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You've selected:
Hey Mon
Guitar
Sheetmusic to print
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76
Ben Monder Compositions, Volume II
Guitar
Guitar - Intermediate- Advanced - Digital Download Composed by Ben Monder. Solos/Trans…
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Guitar - Intermediate- Advanced - Digital Download Composed by Ben Monder. Solos/Transcriptions. Jazz and Contemporary. E-book. 148 pages. Mel Bay Publications - Digital Sheet Music #30228EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619115637. 8.75 x 11.75 inches.<br> <br> This book serves as a follow-up to Ben Monder Compositions, with an emphasis on the compositions found on the 2013 recording, Hydra, as well as some older pieces that didn't make it into the first book. They are scored for solo guitar, guitar trio, guitar and voice duo, and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic, technical, and textural elements of the guitar. These pieces will present an array of challenges to the performer, including unusual techniques and alternate tunings.
$24.99
23.03 €
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Guitar
#
Ben Monder
#
Ben Monder Compositions, Volume II
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Hey Man Take Me With You
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Conc…
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Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.76 €
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Guitar
#
Nick Clow
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Hey Man Take Me With You
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Nick Clow
#
SheetMusicPlus
They'll never believe me (They didn't beleive me) for guitar solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.576979 Composed by Jerome Kern. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.576979 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Broadway,Musical/Show. Individual part. 2 pages. David Warin Solomons #566451. Published by David Warin Solomons (A0.576979). Medium difficulty arrangement for solo classical guitar of this song by Jerome Kern. The sound sample is my own performance. Four of these arrangements are available: Smoke gets in your eyes Long ago and far away Can't help loving that man of mine They'll never believe me and also a bundle containing all four at reduced price.
$7.00
6.45 €
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Guitar
#
Jerome Kern
#
They'll never believe me
#
David Warin Solomons
#
SheetMusicPlus
They'll never believe me (They didn't believe me) for guitar solo (mp3)
Guitar
Guitar - Digital Download SKU: A0.1059924 Composed by Jerome Kern. Arranged by Davi…
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Guitar - Digital Download SKU: A0.1059924 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Musical/Show. Full Performance. Duration 167. David Warin Solomons #5024201. Published by David Warin Solomons (A0.1059924). Song by Jerome Kern arranged for guitar solo
$3.00
2.76 €
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Guitar
#
Jerome Kern
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They'll never believe me
#
David Warin Solomons
#
SheetMusicPlus
Ten Monographs for guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.942056 Composed by Apostolos Paras…
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Solo Guitar - Level 2 - Digital Download SKU: A0.942056 Composed by Apostolos Paraskevas. Standards. Individual part. 12 pages. Silver Sickle Publications #4727723. Published by Silver Sickle Publications (A0.942056). Ten Monographs are works for the guitar for the intermediate guitarist. Written by Apostolos Paraskevas, guitarist-composer. In a friendly style and quite exciting to perform with many surprises. They could be part of any repertoire for any level.
$9.99
9.21 €
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Guitar
#
Apostolos Paraskevas
#
Ten Monographs for guitar
#
Silver Sickle Publications
#
SheetMusicPlus
Reflections: Ten Solos for Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
18.42 €
#
Guitar
#
Michael Reardon
#
Reflections: Ten Solos for Guitar
#
Songburd Music
#
SheetMusicPlus
Excerpt from the Lyric Suite
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
#
Guitar
#
Alban Berg
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
#
Guitar
#
Alban Berg
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitar
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.61 €
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Guitar
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Alban Berg
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Strasrag (Rag on leaving Strasbourg) for guitar solo
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.576095 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.576095 Composed by David Warin Solomons. 20th Century. Individual part. 2 pages. David Warin Solomons #2030529. Published by David Warin Solomons (A0.576095). One of a series of early compositions for guitar solo which I have transcribed from my old recordings. They are Classic crossover having some of the basic principles of Ragtime but containing various neo-Classical and neo-Renaissance ideas. This one was written in honour of the city of Strasbourg, which I had to leave after 8 months after teaching at the school in nearby Illkirch Graffenstaden - I had to return to the UK Performed here by András Csáki.
