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You've selected:
Good Time - Trumpet 4
Guitar
Sheetmusic to print
28 sheet music found
<
1
26
Good Time
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.788403 By Owl City And Carly Rae J…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.788403 By Owl City And Carly Rae Jepsen. By Adam Young, Brian Lee, and Matthew Thiessen. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 4 pages. Antonius Agung Setiawan #5806035. Published by Antonius Agung Setiawan (A0.788403). Good Time by Owl CitySolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playInstagram @pakagung#guitaronlybypakagung
$5.50
5.07 €
#
Guitar
#
Owl City And Carly Rae Jepsen
#
Good Time
#
Antonius Agung Setiawan
#
SheetMusicPlus
Let The Good Times Roll
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1133283 By B.B. King. By Fleecie M…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1133283 By B.B. King. By Fleecie Moore and Sam Theard. Arranged by Michael Storeton-West. Blues. Individual part. 4 pages. Kicker Productions Ltd. #733436. Published by Kicker Productions Ltd. (A0.1133283). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$5.49
5.06 €
#
Guitar
#
B
#
Let The Good Times Roll
#
Kicker Productions Ltd.
#
SheetMusicPlus
Good 4 U - Original Version (Easy/Intermediate Level, Lead Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Guitar
#
Olivia Rodrigo
#
Tomplay
Good 4 U (Easy/Intermediate Level, Rhythm Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
#
Guitar
#
Olivia Rodrigo
#
Tomplay
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Pastime with good company
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1321949 Composed by Henry VIII. Ar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1321949 Composed by Henry VIII. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. 3 pages. Songbooks.info #910366. Published by songbooks.info (A0.1321949). These Medieval and Renaissance Songs were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Lieder aus dem Mittelalter und der Renaissance wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
2.3 €
#
Guitar
#
Henry VIII
#
Pastime with good company
#
songbooks.info
#
SheetMusicPlus
Time On My Hands (you In My Arms)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883262. Published by Christopher J. Malin (A0.1292699). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful slow swing tune that is danceable! Unusual for a solo piece but could be fun? Beautiful head and really interesting tag at the end. Should be repeated a few times.This piece will make you stand out from the rest. Takes a bit of practise to make it swing smoothly.Sounds great on acoustic and electric guitars.This is the song by Vincent Youmans written in 1930. An oldy, but for sure a goody!
$4.99
4.6 €
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Guitar
#
Ana Zingoni
#
Time On My Hands
#
Christopher J. Malin
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Big Drum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.6 €
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Guitar
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
We Three Kings
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1316186 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316186 By The Candlelight Guitarist. By John Henry Hopkins Jr. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 4 pages. Geofonica Artistworks #904923. Published by Geofonica Artistworks (A0.1316186). This arrangement of We Three Kings is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. We Three Kings can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 1:07 (see YouTube timeline).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - Amazon HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$2.99
2.76 €
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Guitar
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The Candlelight Guitarist
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We Three Kings
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Geofonica Artistworks
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SheetMusicPlus
O Holy Night
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1316133 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316133 By The Candlelight Guitarist. By Adolphe-Charles Adam. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 4 pages. Geofonica Artistworks #904870. Published by Geofonica Artistworks (A0.1316133). This arrangement of O Holy Night is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. O Holy Night can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 5:25 (see timeline). ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since 2019), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - Amazon HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
3.68 €
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Guitar
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The Candlelight Guitarist
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O Holy Night
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Geofonica Artistworks
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SheetMusicPlus
Els Segons Temps
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
18.43 €
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Guitar
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Darian Stavans
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Els Segons Temps
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Music Studio
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SheetMusicPlus
A Place To Find Peace
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.948678 Composed by Bradley Powell …
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Solo Guitar - Level 4 - Digital Download SKU: A0.948678 Composed by Bradley Powell (The Candlelight Guitarist). Contemporary,Holiday,Romantic Period,Spiritual,Wedding. Individual part. 6 pages. Geofonica Artistworks #3591033. Published by Geofonica Artistworks (A0.948678). Serene and soothing guitar solo in 12/8 time (TAB plus standard notation) for good intermediate to advanced fingerstyle guitarists... especially suitable for performances to create a peaceful musical mood (such a wedding prelude, memorial service, or candlelight service). Although it's a slow piece, it's got some complex musical aspects, and requires solid basic (classical) finger style technique and good musical skills. Composed by Bradley Powell, who records CDs as The Candlelight Guitarist. A Place To Find Peace is a popular track from his CD Sunflower Serenity (2006). A Place To Find Peace is in slow 12/8 time (very similar in feel to Beethoven's Moonlight Sonata, Memory from Cats, and the Righteous Brothers' Unchained Melody). Here's a YouTube audio of Brad's original recording: https://youtu.be/y3YdEj02XSAPREVIOUS COMMENTS FROM ESTABLISHED REVIEWERS...
