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From:
Sheetmusicplus
Not classified
30,222
Piano & keyboards
Piano solo
23,068
Piano, Voice
10,695
Easy Piano
8,334
Piano, Vocal and Guitar
5,282
C Instruments
1,966
Organ
1,695
Big Note Piano
1,004
1 Piano, 4 hands
812
Piano Accompaniment
442
Piano Trio: piano, violin, cello
357
Accordion
249
Piano (band part)
239
2 Pianos, 4 hands
225
Piano Quartet: piano, violin, viola, cello
109
Organ, Trumpet (duet)
107
Piano Quintet: piano, 2 violins, viola, cello
85
Piano Quartet: piano, 2 violins, cello
48
Harpsichord
45
Organ, Piano (duet)
30
Keyboard
27
1 Piano, 6 hands
12
2 Pianos, 8 hands
11
2 Accordions
9
Accordion, Voice
7
Fake Book
4
Accordion ensemble
3
All Instruments
1
Accordion, String(s)
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 24 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
2,763
Guitar
2,194
Melody line, (Lyrics) and Chords
1,411
Ukulele
1,281
Bass guitar
903
Lyrics and Chords
369
2 Guitars (duet)
358
Mandolin
314
Guitar (band part)
237
Piano, Guitar (duet)
205
4 Guitars (Quartet)
101
Dulcimer
95
Banjo
91
Lap Steel Guitar
88
Electric Bass (band part)
49
3 Guitars (trio)
45
Guitar Ensemble
41
Baritone Ukulele
21
Ukulele Ensemble
18
Mandolin, Piano (duet)
12
Mandolin, Guitar (duet)
6
2 Dulcimers (duet)
6
Guitar, Violin, Cello (trio)
5
2 Mandolins (duet)
4
Bouzouki
2
2 Ukuleles
2
Dobro
2
Zither
2
Lute
1
Plectrum Orchestra
1
Guitar, Orchestra
1
+ 26 instrumentations
-
Retract
Voice
Choral SATB
9,031
Choral 3-part
3,156
Choral Instrumental Pak
2,431
Choral TTBB
1,842
Choral Unison
1,642
Choral 2-part
1,587
Choral SSAA
1,091
Voice solo
452
High voice
423
Vocal duet, Piano
379
Soprano voice, Piano
369
Vocal duet
241
Tenor voice, Piano
199
Choral
180
Baritone voice, Piano
161
Alto voice, Piano
138
Medium voice, Piano
96
Low voice, Piano
87
Mezzo-Soprano voice, Piano
84
Choral SSAATTBB
34
Tenor voice
34
Choral SSATB
22
Baritone voice
16
Soprano voice
16
High voice, Piano
16
Choral SSAB a cappella
13
Soli, Mixted choir and accompaniment
13
Choral SSATTB
12
Low voice
12
Choral, Organ
8
Soprano voice, Orchestra
6
Choral SATBB
6
Voice, Guitar
4
Choral SSAB, Piano
3
Choral SSAATB
3
Medium Voice
2
Vocal duet, Organ
1
Voice, Basso continuo
1
Choral SAATB A Cappella
1
Voix Masculines
1
+ 35 instrumentations
-
Retract
Woodwind
Saxophone (band part)
3,166
Saxophone Quartet: 4 saxophones
2,849
Flute and Piano
2,437
Clarinet (band part)
2,140
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,997
Flute, Oboe, Clarinet, Bassoon
1,978
Clarinet and Piano
1,877
Flute
1,759
Clarinet
1,756
2 Saxophones (duet)
1,465
Oboe, Piano (duet)
1,386
Alto Saxophone and Piano
1,366
Clarinet Quartet: 4 clarinets
1,335
Alto Saxophone
1,276
2 Flutes (duet)
1,077
Tenor Saxophone
1,065
Oboe (band part)
999
Flute (band part)
957
2 Clarinets (duet)
930
Tenor Saxophone and Piano
900
Saxophone Quintet: 5 Saxophones
754
Flute Quartet: 4 flutes
694
Soprano Saxophone and Piano
541
3 Saxophones (trio)
526
Flute and Guitar
498
Clarinet Ensemble
469
3 Clarinets (trio)
419
Flute ensemble
409
Saxophone ensemble
406
Ocarina
362
Clarinet Quintet: 5 clarinets
307
Descant (Soprano) Recorder
300
Baritone Saxophone, Piano
295
Recorder
294
Flute, Clarinet (duet)
294
Oboe
289
Flute Trio: 3 flutes
282
Recorder Quartet
235
2 Oboes (duet)
234
Harmonica
209
Treble (Alto) Recorder
197
Saxophone, Clarinet (duet)
189
English horn, Piano
179
Flute Quintet : 5 flutes
172
Clarinet, Violin (duet)
169
Oboe, Bassoon (duet)
168
Flute, Violin, Piano
153
Bass Clarinet, Piano
151
Flute, Oboe, Clarinet (trio)
145
2 Recorders (duet)
139
Flute, Clarinet and Bassoon.
