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From:
Not classified
34,680
Piano & keyboards
Piano solo
57,331
Piano, Voice
20,927
Piano, Vocal and Guitar
14,417
Easy Piano
12,551
Big Note Piano
2,796
C Instruments
2,396
Organ
1,912
1 Piano, 4 hands
1,784
Piano Accompaniment
751
Accordion
441
Piano Trio: piano, violin, cello
375
Piano (band part)
288
2 Pianos, 4 hands
271
Melody line, Piano
158
Piano Quartet: piano, violin, viola, cello
109
Organ, Trumpet (duet)
107
Piano Quintet: piano, 2 violins, viola, cello
85
Accordion, Voice
61
Piano Quartet: piano, 2 violins, cello
48
Harpsichord
45
Organ, Piano (duet)
43
Solo instrument and Organ
31
Keyboard
28
1 Piano, 6 hands
18
2 Pianos, 8 hands
11
2 Accordions
9
Fake Book
4
Accordion ensemble
3
All Instruments
1
Accordion, String(s)
1
Organ, Voice
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 27 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
7,325
Melody line, (Lyrics) and Chords
4,733
Ukulele
2,877
Guitar
2,823
Bass guitar
1,003
Lyrics and Chords
628
2 Guitars (duet)
417
Mandolin
351
Piano, Guitar (duet)
245
Guitar (band part)
238
Banjo
105
4 Guitars (Quartet)
101
Dulcimer
96
Lap Steel Guitar
88
Guitar Ensemble
60
Electric Bass (band part)
54
3 Guitars (trio)
48
Band Scores
47
Ukulele Ensemble
47
Baritone Ukulele
46
Mandolin, Piano (duet)
12
Mandolin, Guitar (duet)
6
2 Dulcimers (duet)
6
Guitar, Violin, Cello (trio)
5
2 Mandolins (duet)
4
Bouzouki
2
2 Ukuleles
2
Dobro
2
Zither
2
Lute
1
Plectrum Orchestra
1
Guitar, Orchestra
1
+ 27 instrumentations
-
Retract
Voice
Choral SATB
10,255
Choral 3-part
4,295
Choral Instrumental Pak
2,431
Choral 2-part
2,094
Choral TTBB
2,008
Choral Unison
1,646
Choral SSAA
1,196
Choral
657
Vocal duet, Piano
526
Voice solo
510
High voice
434
Soprano voice, Piano
431
Tenor voice, Piano
270
Vocal duet
241
Baritone voice, Piano
192
Alto voice, Piano
138
Low voice, Piano
110
Mezzo-Soprano voice, Piano
110
Medium voice, Piano
96
Choral SSAATTBB
34
Tenor voice
34
Choral SSATB
26
Choral SSAB a cappella
18
Baritone voice
16
Soprano voice
16
High voice, Piano
16
Choral SSATTB
15
Soli, Mixted choir and accompaniment
13
Low voice
12
Choral, Organ
8
Voice, Guitar
8
Soprano voice, Orchestra
6
Choral SATBB
6
Choral SSATBB
5
Choral SSAB, Piano
3
Choral SSAATB
3
Medium Voice
2
Choral SAATB A Cappella
2
Vocal duet, Organ
1
Voice, Basso continuo
1
Voix Masculines
1
+ 36 instrumentations
-
Retract
Woodwind
Saxophone (band part)
3,318
Saxophone Quartet: 4 saxophones
2,934
Flute and Piano
2,853
Flute
2,838
Clarinet
2,761
Alto Saxophone
2,268
Clarinet and Piano
2,248
Clarinet (band part)
2,227
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2,032
Flute, Oboe, Clarinet, Bassoon
2,031
Tenor Saxophone
1,803
2 Saxophones (duet)
1,649
Alto Saxophone and Piano
1,543
Oboe, Piano (duet)
1,415
Clarinet Quartet: 4 clarinets
1,389
2 Flutes (duet)
1,297
2 Clarinets (duet)
1,124
Flute (band part)
1,043
Oboe (band part)
1,002
Tenor Saxophone and Piano
993
Saxophone Quintet: 5 Saxophones
755
Flute Quartet: 4 flutes
733
Soprano Saxophone and Piano
543
3 Saxophones (trio)
531
Recorder
509
Flute and Guitar
506
Ocarina
480
Clarinet Ensemble
469
3 Clarinets (trio)
436
Flute ensemble
420
Saxophone ensemble
406
Eb Instruments
368
Oboe
342
Saxophone
312
Flute, Clarinet (duet)
308
Clarinet Quintet: 5 clarinets
307
Descant (Soprano) Recorder
305
Baritone Saxophone, Piano
298
Flute Trio: 3 flutes
294
Recorder Quartet
263
2 Oboes (duet)
234
Harmonica
223
Treble (Alto) Recorder
201
Saxophone, Clarinet (duet)
189
English horn, Piano
179
Clarinet, Violin (duet)
172
Flute Quintet : 5 flutes
172
Flute, Violin, Piano
170
Oboe, Bassoon (duet)
168
Bass Clarinet, Piano
157
Flute, Oboe, Clarinet (trio)
145
2 Recorders (duet)
140
Flute, Clarinet and Bassoon.