$7.00
6.45 €
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Guitar
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David Warin Solomons
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Strasrag
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David Warin Solomons
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SheetMusicPlus
Twenty Etudes For Guitar Vol.1 No.1-10
Guitar
Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemp…
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Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 27 pages. Neal Fitzpatrick Editions #6169435. Published by Neal Fitzpatrick Editions (A0.955439). This set of Etudes For Guitar is Vol.1 No.1-10 from Twenty Etudes for Guitar by Neal Fitzpatrick. These are performance etudes that also provide conventional technical demands associated with playing the guitar. These pieces engage some of the wonderful idiomatic elements of the guitar-arpeggios, scales, tremolo, harmonics, tonal contrast and harmonic richness while at times exploring possibilities outside of conventional forms. They can be performed alone or in any set desired by the performer. These works are in standard notation. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$19.99
18.42 €
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Guitar
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Neal Fitzpatrick
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Twenty Etudes For Guitar Vol.1 No.1-10
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Neal Fitzpatrick Editions
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SheetMusicPlus
What A Wonderful World
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.6 €
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Guitar
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Louis Armstrong
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.6 €
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Guitar
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Johann Sebastian Bach
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Timeless Solos for Guitar
Guitar
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
9.21 €
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Guitar
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Tombeau de Sébastien I for guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon F…
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Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Individual part. 1 pages. David Warin Solomons2 #3925253. Published by David Warin Solomons2 (A0.958530). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$6.00
5.53 €
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Guitar
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Joseph Dillon Ford
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Tombeau de Sébastien I for guitar solo
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David Warin Solomons2
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SheetMusicPlus
Tombeau de Sébastien II for guitar duo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon F…
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Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon Ford. 20th Century. Individual part. 3 pages. David Warin Solomons2 #3689605. Published by David Warin Solomons2 (A0.958452). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$8.00
7.37 €
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Guitar
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Joseph Dillon Ford
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Tombeau de Sébastien II for guitar duo
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David Warin Solomons2
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SheetMusicPlus
JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1438455 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438455 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Individual part. 2 pages. Benzaiten Editions #1018473. Published by Benzaiten Editions (A0.1438455). Hey there, music enthusiast! Ready to immerse yourself in the exquisite melodies of Johann Sebastian Bach's timeless Jesu, Joy of Man's Desiring? Let the magic unfold with our sheet music edition! 🎵JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music About 'Jesu Joy of Man's Desiring' Jesu, Joy of Man's Desiring by J.S. Bach is a divine masterpiece from his Cantata, Herz und Mund und Tat und Leben, BWV 147. Its transcendent beauty and uplifting melody have made it a cherished favorite, embodying the spiritual essence of Baroque music. Often chosen for wedding ceremonies and sacred occasions, its celestial harmonies evoke feelings of serenity and reverence, touching hearts with its profound message of joy and hope.
$2.99
2.76 €
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Guitar
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Johann Sebastian Bach
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JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music
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Benzaiten Editions
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SheetMusicPlus
Bridge Over Troubled Water
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1415655 By Simon And Garfunkel. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1415655 By Simon And Garfunkel. By Paul Simon. Arranged by Joseph M. Henson. 20th Century,Pop,Singer/Songwriter,Standards,Wedding. Individual part. 6 pages. Joseph Henson #997371. Published by Joseph Henson (A0.1415655). Arranged in D Major for Fingerstyle Solo Guitar. Original Recording is in Eb Major and can be matched by capoing at first fret. This arrangement considers piano harmony, sung melody, and bassline to the extent they can be played simulteneously on acoustic guitar. This arrangement includes ALL original song sections with chord and bass nuances to capture the accurate intro and iconic interlude, bridge, and outro sections. Enjoy!
$9.99
9.21 €
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Guitar
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Simon And Garfunkel
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Bridge Over Troubled Water
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Joseph Henson
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.53 €
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Guitar
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Mauro Giuliani
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Nadir
Guitar
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.28 €
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Rock My Soul
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
6.44 €
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Guitar
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Traditional
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.6 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Prelude Op.9 No.1
Guitar
Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by …
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Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata – ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
4.61 €
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Guitar
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A
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Prelude Op.9 No.1
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Maggie Creek Music
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SheetMusicPlus
14 arrangements for guitar solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.577583 Composed by Traditional, Je…
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Solo Guitar - Level 3 - Digital Download SKU: A0.577583 Composed by Traditional, Jerome Kern. Arranged by David Warin Solomons. 20th Century,Classical,Folk,World. Individual part. 23 pages. David Warin Solomons #2063603. Published by David Warin Solomons (A0.577583). This album comprises 14 arrangements for guitar solo - each piece is also available separately on this site but this album provides a considerable discount. The sound sample is John Mitchell's performance of Paddywhack variations and the video is my performance of Jermoe Kern's They'll never believe meThe pieces are: Paddywhack variations 4 French Folksongs (Voici la Toussaint, Berceuse, Sur le bord du petit bois joli, La Vendange) Hebridean Love Lilt Morning has broken (Bunessan) Never weather beaten sail Variations on Frère Jacques Variations on Le coq est mort and 4 songs by Jerome Kern: Smoke gets in your eyes They'll never believe me Long ago and far away Can't help loving that man.
$23.00
21.2 €
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Guitar
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Traditional, Jerome Kern
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14 arrangements for guitar solo
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David Warin Solomons
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SheetMusicPlus
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