131
Oboe, Clarinet (duet)
118
Flute, Violin
115
Soprano Saxophone
113
Oboe, Flute
107
Clarinet, Guitar (duet)
104
3 Recorders (trio)
103
Clarinet, Trumpet (duet)
100
Oboe, Clarinet, Bassoon (trio)
99
Flute, Violin and Violoncello
99
Flute, Oboe, Bassoon
90
Flute, Viola (duet)
87
Clarinet and Viola
75
Clarinet, Bassoon (duet)
74
Clarinet, Harp (duet)
74
Recorder Ensemble
71
Baritone Saxophone
68
English Horn
66
5 Recorders
66
Bass Clarinet
65
Flute, Trumpet (duet)
63
Flute, Violoncello
62
Flute, Saxophone (duet)
61
2 Flutes, Piano
59
Piccolo
53
Saxophone
51
Descent (Soprano) Recorder, Piano
43
Clarinet, Cello (duet)
42
Flute, Cello, Piano (trio)
39
3 Oboes
37
Flute, Oboe (duet)
36
Bagpipe
35
Tenor Recorder
32
Flute, Clarinet, Piano (trio)
31
Treble (Alto) Recorder, Piano
29
2 Clarinets, Bassoon
29
Saxophone and Guitar
29
Oboe, Cello
29
2 Saxophones, Piano
26
Oboe, Guitar (duet)
26
Flute, Bassoon, and Piano
26
Oboe, Violin (duet)
24
Flute, Oboe, Piano (trio)
24
Flute, Clarinet, Horn and Bassoon (Quartet)
23
Flute, Viola and Piano
23
Flute, harp and violin
22
2 Clarinets, Piano
21
Piccolo, Piano
21
Clarinet, Cello, Piano (trio)
18
Saxophone and Organ
17
English Horn, Guitar (duet)
15
Flute, Trombone (duet)
14
4 Oboes
13
Recorder, Piano
13
Oboe and viola (duet)
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
Clarinet, Trombone (duet)
11
Wind ensemble
10
Treble (Alto) Recorder, Basso continuo
9
Recorder, Guitar (duet)
9
Flute, Basso continuo
8
Flute and Strings Trio
8
Oboe, Harp
7
Flute, Harp and Cello
7
Oboe, Bassoon and Piano
7
Saxophone and Piano
7
Flute, trombone and piano
7
Clarinet, Bassoon, Piano (trio)
6
Flute, Tuba (duet)
6
Saxophone, Violin (duet)
6
Flute, Violin, Violoncello and Piano
6
Oboe ensemble
6
Clarinet Quintet: Clarinet, String Quartet
5
2 English horns and Pianoforte
5
Oboe, Trumpet (duet)
5
Flute, Cello, Guitar
5
Pennywhistle
5
Flute, Oboe, Violin
5
Saxophone and Harp
5
Flute, Organ (duet)
5
Flute and String Quartet
5
Clarinet, trumpet and piano
4
2 Recorders, Piano
4
Flute, Clarinet, Violin (trio)
4
2 Harmonicas
4
Clarinet, Tuba
4
Eb Instruments
4
2 Oboes and Basson
3
Flute, Orchestra
3
Clarinet, String quartet and Piano
3
Oboe, Violin, Piano
3
Clarinet, Organ
3
Clarinet, Double bass (duet)
2
Saxophone and cello
2
Flute, Viola and harp
2
English horn, Harp (duet)
2
Oboe, Trombone (duet)
2
2 Oboes and English horn
2
Saxophone, Bassoon (duet)
2
Oboe, Clarinet and Piano (Trio)
2
2 Flutes, Basso continuo
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Descant (Soprano) Recorder, Basso continuo
1
2 clarinets, 2 bassoons
1
Flute, Violin, Guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Clarinet, Bassoon and Piano