131
Soprano Saxophone
128
Oboe, Clarinet (duet)
118
Flute, Violin
115
Oboe, Flute
107
Clarinet, Guitar (duet)
104
3 Recorders (trio)
103
Clarinet, Trumpet (duet)
100
Oboe, Clarinet, Bassoon (trio)
99
Flute, Violin and Violoncello
99
Flute, Oboe, Bassoon
90
Flute, Viola (duet)
87
Bass Clarinet
78
Clarinet, Bassoon (duet)
76
Clarinet and Viola
75
Clarinet, Harp (duet)
74
Recorder Ensemble
71
Baritone Saxophone
68
English Horn
66
5 Recorders
66
2 Flutes, Piano
65
Flute, Violoncello
64
Flute, Trumpet (duet)
63
Flute, Saxophone (duet)
61
Piccolo
54
Clarinet, Cello (duet)
46
Descent (Soprano) Recorder, Piano
43
Flute, Cello, Piano (trio)
39
3 Oboes
37
Flute, Oboe (duet)
36
Bagpipe
35
Tenor Recorder
32
Flute, Clarinet, Piano (trio)
31
Treble (Alto) Recorder, Piano
29
2 Clarinets, Bassoon
29
Saxophone and Guitar
29
Oboe, Cello
29
Recorder, Piano
28
2 Saxophones, Piano
26
Oboe, Guitar (duet)
26
Flute, Bassoon, and Piano
26
Oboe, Violin (duet)
24
Flute, Oboe, Piano (trio)
24
Flute, Clarinet, Horn and Bassoon (Quartet)
23
Flute, Viola and Piano
23
Flute, harp and violin
22
2 Clarinets, Piano
21
Piccolo, Piano
21
Clarinet, Cello, Piano (trio)
18
Saxophone and Organ
17
English Horn, Guitar (duet)
15
Flute, Trombone (duet)
14
Wind ensemble
13
4 Oboes
13
Oboe and viola (duet)
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
Clarinet, Trombone (duet)
11
Treble (Alto) Recorder, Basso continuo
9
Recorder, Guitar (duet)
9
Flute, Basso continuo
8
Flute and Strings Trio
8
Oboe, Harp
7
Flute, Harp and Cello
7
Oboe, Bassoon and Piano
7
Saxophone and Piano
7
Flute, trombone and piano
7
Clarinet, Bassoon, Piano (trio)
6
Flute, Tuba (duet)
6
Saxophone, Violin (duet)
6
Flute, Violin, Violoncello and Piano
6
Oboe ensemble
6
Clarinet Quintet: Clarinet, String Quartet
5
2 English horns and Pianoforte
5
Oboe, Trumpet (duet)
5
Flute, Cello, Guitar
5
Pennywhistle
5
Flute, Oboe, Violin
5
Saxophone and Harp
5
Flute, Organ (duet)
5
Flute and String Quartet
5
Clarinet, trumpet and piano
4
2 Recorders, Piano
4
Flute, Clarinet, Violin (trio)
4
2 Harmonicas
4
Clarinet, Tuba
4
2 Oboes and Basson
3
Flute, Orchestra
3
Clarinet, String quartet and Piano
3
Oboe, Violin, Piano
3
Clarinet, Organ
3
Clarinet, Double bass (duet)
2
Saxophone and cello
2
Flute, Viola and harp
2
English horn, Harp (duet)
2
Oboe, Trombone (duet)
2
2 Oboes and English horn
2
Saxophone, Bassoon (duet)
2
Oboe, Clarinet and Piano (Trio)
2
2 Flutes, Basso continuo
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Descant (Soprano) Recorder, Basso continuo
1
2 clarinets, 2 bassoons
1
Flute, Violin, Guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Clarinet, Bassoon and Piano
1
Oboe, Organ
1
Flute, Viola and Cello
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello and Piano
1
Oboe and String quartet
1
2 Flutes and Harp
1
Harmonica, Piano
1
Clarinet, Orchestra
1
+ 160 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
2,771
Trumpet
2,434
Trombone (band part)
2,330
Brass Quintet: 2 trumpets, horn, trombone, tuba
2,152
Trombone
1,759
French horn
1,639
Brass quartet : 2 trumpets, trombone, tuba
1,555
Trumpet, Piano
1,555
Trombone and Piano
1,209
French horn (band part)
1,075
French Horn and Piano
939
2 Trumpets (duet)
713
Tuba (band part)
674
2 Trombones (duet)
631
Brass Quartet
596
Tuba
450
Tuba and Piano
428
Brass Quartet: 2 trumpets, horn, trombone
419
Bass Clef Instruments
