Slaves (Va, pensiero) [Excerpt] by Giuseppe Verdi - Guitar Solo
Guitar
Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digit…
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Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Romantic~~Classical
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
Hungarian Dance No. 5 [Excerpt] by Johannes Brahms - Guitar Solo
Guitar
Johannes Brahms - Hungarian Dance No. 5 [Excerpt] - from 21 Hungarian Dances Digital Sheet…
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Johannes Brahms - Hungarian Dance No. 5 [Excerpt] - from 21 Hungarian Dances Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Romantic~~Classical
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
Concerto for Harpsichord (after Marcello), BWV 974 - Adagio [Excerpt] by Johann Sebastian Bach - Guitar Solo
Guitar
Johann Sebastian Bach - Concerto for Harpsichord (after Marcello), BWV 974 - Adagio [Excer…
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Johann Sebastian Bach - Concerto for Harpsichord (after Marcello), BWV 974 - Adagio [Excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Baroque~~Classical
$1.99
1.8 €
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Guitar
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Adagio [Excerpt] by Johann Sebastian Bach
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Musicnotes
Winter from the Four Seasons - Allegro [Excerpt] by Antonio Vivaldi - Guitar Solo
Guitar
Antonio Vivaldi - Winter from The Four Seasons - Allegro [Excerpt] Digital Sheetmusic plus…
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Antonio Vivaldi - Winter from The Four Seasons - Allegro [Excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Baroque~~Classical
$2.99
2.71 €
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Guitar
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Allegro [Excerpt] by Antonio Vivaldi
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Musicnotes
Fantaisie Impromptu, Op. 66: Moderato Cantabile [Excerpt] by Frederic Francois Chopin - Guitar Solo
Guitar
Frederic Chopin - Fantaisie Impromptu, Op. 66: Moderato Cantabile [Excerpt] Digital Sheetm…
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Frederic Chopin - Fantaisie Impromptu, Op. 66: Moderato Cantabile [Excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Romantic~~Classical
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
Winter from The Four Seasons - Largo [Excerpt] by Antonio Vivaldi - Guitar Solo
Guitar
Antonio Vivaldi - Winter from The Four Seasons - Largo [Excerpt] Digital Sheetmusic plus a…
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Antonio Vivaldi - Winter from The Four Seasons - Largo [Excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Baroque
$2.99
2.71 €
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Guitar
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Largo [Excerpt] by Antonio Vivaldi
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Musicnotes
Overture from Carmen [excerpt] by Georges Bizet - Guitar Solo
Guitar
Georges Bizet - Overture from Carmen [excerpt] Digital Sheetmusic plus an interactive, dow…
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Georges Bizet - Overture from Carmen [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Opera
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
Romanze from Eine Kleine Nachtmusik [excerpt] by Wolfgang Amadeus Mozart - Guitar Solo
Guitar
Wolfgang Amadeus Mozart - Romanze from Eine Kleine Nachtmusik [excerpt] Digital Sheetmusic…
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Wolfgang Amadeus Mozart - Romanze from Eine Kleine Nachtmusik [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical Period~~Classical
$1.99
1.8 €
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Guitar
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Guitar Solo
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Musicnotes
Liebestraum [excerpt] by Franz Liszt - Guitar Solo
Guitar
Franz Liszt - Liebestraum [excerpt] - from Notturno Nr. 3 Digital Sheetmusic plus an inter…
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Franz Liszt - Liebestraum [excerpt] - from Notturno Nr. 3 Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Waltz
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
The Barber of Seville Overture [excerpt] by Gioachino Rossini - Guitar Solo
Guitar
Gioacchino Rossini - The Barber of Seville Overture [excerpt] Digital Sheetmusic plus an i…
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Gioacchino Rossini - The Barber of Seville Overture [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~Opera
$1.99
1.8 €
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Guitar
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Guitar Solo
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Musicnotes
March of the Toreadors [excerpt] from Carmen - Guitar Solo
Guitar
Georges Bizet - March of the Toreadors [excerpt] Digital Sheetmusic plus an interactive, d…
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Georges Bizet - March of the Toreadors [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Opera~~Ballet
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
Can-Can [excerpt] by Jacques Offenbach - Guitar Solo
Guitar
Jacques Offenbach - Can-Can [excerpt] - from Orpheus in the Underworld Digital Sheetmusic …
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Jacques Offenbach - Can-Can [excerpt] - from Orpheus in the Underworld Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~French~~Traditional~~Opera
$1.99
1.8 €
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Guitar
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Guitar Solo
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Musicnotes
The Four Seasons: Autumn [excerpt] by Antonio Vivaldi - Guitar Solo
Guitar
Antonio Vivaldi - The Four Seasons: Autumn [excerpt] Digital Sheetmusic plus an interactiv…
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Antonio Vivaldi - The Four Seasons: Autumn [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Baroque~~Classical
$2.99
2.71 €
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Guitar
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Guitar Solo
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Musicnotes
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