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You've selected:
Good People
SheetMusicPlus
Guitar
Sheetmusic to print
6 sheet music found
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1
People Preaching
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Guitar
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Sacred music
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Mark Greer
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People Preaching
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The CHOSEN Company, LLC
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.980824 Composed by Mark Greer. Christian,Praise and Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, ...
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Solo Guitar - Digital Download SKU: A0.980824 Composed by Mark Greer. Christian,Praise and Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5204031. Published by The CHOSEN Company, LLC (A0.980824). Song about how so many people have so many messages, but the good news of God is the best.
$3.99
A good conversation
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Guitar
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INTERMEDIATE
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Thomas Koppelaar
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A good conversation
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Thomas Koppelaar
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1028355 Composed by Thomas Koppelaar. Concert,Contemporary,Instructional. Individual part. 3 pages. Thom...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028355 Composed by Thomas Koppelaar. Concert,Contemporary,Instructional. Individual part. 3 pages. Thomas Koppelaar #3481553. Published by Thomas Koppelaar (A0.1028355). This piece of guitarmusic level 2-3 resembles the talking of people together or is it just a monologue ? ;-)) and has been composed by me already in 2007. I compose very accessble music without any cliché!
$1.99
Good People
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Guitar
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INTERMEDIATE
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Jack Johnson
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Cleber Correia
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Good People
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Cleber Domingues
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1361251 By Jack Johnson. By Jack Johnson. Arranged by Cleber Correia. Folk,Pop. Individual part. 3 pages...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1361251 By Jack Johnson. By Jack Johnson. Arranged by Cleber Correia. Folk,Pop. Individual part. 3 pages. Cleber Domingues #945742. Published by Cleber Domingues (A0.1361251).
$15.00
Selected Works, vol. 1
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Guitar
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Selected Works, vol. 1
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SheetMusicPlus
The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within...
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The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.Canción de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.Canción de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous
Song List
:
El Colibri
El Faro
Gratitud
Cancion De Cuna
$9.95
Big Drum
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Guitar
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
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