384
Bb Instruments
367
Brass Quartet: 4 trombones
294
F Instruments
285
Euphonium, Piano (duet)
232
Trumpet, Trombone (duet)
223
Brass Quartet: 4 horns
214
Trombone ensemble
212
2 French horns (duet)
197
English horn, Piano
179
Trumpet ensemble
161
Trumpet, Saxophone (duet)
143
2 Euphoniums and 2 Tubas
111
Brass Trio
87
Euphonium
85
Horn Ensemble
84
Tuba or Euphonium or Saxhorn
71
English Horn
66
2 Tubas (duet)
63
4 Tubas
61
3 Trumpets (trio)
55
Trumpet, Horn (duert)
54
3 Trombones (trio)
47
Brass Quartet: 4 trumpets
46
2 Euphoniums (duet)
24
Euphonium, Tuba (duet)
22
Trombone, Organ
21
Tuba and Organ
21
3 French horns (trio)
19
Cornet
19
Trombone, Tuba (duet)
17
Bass Trombone and Piano
17
Trumpet, Tuba (duet)
16
2 Trumpets, Keyboard (piano or organ)
16
Bass Trombone
15
English Horn, Guitar (duet)
15
Trumpet, violin (duet)
14
Trombone, Horn (duet)
12
Brass Quartet: 2 trumpets, 2 trombones
10
Trumpet, Cello (duet)
9
3 Tubas (trio)
9
Horn, Tuba (duet)
9
Trombone, cello (duet)
8
Tuba ensemble
8
Trumpet, Trombone, Piano
8
Euphonium (band part)
8
Trombone, Violin (duet)
7
Horn, Cello (duet)
6
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
6
French horn and Basson (duet)
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Horn and Organ
5
2 English horns and Pianoforte
5
Horn and Orchestra
5
French Horn and Harp
5
Trumpet, Bassoon (duet)
4
Trumpet, Cello, Piano
4
Trumpet, Harp
4
Cornet and Piano
3
2 French horns, Piano
3
Clarinet, Horn (duet)
2
English horn, Harp (duet)
2
4 Euphoniums
2
2 Trombones, Piano
2
Trumpet and Guitar
2
Cornet and Orchestra
2
Trumpet, Euphonium (duet)
2
Euphonium or Saxhorn and Piano
1
3 Euphoniums
1
+ 82 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
6,870
Violin
3,906
Violin and Piano
3,489
Harp
3,123
Cello, Piano
2,512
Cello
2,452
Viola
2,143
Violin (band part)
1,804
Viola, Piano
1,672
2 Violins (duet)
1,426
2 Cellos (duet)
999
Violin, Cello (duet)
972
String Trio: violin, viola, cello
903
Doublebass (band part)
802
Viola (band part)
590
Cello (band part)
525
Violin, Viola (duet)
483
2 Violas (duet)
444
String Quintet: 2 violins, viola, cello, bass
417
Double Bass
412
Double bass, Piano (duet)
346
String Trio: 2 violins, cello
333
Harp, Flute (duet)
288
4 Cellos
223
Viola, Cello (duet)
196
String Trio: 3 violins
152
String trio
136
Violin, Guitar (duet)
136
2 Harps (duet)
117
Piano Trio: Violin, Viola, Piano
105
Cello, Guitar (duet)
101
String Trio: 3 cellos
100
String Trio: 3 violas
84
String quartet: 4 violins
75
Viola, Guitar (duet)
62
Cello, String Bass (duet)
57
2 Violins, Piano
49
String Quartet : 4 violas
47
String Trio: 2 violins, viola
46
2 Double basses (duet)
45
String Quintet: 2 violins, 2 violas, cello
39
Harp, Violin (duet)
38
Violin, Bassoon (duet)
25
Violin ensemble
24
Cello Ensemble
23
Viola ensemble
22
Violin, Organ
19
Harp and mandolin
19
4 Double Basses
18
Cello, Orchestra
17
Harp, Voice
17
Harp, Cello (duet)
16
2 Cellos, Piano
16
Flute, Doublebass (duet)
15
Cello, Organ
13
Violin, Basso continuo
13
String Quintet: 2 violins, viola, 2 cellos
10
Harp, Violin, Violoncello
9
Viola and Bassoon
9
Viola and Harp
7
Violin, Clarinet, Piano (trio)
6
3 double basses
6
Violin, Tuba (duet)
6
Violoncello, Basso continuo
5
2 Violas, Piano
5
Harp (band part)
4
Harp, String quartet
4
Harp and Piano
4
3 Harps
4
Harp and Organ
3
Autoharp
3
4 Harps
3
Viola, Organ