1
Oboe, Organ
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello and Piano
1
Oboe and String quartet
1
2 Flutes and Harp
1
Harmonica, Piano
1
Clarinet, Orchestra
1
+ 159 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
2,599
Trombone (band part)
2,233
Brass Quintet: 2 trumpets, horn, trombone, tuba
2,044
Brass quartet : 2 trumpets, trombone, tuba
1,555
Trumpet
1,370
Trumpet, Piano
1,229
Trombone
1,138
Trombone and Piano
1,079
French horn
1,069
French horn (band part)
993
French Horn and Piano
827
Tuba (band part)
671
2 Trumpets (duet)
532
Brass Quartet
512
Tuba
426
Brass Quartet: 2 trumpets, horn, trombone
419
2 Trombones (duet)
406
Tuba and Piano
395
Brass Quartet: 4 trombones
288
Euphonium, Piano (duet)
231
Trumpet, Trombone (duet)
222
Trombone ensemble
212
Brass Quartet: 4 horns
210
2 French horns (duet)
189
English horn, Piano
179
Trumpet ensemble
161
Trumpet, Saxophone (duet)
143
2 Euphoniums and 2 Tubas
111
Brass Trio
87
Horn Ensemble
84
Euphonium
72
Tuba or Euphonium or Saxhorn
71
English Horn
66
4 Tubas
61
2 Tubas (duet)
59
Trumpet, Horn (duert)
54
3 Trumpets (trio)
48
3 Trombones (trio)
43
Brass Quartet: 4 trumpets
35
2 Euphoniums (duet)
24
Trombone, Organ
21
Tuba and Organ
21
Euphonium, Tuba (duet)
19
3 French horns (trio)
19
Cornet
19
Trombone, Tuba (duet)
17
Bass Trombone and Piano
17
Trumpet, Tuba (duet)
16
2 Trumpets, Keyboard (piano or organ)
16
Bass Trombone
15
English Horn, Guitar (duet)
15
Trumpet, violin (duet)
14
Bass Clef Instruments
12
Trombone, Horn (duet)
12
Brass Quartet: 2 trumpets, 2 trombones
10
Trumpet, Cello (duet)
9
3 Tubas (trio)
9
Horn, Tuba (duet)
9
Trombone, cello (duet)
8
Tuba ensemble
8
Trumpet, Trombone, Piano
8
Euphonium (band part)
8
Bb Instruments
7
Trombone, Violin (duet)
7
Horn, Cello (duet)
6
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
6
French horn and Basson (duet)
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Horn and Organ
5
2 English horns and Pianoforte
5
Horn and Orchestra
5
French Horn and Harp
5
Trumpet, Bassoon (duet)
4
Trumpet, Cello, Piano
4
Trumpet, Harp
4
Cornet and Piano
3
2 French horns, Piano
3
Clarinet, Horn (duet)
2
English horn, Harp (duet)
2
4 Euphoniums
2
2 Trombones, Piano
2
Trumpet and Guitar
2
Cornet and Orchestra
2
Trumpet, Euphonium (duet)
2
Euphonium or Saxhorn and Piano
1
3 Euphoniums
1
+ 81 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
6,588
Harp
3,047
Violin and Piano
2,805
Violin
2,297
Cello, Piano
1,910
Cello
1,685
Violin (band part)
1,634
Viola, Piano
1,479
Viola
1,228
2 Violins (duet)
979
Violin, Cello (duet)
903
String Trio: violin, viola, cello
874
Doublebass (band part)
776
2 Cellos (duet)
636
Viola (band part)
