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CLASSICAL - BAROQUE - ROMANTIC
Guitar
Sheetmusic to print
18 sheet music found
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1
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitar
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
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Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.59 €
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Guitar
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SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Classical Guitar Tunes - Parlor Gems
Guitar
Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and onlin…
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Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30944MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459905. 8.75 x 11.75 inches.<br> <br> In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the books online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving Kathleen MavoureenRomanza by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndts Nola, one of the eras most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.
$14.99
13.82 €
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Guitar
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Classical Guitar Tunes - Parlor Gems
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitar
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.22 €
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Guitar
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Isaac Albeniz (1860-1909)
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
Guitar
Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classi…
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Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classical). Complete. Classic. Advanced. E-book. 264 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609741419. The product of decades of scholarly investigation, Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agustin Barrios Mangore (1885-1944). This is the first edition of Barrios music based on all available sources: manuscripts, phonograph recordings and published editions (pre-1970s). Written in standard notation only, the two volumes of this definitive collection are illustrated with period photographs, concert programs and Barrios own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar, and it is with great pride that Mel Bay Publications offers here for the first time in one edition the collected works of Agustin Barrios Mangore.
$34.99
32.26 €
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Guitar
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Agustin Barrios Mangore
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Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Ciaccona
Guitar
Guitar - advanced to difficult - Digital Download From the Partita No. 2. Composed by…
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Guitar - advanced to difficult - Digital Download From the Partita No. 2. Composed by Johann Sebastian Bach (1685-1750). This edition: Sheet music. Downloadable. Duration 13 minutes. Chanterelle #Q49608. Published by Chanterelle
Item Number: S9.Q49608<br> <br> The transcription of the famous Ciaccona from the second violin partita BWV 1004, Pegoraro closely adheres to Bach's original musical text and at the same time makes it as practicable as possible for the guitar.
$10.99
10.13 €
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Guitar
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Johann Sebastian Bach
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Ciaccona
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Chanterelle
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SheetMusicPlus
Domenico Scarlatti: 30 Sonatas
Guitar
Edited by Fabio Zanon. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 100…
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Edited by Fabio Zanon. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 100 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113060. An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
$19.99
18.43 €
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Guitar
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Domenico Scarlatti: 30 Sonatas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.6 €
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Guitar
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Johann Sebastian Bach
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.6 €
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Guitar
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Johann Sebastian Bach
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024546. Published by Rodrigo Faleiros (A0.1444681). Elevate your classical guitar skills with this intermediate-advanced level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks. This sheet music intricately incorporates specific techniques such as ascending and descending slurs, chords, and barres, offering a comprehensive learning experience. Complete with fingerings, this arrangement is designed to challenge and refine your technical prowess and musicality.Key Features: Intermediate-Advanced Level: A step up for those ready to tackle more demanding guitar techniques and complex musical phrases. Advanced Techniques: Master the art of slurs, chords, and barres with an arrangement that emphasizes these essential guitar skills. Fingerings Included: Detailed fingerings are provided to ensure precision and ease of play, allowing you to focus on the execution of advanced techniques. This “Menuet” arrangement is a testament to the depth and versatility of the classical guitar, inviting you to push your boundaries and discover the nuances of Bach’s celebrated composition.For more arrangements that incorporate advanced guitar techniques, click here to further your mastery of the instrument.
$3.99
3.68 €
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Guitar
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Johann Sebastian Bach
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Sonata IX in C Major for Guitar by Sylvius Weiss
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.866925 Composed by Sylvius Leopold…
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Solo Guitar - Level 5 - Digital Download SKU: A0.866925 Composed by Sylvius Leopold Weiss (1687–1750). Arranged by Bradford Werner. Baroque. Individual part. 33 pages. This is Classical Guitar #4892389. Published by This is Classical Guitar (A0.866925). Sonata IX in C Major by Sylvius Leopold Weiss (1687–1750) - Prelude, Allemande, Courante, BoureÌe, Sarabande, Menuet 1 & 2, Presto. Arranged for Classical Guitar by Bradford Werner. Comes with a fingered editorial edition and an unfingered non-editorial edition (arranged for guitar but with original ornaments). Notation only, left hand fingering only, 33 pages, PDF download. Level: Advanced (some movements are easier than others but overall advanced).The term Sonata should be associated here with the term with the Baroque Suite rather than any classical era form. Source: Dresden Manuscript - WeissSW37.1 aÌ€ 8 Ms. Dresde D-Dl2841.See This is Classical Guitar on YouTube for full performances.
$9.99
9.21 €
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Guitar
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Sylvius Leopold Weiss
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2, Presto.
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Sonata IX in C Major for Guitar by Sylvius Weiss
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This is Classical Guitar
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SheetMusicPlus
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi…
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
7.33 €
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Guitar
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Dan Jones
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Grand Vals Franciso Tarrega for easy intermediate guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
5.53 €
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Guitar
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Francisco Tarrega
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Grand Vals Franciso Tarrega for easy intermediate guitar
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Dennis Greensmith
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SheetMusicPlus
Bagatelle No 25 'Fur Elise' by Beethoven for solo guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.943119 Composed by Ludwig van Beet…
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Solo Guitar - Level 5 - Digital Download SKU: A0.943119 Composed by Ludwig van Beethoven. Arranged by Tim Rushworth. Romantic Period,Standards. Individual part. 3 pages. Tim Rushworth #4325943. Published by Tim Rushworth (A0.943119). This arrangement of the famous 'Fur Elise' by Beethoven makes this wonderful music accessible to guitarists. This is the complete work, rather than just the melody itself which is widely available elsewhere. The central section will need some dedicated practise for most players, to achieve a decent speed, but it is not difficult. I have used harmonics to include some of the notes in the higher octave in places, both natural and artificial harmonics with the right hand. This is an advanced technique but the effort is worthwhile. I hope you enjoy my arrangement.
$3.99
3.68 €
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Guitar
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Ludwig van Beethoven
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Bagatelle No 25 'Fur Elise' by Beethoven for solo guitar
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Tim Rushworth
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SheetMusicPlus
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
27.66 €
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Guitar
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Jean-Philippe Rameau
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RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Mfp Éditions
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SheetMusicPlus
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
39.6 €
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Guitar
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Bryan Johanson and Jesse McCann
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Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Les Productions d'OZ - Digital
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SheetMusicPlus
Graded Guitar Duos, Volume 3
Guitar
By Mark Small. For Guitar (Classical). Classic. 136 pages. Published by Mel Bay Publicatio…
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By Mark Small. For Guitar (Classical). Classic. 136 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742874. This volume is for the advanced guitar duo that is seeking concert-worthy music and a technical challenge. The works transcribed here include selections by Beethoven, de Falla, Bach, Mozart, Handel, Gounod, and others. Much effort was exerted to find works that work well as guitar duos, are not available elsewhere, and yet will be well known to audiences. Like all of the volumes in this series, the works chosen come from the Renaissance, Baroque, Classical, Romantic, and 20th Century style periods. Standard notation only.
$19.99
18.43 €
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Guitar
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Mark Small
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Graded Guitar Duos, Volume 3
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitar
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.82 €
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Guitar
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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