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PIANO & KEYBOARDS

Piano solo 36 Piano, Vocal and Guitar 11 Easy Piano 6 C Instruments 5 Piano, Voice 5

Piano (band part) 1 Organ 1 2 Pianos, 4 hands 1

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GUITARS

Ukulele 5 Guitar 5 Melody line, (Lyrics) and Chords 3 Guitar notes and tablatures 2 Guitar (band part) 1

Bass guitar 1

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VOICE

Choral SATB 27 Choral 3-part 6 Choral TTBB 5 Soprano voice, Piano 4 Baritone voice, Piano 3

Choral SSAA 3 Choral 2 Tenor voice, Piano 2 Mezzo-Soprano voice, Piano 2 Choral Unison 1 Choral Instrumental Pak 1 High voice 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 45 Saxophone Quintet: 5 Saxophones 44 Clarinet Ensemble 10 2 Clarinets (duet) 6 2 Flutes (duet) 6

2 Saxophones (duet) 6 Flute Quintet : 5 flutes 3 Flute ensemble 2 Saxophone Quartet: 4 saxophones 1 Flute, Violin 1 Tenor Saxophone 1 Flute 1 Saxophone ensemble 1 2 English horns and Pianoforte 1 Flute and Piano 1 Saxophone and Organ 1 2 Oboes (duet) 1 Clarinet and Piano 1 Flute Quartet: 4 flutes 1 Tenor Recorder 1 Oboe, Bassoon (duet) 1 Flute, Saxophone (duet) 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 22 Brass Quintet: 2 trumpets, horn, trombone, tuba 5 Trombone ensemble 4 2 French horns (duet) 3 2 Trumpets (duet) 2

Trumpet ensemble 2 2 Tubas (duet) 2 2 Trombones (duet) 2 Brass Quartet 2 2 Euphoniums (duet) 2 Brass Quartet: 4 trumpets 1 French Horn and Piano 1 Horn Ensemble 1 2 English horns and Pianoforte 1 Trumpet, Piano 1

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STRINGS

String Quartet: 2 violins, viola, cello 9 Harp 5 String Quintet: 2 violins, viola, cello, bass 5 Violin ensemble 4 Viola ensemble 4

2 Double basses (duet) 2 Cello 2 String Trio: 2 violins, cello 2 Doublebass (band part) 1 Viola, Piano 1 2 Violins (duet) 1 Double Bass 1 Violin and Piano 1

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PERCUSSION & ORCHESTRA

Orchestra 14 Concert band 11 String Orchestra 6 Brass ensemble 2 Percussion Ensemble 2

Chamber Orchestra 2 Drums 1

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I Lived

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Sonata No. 6 "Kharkiv", Op. 48 Guitar

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…(+)