$3.99
3.68 €
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Guitar
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Bradley Powell
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A Place To Find Peace
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Geofonica Artistworks
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SheetMusicPlus
Bonnie Mackenzie
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1124165 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1124165 Composed by Dale K. Rodgers. 20th Century,Celtic,Classical,Contest,Festival,Irish,Wedding. Individual part. 4 pages. Dale K. Rodgers #724923. Published by Dale K. Rodgers (A0.1124165). Joyful Solo for Classical or Finger-Style guitarists. Up-Tempo Celtic style solo celebrating the birth of a good friend's daughter. In open E tuning (E B G# E B E }. Lovely intro in 4/4 time, then very lively theme in 6/8 time @ MM=120. Advanced Intermediate level. Because of the uncommon tuning and the level of difficulty, FULL fingering and TAB are included with the pdf. Great recital or performance piece.
$4.99
4.6 €
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Guitar
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Dale K
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Bonnie Mackenzie
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Dale K. Rodgers
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SheetMusicPlus
"Winter Won't Let Me Go"
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest,Festival,Wedding. Individual part. 6 pages. Dale K. Rodgers #898703. Published by Dale K. Rodgers (A0.1309543). This is a lively solo for finger-style or classical guitar. One of my best. Key of Am with well developed chords (maj7, add 9, flat 5ths, etc), harmonics, the entire fretboard is utilized.  4/4 time, Tempo 120 with some rapid time signature changes. Good piece to include in concert programs. Audiences have reacted most favorably to it. Two versions are provided: one in standard notation with extensive fingerings, and another with TAB also included.
$4.99
4.6 €
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Guitar
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Dale K
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"Winter Won't Let Me Go"
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Dale K. Rodgers
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SheetMusicPlus
Rock My Soul
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
6.44 €
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Guitar
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Traditional
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
9.21 €
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Guitar
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Joh
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Bach Cello Suite No 1 - solo guitar
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Georg Mertens
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SheetMusicPlus
Ten Memories
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1439714 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1439714 Composed by Dale K. Rodgers. Arranged by D.K.R. Contemporary,Contest,Festival,Wedding. Individual part. 9 pages. Dale K. Rodgers #1019676. Published by Dale K. Rodgers (A0.1439714). Solo work for Classical or Fingerstyle Guitar. Romantic, heartfelt and well developed chord progressions. 4/4 time - Key A minor, aproximately 4 1/2 minutes. Good piece for recitals, weddings, or performances. Intermediate to advanced level. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.
$4.99
4.6 €
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Guitar
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Dale K
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Ten Memories
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Dale K. Rodgers
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SheetMusicPlus
In Like A Lion
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.943824 Composed by Dale K. Rodgers…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943824 Composed by Dale K. Rodgers. Contemporary. Individual part. 2 pages. Dale K. Rodgers #6080855. Published by Dale K. Rodgers (A0.943824). Performance piece for classical or finger-style guitarists. 4/4 time, Em, approx. 4 minutes length. Good study in dynamics. In standard notation with extensive fingerings to assist in playing.
$3.99
3.68 €
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Guitar
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Dale K
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In Like A Lion
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Dale K. Rodgers
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SheetMusicPlus
Fantasy on a Mozart Theme
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.61 €
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Guitar
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
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