Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
10
Digital
Sheet Music
28
Sheet Music
Books
75
Music
Equipment
265
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
556
PIANO & KEYBOARDS
Piano solo
185
1 Piano, 4 hands
39
Organ
35
Easy Piano
35
Piano, Voice
21
Piano, Vocal and Guitar
16
C Instruments
13
2 Pianos, 4 hands
6
Piano Trio: piano, violin, cello
2
Organ, Piano (duet)
2
Accordion
1
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
28
Dulcimer
23
Guitar notes and tablatures
13
Ukulele
12
Mandolin
8
4 Guitars (Quartet)
7
Melody line, (Lyrics) and Chords
5
Piano, Guitar (duet)
1
Bass guitar
1
Guitar Ensemble
1
2 Dulcimers (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
150
Choral 3-part
45
Choral Unison
19
Choral TTBB
16
Choral 2-part
10
Choral SSAA
9
Vocal duet
5
Soprano voice, Piano
5
Tenor voice, Piano
3
Choral SSAB, Piano
1
Tenor voice
1
High voice
1
Baritone voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Clarinet Quartet: 4 clarinets
80
2 Saxophones (duet)
55
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
41
Flute, Oboe, Clarinet, Bassoon
40
Saxophone Quartet: 4 saxophones
32
Saxophone, Clarinet (duet)
29
2 Clarinets (duet)
29
2 Flutes (duet)
28
Flute Quartet: 4 flutes
24
Clarinet, Violin (duet)
20
Flute and Piano
18
Flute Trio: 3 flutes
18
Saxophone Quintet: 5 Saxophones
16
Clarinet, Trumpet (duet)
14
Oboe, Piano (duet)
12
Oboe, Clarinet (duet)
12
Flute, Violin
11
Flute
11
Flute, Clarinet (duet)
11
Oboe, Flute
10
2 Oboes (duet)
10
Flute, Viola (duet)
9
Flute, Saxophone (duet)
9
Clarinet and Viola
9
Soprano Saxophone and Piano
9
Oboe, Bassoon (duet)
9
Clarinet and Piano
8
Flute, Trumpet (duet)
8
Flute ensemble
8
Alto Saxophone and Piano
7
Tenor Saxophone and Piano
6
Alto Saxophone
6
Flute, Oboe, Clarinet (trio)
6
Clarinet Ensemble
5
3 Clarinets (trio)
5
Tenor Saxophone
4
Clarinet
4
Oboe (band part)
4
Flute Quintet : 5 flutes
4
Saxophone (band part)
3
Flute and Guitar
3
Flute, Clarinet and Bassoon.
3
Clarinet Quintet: 5 clarinets
3
Oboe, Clarinet, Bassoon (trio)
3
Baritone Saxophone, Piano
3
3 Recorders (trio)
2
Recorder Quartet
2
Clarinet, Cello (duet)
2
Flute, Viola and harp
1
Recorder Ensemble
1
Oboe, Bassoon and Piano
1
Recorder
1
Flute, Oboe (duet)
1
Flute, Clarinet, Piano (trio)
1
2 Recorders (duet)
1
Clarinet, Bassoon (duet)
1
Flute, Violin, Piano
1
Flute, Oboe, Bassoon
1
English horn, Piano
1
Saxophone ensemble
1
Bass Clarinet, Piano
1
Clarinet (band part)
1
Harmonica
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
37
Trumpet, Saxophone (duet)
21
Trumpet, Trombone (duet)
17
2 Trumpets (duet)
16
Brass quartet : 2 trumpets, trombone, tuba
12
2 Trombones (duet)
12
Trumpet
10
Trombone and Piano
9
Brass Quartet: 4 trombones
7
Euphonium, Piano (duet)
6
Trombone
6
Trumpet ensemble
6
Trombone ensemble
6
Trumpet, Piano
6
Tuba and Piano
5
Brass Quartet
5
Brass Quartet: 4 horns
5
French Horn and Piano
4
3 Trombones (trio)
3
Bass Trombone
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet (band part)
3
2 French horns (duet)
3
Tuba
2
Brass Quartet: 2 trumpets, horn, trombone
2
Brass Trio
2
Euphonium
2
Brass Quartet: 4 trumpets
1
3 Euphoniums
1
French horn
1
French Horn and Harp
1
English horn, Piano
1
Horn Ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
226
Violin, Cello (duet)
148
Violin
125
String Trio: violin, viola, cello
124
Harp
38
Violin and Piano
29
Violin, Viola (duet)
21
String Quintet: 2 violins, viola, cello, bass
20
Cello
18
Viola, Piano
16
2 Cellos (duet)
14
Cello, Piano
13
2 Violas (duet)
12
2 Violins (duet)
11
4 Cellos
9
Viola
8
2 Harps (duet)
6
Viola (band part)
6
Double bass, Piano (duet)
4
String Trio: 3 cellos