2
Harp, Orchestra
2
Violin, Cello, Clarinet
2
Harp, Trombone (duet)
2
Violin, Trumpet and Piano
1
2 Violins and Basso
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
13,743
Orchestra
3,972
String Orchestra
2,955
Marching band
2,149
Jazz Ensemble
1,826
Percussion (band part)
1,609
Brass ensemble
1,199
Handbells
1,146
Chamber Orchestra
869
Drums
807
Percussion
445
Timpani (band part)
363
Jazz combo
352
Drum (band part)
240
Percussion Ensemble
166
Timpani
133
Marimba
121
Xylophone
105
Vibraphone
70
Snare drums
54
Xylophone, Piano
47
Piano and Orchestra
39
Woodwind Quintet
33
Orchestra, Violin
26
Woodwind Quartet: any 4 woodwinds
24
2 Xylophones
21
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
12
Flexible Instrumentation
9
Vibraphone (band part)
7
Brass Quintet: other combinaisons
6
School Ensemble
4
Vibraphone and Marimba
3
Big band
3
Xylophone (band part)
2
Woodwind Trio: any 3 woodwinds
2
Marimba, Piano (duet)
2
Voice and Orchestra
1
2 Marimbas
1
3 Percussions
1
3 Marimbas
1
+ 35 instrumentations
-
Retract
Others
Musical course - Solfege
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Music Theory
1
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2801
Gigue From BWV 1006-Partita No.3 For Guitar-Standard Notation
#
Guitar
#
Classical
#
Johann Sebastian Bach
#
Neal Fitzpatrick
#
Gigue From BWV 1006-Partita No
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individ...
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Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #5718735. Published by Neal Fitzpatrick Editions (A0.955377). Gigue from BWV 1006-Partita No.3 This arrangement of the Gigue from BWV 1006-Partita No.3 is for guitar solo. This Gigue is the sixth and last movement from Johann Sebastian Bach's Partita No.3. This arrangement is in the key of E Major, also the original key for the violin. Of all of Bach's solo works for violin BWV 1006 in particular well for guitar. This edition has standard notation and accompanying tablature.This arrangement is by Neal Fitzpatrick. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$3.50
The Pink Panther from THE PINK PANTHER
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Guitar
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INTERMEDIATE/ADVANCED
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Film/TV
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N...
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Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N Enterprise #3015821. Published by F & N Enterprise (A0.632487). An excellent arrangement of famous Song The Pink Panther for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Menuet (from the Anna Magdalena notebooks)
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Guitar
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BEGINNER
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Classical
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Tradi...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024537. Published by Rodrigo Faleiros (A0.1444675). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features:Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience.Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar.Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence.This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection.