462
Violin, Viola (duet)
455
Cello (band part)
426
String Quintet: 2 violins, viola, cello, bass
408
Double Bass
403
2 Violas (duet)
380
Double bass, Piano (duet)
343
String Trio: 2 violins, cello
327
Harp, Flute (duet)
288
4 Cellos
221
Viola, Cello (duet)
190
String Trio: 3 violins
150
Violin, Guitar (duet)
125
2 Harps (duet)
117
Piano Trio: Violin, Viola, Piano
104
Cello, Guitar (duet)
101
String Trio: 3 cellos
100
String quartet: 4 violins
74
String Trio: 3 violas
63
Viola, Guitar (duet)
61
Cello, String Bass (duet)
57
String trio
50
String Quartet : 4 violas
47
String Trio: 2 violins, viola
46
2 Double basses (duet)
45
String Quintet: 2 violins, 2 violas, cello
39
Harp, Violin (duet)
38
2 Violins, Piano
33
Violin, Bassoon (duet)
25
Violin ensemble
24
Viola ensemble
22
Violin, Organ
19
Harp and mandolin
19
4 Double Basses
18
Cello Ensemble
18
Cello, Orchestra
17
Harp, Voice
17
Flute, Doublebass (duet)
15
Cello, Organ
13
Violin, Basso continuo
13
Harp, Cello (duet)
12
2 Cellos, Piano
12
String Quintet: 2 violins, viola, 2 cellos
10
Harp, Violin, Violoncello
9
Viola and Bassoon
9
Viola and Harp
7
Violin, Clarinet, Piano (trio)
6
Violin, Tuba (duet)
6
Violoncello, Basso continuo
5
Harp (band part)
4
Harp, String quartet
4
Harp and Piano
4
2 Violas, Piano
4
3 Harps
4
Harp and Organ
3
3 double basses
3
Autoharp
3
4 Harps
3
Viola, Organ
2
Harp, Orchestra
2
Violin, Cello, Clarinet
2
Harp, Trombone (duet)
2
Violin, Trumpet and Piano
1
2 Violins and Basso
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
12,397
Orchestra
2,921
String Orchestra
2,741
Marching band
1,984
Jazz Ensemble
1,707
Percussion (band part)
1,535
Brass ensemble
1,199
Handbells
959
Chamber Orchestra
867
Drums
673
Jazz combo
352
Timpani (band part)
349
Percussion
262
Drum (band part)
230
Percussion Ensemble
166
Timpani
133
Marimba
97
Snare drums
54
Xylophone
51
Vibraphone
50
Xylophone, Piano
47
Piano and Orchestra
39
Woodwind Quintet
33
Orchestra, Violin
26
Woodwind Quartet: any 4 woodwinds
24
2 Xylophones
21
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
12
Flexible Instrumentation
8
Vibraphone (band part)
7
Brass Quintet: other combinaisons
6
School Ensemble
4
Vibraphone and Marimba
3
Big band
3
Xylophone (band part)
2
Woodwind Trio: any 3 woodwinds
2
Marimba, Piano (duet)
2
Voice and Orchestra
1
2 Marimbas
1
3 Percussions
1
3 Marimbas
1
+ 35 instrumentations
-
Retract
Others
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2176
Gigue From BWV 1006-Partita No.3 For Guitar-Standard Notation
#
Guitar
#
Classical
#
Johann Sebastian Bach
#
Neal Fitzpatrick
#
Gigue From BWV 1006-Partita No
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individ...