4
String Trio: 3 violins
4
Viola ensemble
3
String Trio: 2 violins, cello
3
Violin ensemble
2
Double Bass
2
String Quintet: 2 violins, 2 violas, cello
2
Viola, Cello (duet)
2
String quartet: 4 violins
2
Harp, Flute (duet)
2
Violoncello, Basso continuo
1
String Trio: 2 violins, viola
1
4 Double Basses
1
Harp, Cello (duet)
1
Cello, Guitar (duet)
1
Violin, Tuba (duet)
1
Harp, Voice
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
271
String Orchestra
110
Orchestra
47
Handbells
34
Chamber Orchestra
33
Brass ensemble
19
Percussion Ensemble
16
Jazz Ensemble
16
Jazz combo
15
Marimba
2
Marching band
1
Drums
1
Piano and Orchestra
1
Vibraphone
1
Flexible Instrumentation
1
Orchestra, Violin
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Four by Three
Guitar
Sheetmusic to print
28 sheet music found
<
1
26
We Three Kings
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1316186 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1316186 By The Candlelight Guitarist. By John Henry Hopkins Jr. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 4 pages. Geofonica Artistworks #904923. Published by Geofonica Artistworks (A0.1316186). This arrangement of We Three Kings is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. We Three Kings can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 1:07 (see YouTube timeline).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - Amazon HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$2.99
2.73 €
#
Guitar
#
The Candlelight Guitarist
#
We Three Kings
#
Geofonica Artistworks
#
SheetMusicPlus
Vivaldi: Spring from 'The Four Seasons'
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.951424 Composed by Antonio Vivaldi…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.951424 Composed by Antonio Vivaldi. Arranged by Andrew Howes. Baroque,Standards,World. Individual part. 19 pages. Andrew Howes #6216761. Published by Andrew Howes (A0.951424). A very enjoyable piece to play for guitar ensembles, it lends itself very well to our instrument and provides a satisfying level of technical difficulty and interpretative insight. My own ensemble thoroughly enjoys playing it - only three more movements to transcribe!
$6.00
5.49 €
#
Guitar
#
Antonio Vivaldi
#
Vivaldi: Spring from 'The Four Seasons'
#
Andrew Howes
#
SheetMusicPlus
Variations on a Theme by Tommie Wright
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Co…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00
9.14 €
#
Guitar
#
Ted Stanley
#
Variations on a Theme by Tommie Wright
#
Ted Stanley
#
SheetMusicPlus
Patios de Córdoba
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.65 €
#
Guitar
#
Traditional
#
Patios de Córdoba
#
Richard Hirsch
#
SheetMusicPlus
Mastering the Classical Guitar Book 2B
Guitar
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and onl…
(+)
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30686MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119314.<br> <br> Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.
$17.99
16.45 €
#
Guitar
#
Wissam Abboud
#
Mastering the Classical Guitar Book 2B
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Beginning Pieces for Classical Guitar
Guitar
Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Class…
(+)
Guitar - Beginning - Intermediate - Digital Download Composed by Lily Afshar. Classic. E-book. 80 pages. Mel Bay Publications - Digital Sheet Music #30831EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513454993.<br> <br> In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, youll have to pay attention to dynamic and tempo changes.Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.
