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I Live For You
Guitar
Sheetmusic to print
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1
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.01 €
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Guitar
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Every Breath You Take
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
4.58 €
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Guitar
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The Police
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Minuets I & II - Suite No.1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1153690 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1153690 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 269. Serenade Music #708607. Published by Serenade Music (A0.1153690). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
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Gerry Saulter - Guitar
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Minuets I & II - Suite No.1, BWV 1007
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Serenade Music
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SheetMusicPlus
"Girl on a Swing" for solo classical fingerstyle guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 2 pages. Keith Gehle #952383. Published by Keith Gehle (A0.1368030). â??Girl on a Swingâ? was recorded as part of Keithâ??s 2016 album Space and Time. The title of this piece was inspired by the lyrics of the 2005 song â??Simpleâ? by Glen Phillips when he compared his wifeâ??s love to the gentle beauty of a little girl on a playground swing. The lyrics are as follows:I'm complicationLive wire downI'm agitationDistorted soundYou're celebrationGirl on a swingPassion and patienceUnbroken ringYou're simple, simpleYou're simpleSimply all I needWhile the album version features additional instruments, the piece works well as a guitar solo. This PDF includes detailed fingerings in standard notation. Thereâ??s also a version available with TAB on this site.
$1.99
1.83 €
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Guitar
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Keith Gehle
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"Girl on a Swing" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Ain't Always The Cowboy
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.58 €
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Guitar
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Jon Pardi
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Passacaglia
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.75 €
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Guitar
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Waves
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.527336 Composed by Richard Hirsch.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.527336 Composed by Richard Hirsch. 20th Century,Classical,Contemporary,Instructional. Individual part. 3 pages. Richard Hirsch #137832. Published by Richard Hirsch (A0.527336). A nice arpeggio piece for solo steel string acoustic or classical guitar. The piece has a meditative almost hypnotic character and was called lullaby by my daughters which is a good alternative title. It can be played at different tempos and changes character according to tempo. The faster versions border on the minimalism of Steve Reich and the slower versions tend toward the contemplations of Arvo Pärt. I created the piece as a study in arpeggio for intermediate to advanced students of guitar and hope it will fill a gap in the modern repertoire of arpeggio studies. It has been a favorite with audiences over the years at my live performances. In the YouTube link I play on a steel string guitar. The piece works just as well, though with a slightly more mellow sound, on a nylon string classical guitar.
$4.99
4.58 €
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Guitar
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Richard Hirsch
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Waves
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Richard Hirsch
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SheetMusicPlus
Tala
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra…
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Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfred Feenstra (A0.978015). Tala is a facebook girlfriend of me from Iraq where she lives. Through Facebook, we had and still have a quite special relation. For that reason, I composed this song for her. She sends me recordings of her singing in Arabic language, nice although I can not understand the meaning of the words and I wrote for her this song. Now she works in a hospital and supports with her friendship and good care young children with cancer.
$4.00
3.67 €
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Guitar
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Alfred Feenstra
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Tala
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Alfred Feenstra
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.37 €
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Guitar
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Courante - Suite No.1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1105357 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1105357 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 250. Serenade Music #708605. Published by Serenade Music (A0.1105357). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
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Gerry Saulter - Guitar
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Courante - Suite No.1, BWV 1007
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Serenade Music
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SheetMusicPlus
Gigue - Suite No.1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1105358 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1105358 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 148. Serenade Music #708608. Published by Serenade Music (A0.1105358). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
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Gerry Saulter - Guitar
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Gigue - Suite No.1, BWV 1007
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Serenade Music
#
SheetMusicPlus
Sarabande - Suite No.1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1153689 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1153689 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 215. Serenade Music #708606. Published by Serenade Music (A0.1153689). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
#
Gerry Saulter - Guitar