(+)
Solo Guitar - Digital Download SKU: A0.955377 Composed by Johann Sebastian Bach. Arranged by Neal Fitzpatrick. Baroque,Classical,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #5718735. Published by Neal Fitzpatrick Editions (A0.955377). Gigue from BWV 1006-Partita No.3 This arrangement of the Gigue from BWV 1006-Partita No.3 is for guitar solo. This Gigue is the sixth and last movement from Johann Sebastian Bach's Partita No.3. This arrangement is in the key of E Major, also the original key for the violin. Of all of Bach's solo works for violin BWV 1006 in particular well for guitar. This edition has standard notation and accompanying tablature.This arrangement is by Neal Fitzpatrick. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$3.50
The Pink Panther from THE PINK PANTHER
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Henry Mancini
#
Fishel Pustilnik
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The Pink Panther from THE PINK
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N...
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Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N Enterprise #3015821. Published by F & N Enterprise (A0.632487). An excellent arrangement of famous Song The Pink Panther for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Menuet (from the Anna Magdalena notebooks)
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Guitar
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BEGINNER
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Classical
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Tradi...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024537. Published by Rodrigo Faleiros (A0.1444675). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features:Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience.Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar.Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence.This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection.
$1.99
Doxology (in low D) (Praise God from whom all blessings flow)
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Guitar
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Text: Thomas Ken - Music: Gene
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Bruce J
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Doxology
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In His Name Music/SESAC
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,Gospel,Sacred,Spiritual. Individual part. 3 pages. In His Name Music/SESAC #58915. Published by In His Name Music/SESAC (A0.938062). Doxology (in low D) (Praise God from whom all blessings flow) is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. Doxology (in low D) (Praise God from whom all blessings flow) is a favorite arranged for solo classical guitar. This song is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise to the Blessed God who showers His blessings on all.
$3.99
The Road From Home
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Guitar
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INTERMEDIATE/ADVANCED
#
Contemporary
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Brian S
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The Road From Home
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G. Meredith Publications
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #20...
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Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #2024461. Published by G. Meredith Publications (A0.843756). The Road From Home is a piece for Solo Classical Guitar commissioned by guitarist Eric Cabalo. It is 12'. The title refers to the book by author David Kherdian, The Story of an Armenian Girl by David Kherdian, a biographical account of his mother's escape from the Armenian genocide and immigration to America as a mail order bride. See also Brian S. Wilson's song cycle, Kherdian Songs based on poems of the same author.
$15.00
Berceuse (from Escenas Románticas)
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Guitar
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INTERMEDIATE/ADVANCED
#
Classical
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Enrique Granados
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Scott R
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Berceuse
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Scott R. Sanchez
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granados. Arranged by Scott R. Sanchez. Classical. Individual part. 2 pages....
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Solo Guitar - Level 4 - Digital Download SKU: A0.1039126 Composed by Enrique Granados. Arranged by Scott R. Sanchez. Classical. Individual part. 2 pages. Scott R. Sanchez #644089. Published by Scott R. Sanchez (A0.1039126). This is a guitar arrangement of the Berceuse from Granados' Berceuse from Escenas Románticas (originally for piano).
$5.99
Tears From Sidon
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Guitar
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ADVANCED
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Pedro Abreu
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Tears From Sidon
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All Music
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Musi...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Music #861921. Published by All Music (A0.1269400). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Cristiano Sousa
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PRELUDE [ from BWV 998 by J.S.
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,W...
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Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99
Brindisi (Libiamo ne' lieti calici) from La Traviata
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Guitar
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Dan Jones
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Dan Jones www
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32...
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
Louise from „Innocents of Paris“
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Guitar
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INTERMEDIATE/ADVANCED
#
R
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Bettina Schipp
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Louise from „Innocents of Pa
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songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Indiv...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315234 Composed by R. A. Whiting. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 5 pages. Songbooks.info #903981. Published by songbooks.info (A0.1315234). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Dream Lover from „the Love Parade“
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Guitar
#
INTERMEDIATE/ADVANCED
#
V
#
Bettina Schipp
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Dream Lover from „the Love P
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songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinger. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315237 Composed by V. Schertzinger. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 4 pages. Songbooks.info #903974. Published by songbooks.info (A0.1315237). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Tears From Sidon
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Guitar
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ADVANCED
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Pedro Abreu
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Tears From Sidon
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All Music
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. ...