$17.99
16.45 €
#
Guitar
#
Lily Afshar
#
Beginning Pieces for Classical Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Christmas Suite 1225 (Part 1 and 2, complete)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 29 pages. Geofonica Artistworks #904894. Published by Geofonica Artistworks (A0.1316157). Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Christmas Suite 1225 uses fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$6.99
6.39 €
#
Guitar
#
The Candlelight Guitarist
#
Christmas Suite 1225
#
Geofonica Artistworks
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Obsession (guitar quintet or guitar orchestra)
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. A…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. Arranged by Clive Lane. 21st Century,Classical. 19 pages. Clive Lane #911215. Published by Clive Lane (A0.1322943). Obsession is a piece for guitar quintet (four guitars & bass guitar, or requinto, three guitars & bass guitar)The title refers to the obsessive 7/8 rhythm in Guitar 4.Duration: 2' 35Score and parts(See also my version for guitar quartet - four standard guitars).
$3.99
3.65 €
#
Guitar
#
Clive Lane
#
Obsession
#
Clive Lane
#
SheetMusicPlus
Seek and You Shall Find
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1460092 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1460092 By The Candlelight Guitarist. By Bradley Powell. Classical,Jazz,Praise & Worship,Religious,Sacred. Individual part. 4 pages. Geofonica Artistworks #1039015. Published by Geofonica Artistworks (A0.1460092). A soothing and reflective fingerstyle classical guitar solo by Bradley Powell (The Candlelight Guitarist), from his album Beatitude Bridge. It is a moderate tempo, intermediate classical guitar level piece (though perhaps sounding more advanced). With classical style chord voicings in a modern folk-jazz chord progression. It switches between the keys of E major and E minor, then the bridge passes through E, D, and C major keys, returning to E minor/major. This sheet music is in Standard notation... (a version with TAB and Standard notation is also available). Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the three pieces in that video. ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99
3.65 €
#
Guitar
#
The Candlelight Guitarist
#
Seek and You Shall Find
#
Geofonica Artistworks
#
SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.13 €
#
Guitar
#
Johann Sebastian Bach
#
bass line
#
Jesu, Joy of Man's Desiring
#
Matthew Nace
#
SheetMusicPlus
Gigue
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
2.73 €
#
Guitar
#
Eric J Roth
#
Gigue
#
Eric J Roth
#
SheetMusicPlus
Take Five
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1241617 By Paul Desmond. By Paul D…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1241617 By Paul Desmond. By Paul Desmond. Arranged by Nick Magson. Blues,Classical,Jazz,Pop,Standards. Individual part. 2 pages. Magsonic #836990. Published by Magsonic (A0.1241617). A cool, arrangement of the Dave Brubeck Quartet's Take Five, for classical solo or fingerstyle jazz guitar.This score uses both guitar tab and a stave. An arrangement using standard guitar notation is also available to buy.(Tip: To play the groups of four, slurred semi-quavers: strike the first note then use a hammer on, a hammer off and a pull off for the other three).
$5.80
5.3 €
#
Guitar
#
Paul Desmond
#
Take Five
#
Magsonic
#
SheetMusicPlus
Pet Sematary
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1319133 By The Ramones. By Daniel Rey, …
(+)
Guitar - Level 2 - Digital Download SKU: A0.1319133 By The Ramones. By Daniel Rey, Douglas Colvin, Jeffrey Hyman, and John Cummings. Arranged by Lino Romano. 20th Century,Film/TV,Pop,Punk,Rock. 9 pages. Lino Romano #907743. Published by Lino Romano (A0.1319133). Pet Sematary song arranged for guitar quartet, with different levels of difficulty, easy to intermediate. It's a easy song in general. The first guitar take the melodies and the second guitar do the principal riff, with an echo of the melodie in some parts, in addition to the transcription of the keyboard sound present in the original recording. Guitars three and four form a 5th chord together, with suggestions of a simple drum fill in some parts. This arrangement is suitable for camera artists and groups, both students and more experienced groups who like to include more popular songs in their repertoire.
