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How Great Thou Art, - Piano Solo
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You've selected:
How Great Thou Art, - Piano Solo
Guitar
Sheetmusic to print
14 sheet music found
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1
How Great Thou Art
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Guitar
#
Sacred music
#
Martina McBride
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Adriano Assis
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How Great Thou Art
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Adriano Assis
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.498420 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Adriano Assis. Christm...
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Solo Guitar - Digital Download SKU: A0.498420 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Adriano Assis. Christmas,Classical,Country,Folk,Praise & Worship. Individual part. 3 pages. Published by Adriano Assis (A0.498420). Arranged for solo guitar, classical guitar, Fingerstyle made easy. Traditional Swedish Folk Tune, Gospel, Grandioso és Tu Arranjo para violão solo, violão clássico, Fingerstyle facilitado. Hino 378 - Hinário 05 CCB.
$4.99
How Great Thou Art - "O store Gud." - Easy Guitar solo
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Guitar
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BEGINNER
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Sacred music
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Carl Gustav Boberg /Stuart K H
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Daniel H Rosa
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How Great Thou Art - "O store
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Daniel H Rosa
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1155565 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Prais...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1155565 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. Individual part. 1 pages. Daniel H Rosa #755862. Published by Daniel H Rosa (A0.1155565). Easy Christian song Solo.
$1.99
How Great Thou Art
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Guitar
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INTERMEDIATE
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Swedish Folk Melody
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Wyatt Sullivant - Guitar
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How Great Thou Art
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Wyatt Sullivant - Guitar
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1465376 By Swedish Folk Melody. By Wyatt Sullivant - Guitar. Arranged by Wyatt Sullivant - Guitar. Chris...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1465376 By Swedish Folk Melody. By Wyatt Sullivant - Guitar. Arranged by Wyatt Sullivant - Guitar. Christian,Classical,Religious,Sacred,Traditional. Individual part. 5 pages. Wyatt Sullivant - Guitar #1044076. Published by Wyatt Sullivant - Guitar (A0.1465376). How Great Thou Art - Sacred Classical Guitar solo. Drop D Tuning.
$1.99
How Great Thou Art
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Guitar
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BEGINNER
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Sacred music
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Traditional
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Keith Stevens
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How Great Thou Art
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Andemil
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1077801 Composed by Traditional. Arranged by Keith Stevens. Praise & Worship,Sacred,Spiritual,Standards,...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1077801 Composed by Traditional. Arranged by Keith Stevens. Praise & Worship,Sacred,Spiritual,Standards,Traditional. Individual part. 3 pages. Andemil #681983. Published by Andemil (A0.1077801). A solo fingerstyle guitar arrangement in Open G Tuning of the traditional hymn, How Great thou Art.
$2.99
How Great Thou Art (Guitar Solo or Duet)
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Guitar
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EASY
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Traditional
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B
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How Great Thou Art
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Ben Dockery
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SheetMusicPlus
Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1063609 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score...
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Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1063609 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score. 1 pages. Ben Dockery #665560. Published by Ben Dockery (A0.1063609). Arranged for guitar solo or duet: melody with chords. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$2.99
20 Greatest Hymns for Solo Guitar
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Guitar
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EASY
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Various
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B
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20 Greatest Hymns for Solo Gui
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Ben Dockery
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1093821 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 2...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1093821 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 23 pages. Ben Dockery #697906. Published by Ben Dockery (A0.1093821). These classic hymns have been arranged for guitar solo or duet: melody with chords. Easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail the Power of Jesus' Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$7.99
How Great Thou Art
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Guitar
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Sacred music
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Traditional
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Paul Adrian Moldez
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How Great Thou Art
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Paul Adrian Moldez
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SheetMusicPlus
Composed by Traditional. Arranged by Paul Adrian Moldez. Gospel, Praise & Worship. Sheet Music Single. 4 pages. Published by Paul Adrian Moldez (S0.285397). - S...
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Composed by Traditional. Arranged by Paul Adrian Moldez. Gospel, Praise & Worship. Sheet Music Single. 4 pages. Published by Paul Adrian Moldez (S0.285397). - Sheet Music Single - Gospel,Praise & Worship - Paul Adrian Moldez
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Gioco. Sonata for guitar
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Guitar
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ADVANCED
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Contemporary
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Vict...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Lua Nascente
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Guitar
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ADVANCED
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Leo Costa
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Leo Costa
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Lua Nascente
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Leo Costa
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa....
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá.
$5.00
Bach to Africa
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Guitar
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ADVANCED
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Classical
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,S...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Playing Easy Guitar Christmas Carols Book 2
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Guitar
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INTERMEDIATE
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Christmas
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Dennis Greensmith
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Playing Easy Guitar Christmas
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.954708 Arranged by Dennis Greensmith. Christmas. Individual part. 16 pages. Dennis Greensmith #3637775. ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.954708 Arranged by Dennis Greensmith. Christmas. Individual part. 16 pages. Dennis Greensmith #3637775. Published by Dennis Greensmith (A0.954708). Playing Easy Guitar Christmas Carols Book 2. Solo Guitar Intermediate level.Playing Easy Guitar Christmas Carols Book 2 is the second book in the series with Eleven popular Christmas songs that have been arranged at intermediate stage guitar players (who are playing at around Grades 3 and 4 level) who can already read music who wish to widen their repertoire. For those who already play to a higher level this book will provide enjoyable sight reading material. The book follows on from my Christmas Carols Book 1 and demonstrates how the introduction of harmony notes, chords and barre chords start to offer a wider choice of playing options to improve the depth of sound in a composition.This book is part of a series of books that are designed for finger style playing on a guitar suited to the nylon string classical guitar thought can also be played on the steel string acoustic guitar. Each book has been carefully developed so that each piece of music complements the standard syllabuses such as Trinity College London. Book 2 has the same musical standard as Grades 3 and 4 in terms of composition arrangement and moving higher up the guitar neck to give a greater range of notes that can be played.Please visit www.greensmith.info Christmas Carols Book 2 to see demonstrations and tuition vides on the songs . Further songs and teaching material can be found at www.guitarfingers.co.uk
$12.99
Pluck for guitar
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Guitar
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ADVANCED
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Contemporary
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #11...
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
The Entertainer (Excerpt)
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Guitar
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BEGINNER
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtim...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
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