$1.99
Doxology (in low D) (Praise God from whom all blessings flow)
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Guitar
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Text: Thomas Ken - Music: Gene
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Bruce J
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Doxology
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In His Name Music/SESAC
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,Gospel,Sacred,Spiritual. Individual part. 3 pages. In His Name Music/SESAC #58915. Published by In His Name Music/SESAC (A0.938062). Doxology (in low D) (Praise God from whom all blessings flow) is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. Doxology (in low D) (Praise God from whom all blessings flow) is a favorite arranged for solo classical guitar. This song is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise to the Blessed God who showers His blessings on all.
$3.99
The Road From Home
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian S
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The Road From Home
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G. Meredith Publications
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #20...
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Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #2024461. Published by G. Meredith Publications (A0.843756). The Road From Home is a piece for Solo Classical Guitar commissioned by guitarist Eric Cabalo. It is 12'. The title refers to the book by author David Kherdian, The Story of an Armenian Girl by David Kherdian, a biographical account of his mother's escape from the Armenian genocide and immigration to America as a mail order bride. See also Brian S. Wilson's song cycle, Kherdian Songs based on poems of the same author.
$15.00
Berceuse (from Escenas Románticas)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Enrique Granados
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Scott R
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Berceuse
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Scott R. Sanchez
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granados. Arranged by Scott R. Sanchez. Classical. Individual part. 2 pages....
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Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granados. Arranged by Scott R. Sanchez. Classical. Individual part. 2 pages. Scott R. Sanchez #644089. Published by Scott R. Sanchez (A0.1039126). This is a guitar arrangement of the Berceuse from Granados' Berceuse from Escenas Románticas (originally for piano).
$5.99
Tears From Sidon
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Guitar
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ADVANCED
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Pedro Abreu
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Tears From Sidon
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All Music
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Musi...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Music #861921. Published by All Music (A0.1269400). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Cristiano Sousa
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PRELUDE [ from BWV 998 by J.S.
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,W...
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Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99
Brindisi (Libiamo ne' lieti calici) from La Traviata
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Guitar
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Dan Jones
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Dan Jones www
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32...
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
Louise from „Innocents of Paris“
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Guitar
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INTERMEDIATE/ADVANCED
#
R
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Bettina Schipp
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Louise from „Innocents of Pa
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songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Indiv...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 5 pages. Songbooks.info #903981. Published by songbooks.info (A0.1315234). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Dream Lover from „the Love Parade“
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Guitar
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INTERMEDIATE/ADVANCED
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V
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Bettina Schipp
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Dream Lover from „the Love P
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinger. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinger. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 4 pages. Songbooks.info #903974. Published by songbooks.info (A0.1315237). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Tears From Sidon
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Guitar
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ADVANCED
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Pedro Abreu
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Tears From Sidon
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All Music
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. ...
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Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. All Music #861909. Published by All Music (A0.1269390). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
"March" from The Nutcracker Suite
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Guitar
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INTERMEDIATE
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Guitar Trio
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Marcus Gerakos
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"March" from The Nutcracker Su
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Marcus Gerakos
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,Ma...
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Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,March. 2 pages. Marcus Gerakos #899476. Published by Marcus Gerakos (A0.1310417). This is my arrangement for three guitars. The parts have been adapted from the original orchestral score. It's a shortened arrangement designed to be performed with other pieces from The Nutcracker Suite. Year after year this arrangement has proven both engaging and educational for my middle school guitar students.
$10.00
The Girl from Ipanema (Intermediate Level, with Band)
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Guitar
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INTERMEDIATE
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Jazz
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Jobim
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The Girl from Ipanema
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
6.99€
The Girl from Ipanema (Advanced Level, Solo Guitar)
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Guitar
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ADVANCED
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Jazz
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Jobim
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The Girl from Ipanema
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Girl from Ipanema (Intermediate Level, Solo Guitar)
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Guitar
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INTERMEDIATE
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Jazz
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Jobim
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The Girl from Ipanema
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Girl from Ipanema (Beginner Level, with Band)
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Guitar
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BEGINNER
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Jazz
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Jobim
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The Girl from Ipanema
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
6.99€
Letter from Home
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Guitar
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ADVANCED
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Jazz
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Blues
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Pat Metheny Group
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Letter from Home
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
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