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Sarabande - Suite No.1, BWV 1007
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Serenade Music
#
SheetMusicPlus
Prelude - Suite No. 1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1105344 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1105344 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 186. Serenade Music #708587. Published by Serenade Music (A0.1105344). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
#
Gerry Saulter - Guitar
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Prelude - Suite No. 1, BWV 1007
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Serenade Music
#
SheetMusicPlus
Allemande - Suite No. 1, BWV 1007
Guitar
Guitar - Digital Download SKU: A0.1105350 By Gerry Saulter - Guitar. By Johann Seba…
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Guitar - Digital Download SKU: A0.1105350 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 332. Serenade Music #708598. Published by Serenade Music (A0.1105350). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
1.83 €
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Guitar
#
Gerry Saulter - Guitar
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Allemande - Suite No. 1, BWV 1007
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Serenade Music
#
SheetMusicPlus
Exploring Jazz Guitar
Guitar
Guitar - intermediate - Digital Download SKU: S9.Q585860 An Introduction to Jazz…
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Guitar - intermediate - Digital Download SKU: S9.Q585860 An Introduction to Jazz Harmony, Technique and Improvisation. Schott Pop-Styles. Downloadable. Schott Music - Digital #Q585860. Published by Schott Music - Digital (S9.Q585860). English.Perfect for the beginner guitarist who wants to learn more about jazz, this book provides a comprehensive introduction to the world of Jazz Guitar. Author Phil Capone explains jazz harmony in a clear and accessible style, from simple chord changes through to the II-V-I progression, turnarounds and other classic jazz sequences. Building steadily throughout the book, you'll learn authentic jazz voicings and accompaniment styles, as well as vital jazz theory. Packed with practical advice on getting to grips with improvisation, Exploring Jazz Guitar unlocks the secrets of jazz harmony, allowing you to construct authentic jazz solos. Complete with accompanying CD containing demonstration solos and live jazz backing tracks.Perfect for the beginner guitarist who wants to learn more about jazz, this book provides a comprehensive introduction to the world of Jazz Guitar. Jazz harmony is explained in a clear and accessible style, from simple chord changes through to more advanced sequences.
$27.99
25.7 €
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Guitar
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Exploring Jazz Guitar
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Schott Music - Digital
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SheetMusicPlus
Blackbird
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1293785 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1293785 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tim Rushworth. 20th Century,Folk,Pop. Individual part. 3 pages. Tim Rushworth #884230. Published by Tim Rushworth (A0.1293785). I've enjoyed playing the accompaniment to this song for many years. This new arrangement now includes the song melody in amongst the guitar part, set at an easier pitch, to help with playability. Please listen to the mp3 for an impression, live recording will be available soon, as well as YouTube video. Tab version also available. Enjoy!
$4.99
4.58 €
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Guitar
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The Beatles
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Blackbird
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Tim Rushworth
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SheetMusicPlus
Three little pictures of Alicante
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.985187 Composed by Gustavo Porras.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985187 Composed by Gustavo Porras. Concert,Contemporary,Standards,World. Individual part. 6 pages. Gustavo Porras Chinchilla #5041701. Published by Gustavo Porras Chinchilla (A0.985187). This little suite for solo guitar is about my memories when I used to live in Spain. Dedicated to Anastasiya Kryvanos.Youtube Channel: Gustavo Porras GuitarristaFacebook: Gustavo Porras guitarrista y compositorInstagram: gustavoporrasguitar.
$9.99
9.17 €
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Guitar
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Gustavo Porras
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Three little pictures of Alicante
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Gustavo Porras Chinchilla
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SheetMusicPlus
Where Is Love?
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Arranged by Derek Hasted. Broadway,Contemporary,Musical/Show. Individual part. 4 pages. Derek Hasted #3561145. Published by Derek Hasted (A0.797701). WHERE IS LOVE (from Oliver) - SOLO GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This beautiful piece from the Stage Show Oliver is a perfect fit for Classical Guitar. Many of the shapes will seem instantly familiar, and the arrangement is not tricky to play, meaning the sound is gentle and effortless.My arrangement is in 3 voices. The middle voice, which provides support for the sustained tune, needs to be subdued so the tune stays audible. Some of the rests in the middle voice are absent, so as not to crowd the page.I hope you enjoy playing this piece!
$4.99
4.58 €
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Guitar
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Lionel Bart
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Where Is Love?
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Derek Hasted
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Mordy Ferber - Compositions
Guitar
Guitar (jazz and contemporary) - Intermediate - Digital Download Composed by Mordy Fe…
(+)
Guitar (jazz and contemporary) - Intermediate - Digital Download Composed by Mordy Ferber. 0. E-book. 84 pages. Mel Bay Publications - Digital Sheet Music #22154EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119451.<br> <br> This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs, All The Way To Sendai.
$17.99
16.52 €
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Guitar
#
Mordy Ferber
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Mordy Ferber - Compositions
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
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