$4.99
4.56 €
#
Guitar
#
The Ramones
#
Pet Sematary
#
Lino Romano
#
SheetMusicPlus
Melody Guitar Book 2: Strings 4-6
Guitar
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instruc…
(+)
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instructional. Educational Method. 92 pages. Tom Godfrey #4822759. Published by Tom Godfrey (A0.977918). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. Melody Guitar Book 2 picks up where Melody Guitar Book 1, leaves off. You will learn notes on strings 4-6, as well as the minor pentatonic, blues, and chromatic scales as you progress through 160 melodies and exercises. Along the way, you will be introduced to sharps and flats, articulations, musical roadmaps, tempo markings, and much more. Melody Guitar Book 2 also includes several duets that you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$11.00
10.06 €
#
Guitar
#
Tom Godfrey
#
Melody Guitar Book 2: Strings 4-6
#
Tom Godfrey
#
SheetMusicPlus
Prados Altos - Intermediate Guitar Ensemble
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.926832 Composed by Robert Jeffery.…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.926832 Composed by Robert Jeffery. 20th Century,Contemporary,Latin. Individual part. 2 pages. Robert Jeffery Music #3877697. Published by Robert Jeffery Music (A0.926832). A Peruvian Huayno style piece for intermediate guitar ensemble. Intended for a minimum of three performers, but sounds best with at least four.
$3.99
3.65 €
#
Guitar
#
Robert Jeffery
#
Prados Altos - Intermediate Guitar Ensemble
#
Robert Jeffery Music
#
SheetMusicPlus
Sicilian Summer Sunset
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1022541 Composed by Ryan J. Willia…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1022541 Composed by Ryan J. Williams. 20th Century. Individual part. 12 pages. CWJ Music House Publications #6326403. Published by CWJ Music House Publications (A0.1022541). SICILIAN SUMMER SUNSET, written for guitar quartet, offers great opportunities for the intermediate to advanced guitar player to perform music within an ensemble. The music is written to give performers the chance to play independent melodic lines as well as being one of two, three, or four simultaneous lines. The piece explores both major and minor modes as it paints a picture of a rustic country village.
$24.95
22.81 €
#
Guitar
#
Ryan J
#
Sicilian Summer Sunset
#
CWJ Music House Publications
#
SheetMusicPlus
Gioco. Sonata for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.49 €
#
Guitar
#
Victor Rebullida
#
tpo
#
Gioco. Sonata for guitar
#
Victor Rebullida
#
SheetMusicPlus
Perfect
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheer…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheeran. Arranged by Pablo Alcázar. 21st Century,Classical,Pop,Singer/Songwriter,Wedding. Individual part. 2 pages. Pablo Alcázar #856994. Published by Pablo Alcázar (A0.1264082). This arrangement of Perfect (for solo guitar) fits perfectly on Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass is giving a nice feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need fast repertoire for wedding events.Perfect is a song written and recorded by English singer-songwriter Ed Sheeran. It was released on November 24, 2017, as the fourth single from his album. The song reached as high as number three on the Billboard Hot 100 in the United States. The following week, Sheeran re-released the song as a duet with American singer Beyoncé, who sings the second verse from a female perspective. The duet version has reached number one in both the US and UK. It became Sheeran's second American chart-topper and Beyoncé's sixth as a solo artist (tenth including songs with Destiny's Child).
$4.99
4.56 €
#
Guitar
#
Ed Sheeran
#
Perfect
#
Pablo Alcázar
#
SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
9.1 €
#
Guitar
#
Jeremiah Lawson
#
Guitar Sonata No. 5 in G major
#
Jeremiah Lawson
#
SheetMusicPlus
Scenes from the Life of Death
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paras…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
10.96 €
#
Guitar
#
Apostolos Paraskevas
#
#
Scenes from the Life of Death
#
Silver Sickle Publications
#
SheetMusicPlus
Scenes From the Life of Death, Part 1
Guitar
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Ce…
(+)
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.82 €
#
Guitar
#
Apostolos Paraskevas
#
#
Scenes From the Life of Death, Part 1
#
Silver Sickle Publications
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