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Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. All Music #861909. Published by All Music (A0.1269390). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
$3.00
"March" from The Nutcracker Suite
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Guitar
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INTERMEDIATE
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Guitar Trio
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Marcus Gerakos
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"March" from The Nutcracker Su
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Marcus Gerakos
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,Ma...
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Guitar - Level 3 - Digital Download SKU: A0.1310417 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,March. 2 pages. Marcus Gerakos #899476. Published by Marcus Gerakos (A0.1310417). This is my arrangement for three guitars. The parts have been adapted from the original orchestral score. It's a shortened arrangement designed to be performed with other pieces from The Nutcracker Suite. Year after year this arrangement has proven both engaging and educational for my middle school guitar students.
$10.00
Sarabande from Suite no.10
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Guitar
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INTERMEDIATE
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Classical
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Johann Jakob Froberger
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Stefan Niggl
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Sarabande from Suite no.10
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Stefan Niggl
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1486479 Composed by Johann Jakob Froberger. Arranged by Stefan Niggl. Baroque. Individual part. 1 pages....
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Solo Guitar - Level 3 - Digital Download SKU: A0.1486479 Composed by Johann Jakob Froberger. Arranged by Stefan Niggl. Baroque. Individual part. 1 pages. Stefan Niggl #1063542. Published by Stefan Niggl (A0.1486479). Johann Jacob Froberger: Sarabande from suite no.10 arranged for classical guitar.
$5.99
For Unto Us a Child Is Born from Messiah (George Frideric Handel)
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Guitar
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INTERMEDIATE
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George Frideric Handel
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Chris Richter
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For Unto Us a Child Is Born fr
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1489025 Composed by George Frideric Handel. Arranged by Chris Richter. Baroque,Christian,Classical,Relig...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1489025 Composed by George Frideric Handel. Arranged by Chris Richter. Baroque,Christian,Classical,Religious,Sacred. Individual part. 5 pages. Chris Richter #1065875. Published by Chris Richter (A0.1489025). For Unto Us a Child Is Born from Messiah by George Frideric Handel arranged for solo fingerstyle guitar.
$5.99
Mendelssohn's Andante - Excerpt from Violin Concert #1 in E minor, 2nd Movement
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Guitar
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INTERMEDIATE
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Classical
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Tom Salvatori
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Tom Salvatori
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Mendelssohn's Andante - Excerp
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Salvatori Productions, Inc.
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classi...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Salvatori Productions, Inc. #1050809. Published by Salvatori Productions, Inc. (A0.1473187). A note about this Guitar Arrangement - This piece presents a reimagined excerpt from Felix Mendelssohn's Violin Concerto #1 in E minor, 2nd Movement. My goal in the arrangement was to stay strongly reverent to the original form and structure of the composition, but to present it in a manner that I anticipate even Mendelssohn himself would have never expected to hear his work...as a solo nylon string guitar lullaby. My hope is that you will enjoy listening to it in it's new form, and that it will help bring Felix Mendelssohn's composing work newly to the ears of folks who may not be inclined to attend Classical Symphony concerts. - Tom Salvatori, Guitar ArrangerShow less.
$3.99
From Me To You
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Guitar
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INTERMEDIATE
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Rock
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The Beatles
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Chris Richter
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From Me To You
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1473020 By The Beatles. By John Lennon and Paul McCartney. Arranged by Chris Richter. Pop,Rock. Individu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1473020 By The Beatles. By John Lennon and Paul McCartney. Arranged by Chris Richter. Pop,Rock. Individual part. 4 pages. Chris Richter #1050648. Published by Chris Richter (A0.1473020). From Me To You by the Beatles arranged for solo fingerstyle guitar.
$7.99
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
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Guitar
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BEGINNER
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Classical
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socra...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
How Can I Keep From Singing
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Guitar
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INTERMEDIATE
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Sacred music
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Traditional
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Chris Richter
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How Can I Keep From Singing
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1462551 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual pa...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1462551 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 4 pages. Chris Richter #1041310. Published by Chris Richter (A0.1462551). A solo fingerstyle guitar arrangement of the hymn How Can I Keep From Singing.
$5.99
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