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate nÂ° 6 Kharkiv pour guitare solo a Ã©tÃ© composÃ©e en 2021, Ã la fin du confinement liÃ© au COVID-19. Ã? ce moment-lÃ , ma famille et moi Ã©tions restÃ©s dans notre ville natale de Kharkiv (Ã©galement connue sous le nom de Kharkov), en Ukraine, pendant prÃ¨s de deux ans. Nous considÃ©rions cette pÃ©riode de pandÃ©mie comme un dÃ©sastre, mais nous avons rÃ©alisÃ© plus tard que c'Ã©tait en fait un moment plutÃ´t heureux, car la guerre est arrivÃ©e dans notre pays quelques mois plus tard. Depuis 2022, une fraction considÃ©rable des 1,5 million de citoyens de Kharkiv ont quittÃ© leur foyer, ceux qui sont restÃ©s vivent sous des attaques incessantes de missiles, et beaucoup ont Ã©tÃ© tuÃ©s. Je voudrais dÃ©dier cette Sonate Ã la ville frontaliÃ¨re de Kharkiv et, surtout, Ã ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spÃ©cifique. Ici, je donnerai un bref aperÃ§u de ses principaux Ã©lÃ©ments de composition pour faciliter les interprÃ©tations futures.Les premier et quatriÃ¨me mouvements de cette Sonate sont basÃ©s sur l'interaction entre le principe dodÃ©caphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basÃ© sur l'interaction de la triade de sol majeur Solâ??Siâ??RÃ© des cordes de guitare Ã vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (Ã l'origine sur la premiÃ¨re corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (Ã l'origine sur la corde de basse 6). Ces Ã©lÃ©ments se complÃ¨tent presque pour former douze tons (Ã l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato oÃ¹ chaque note de la triade de sol majeur est dÃ©placÃ©e pas Ã pas d'un demi-ton vers le haut ou vers le bas.Le deuxiÃ¨me mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentuÃ©s et des passages rapides, ainsi qu'un mouvement mÃ©lodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisiÃ¨me mouvement est un Adagio mÃ©ditatif basÃ© sur un thÃ¨me composÃ© dans l'Ã©chelle hexatonique RÃ©â??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse Ã vide Miâ??Laâ??RÃ© et le demi-ton Siâ??Do.Enfin, le quatriÃ¨me mouvement est basÃ© sur le thÃ¨me dodÃ©caphonique complet composÃ© de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??RÃ© et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thÃ¨me est prÃ©sentÃ© dans ses formes prime et rÃ©trograde. Il y a des dialogues entre la premiÃ¨re corde, les basses et les cordes mÃ©dianes Ã vide, similaires au premier mouvement. Ã? son apogÃ©e, le thÃ¨me dodÃ©caphonique est interprÃ©tÃ© en utilisant le mouvement parallÃ¨le de l'accord de sol majeur standard de la guitare avec les cordes mÃ©dianes Ã vide sur douze positions.La Sonate a Ã©tÃ© crÃ©Ã©e en premiÃ¨re et enregistrÃ©e (CD Naxos No. 8.574630) par le cÃ©lÃ¨bre guitariste ukrainien Marko Topchii, qui a Ã©galement vÃ©cu et Ã©tudiÃ© Ã Kharkiv. Je lui suis extrÃªmement reconnaissant pour l'interprÃ©tation brillante de cette piÃ¨ce.Je suis trÃ¨s redevable envers Productions d'Oz d'avoir conservÃ© mes notations originales lÃ oÃ¹ celles-ci ne correspondent pas au style de l'Ã©diteur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

$7.95 7.33 € #Guitar #Konstantin Bliokh #Sonata No. 6 "Kharkiv", Op. 48 #Les Productions d'OZ - Digital #SheetMusicPlus

Every Breath You Take Guitar

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo AlcÃ¡zar #856983. Published by Pablo AlcÃ¡zar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No.â€‰1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married â€“ to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..

$4.99 4.6 € #Guitar #The Police #every move you make #Every Breath You Take #Pablo AlcÃ¡zar #SheetMusicPlus

KriyÄ (Direction, Goal) for 10-String Guitar Guitar

Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). KriyaÌ„ is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertakeâ€ toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along.Â This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness.Â Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.

$9.99 9.21 € #Guitar #Julian Bertino #KriyÄ #Julian Bertino #SheetMusicPlus

Tremolo from the Regondi Nocturne (Op.19) Guitar

Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …(+)

Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' â€“ must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible â€“ it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.

$5.00 4.61 € #Guitar #Giulio Regondi #4 pp #Tremolo from the Regondi Nocturne #Maggie Creek Music #SheetMusicPlus

Thracian Tale Guitar

Guitar - Digital Download SKU: ZY.DO-1552 Composed by Atanas Ourkouzounov. Score. 1…(+)

Guitar - Digital Download SKU: ZY.DO-1552 Composed by Atanas Ourkouzounov. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1552. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1552). J’ai composé « Thracian Tale » en 2024 pour George Vassilev. Le titre fait référence au peuple de Thrace qui habitait dans les Balkans et plus particulièrement dans le territoire de la Bulgarie actuelle. La pièce est composée en forme A-B-A et le langage utilisé - comme dans la plupart de mes pièces - est basé essentiellement sur des modes et des rythmes issues de la musique des Balkans. Elle est enrichie avec l’utilisation de chromatismes, d’hémioles pour varier la pulsation de base ainsi que de différentes techniques instrumentales.I composed Thracian Tale in 2024 for George Vassilev. The title refers to the people of Thrace who lived in the Balkans and more particularly in the territory of present-day Bulgaria. The piece is composed in A-B-A form and the language used - as in most of my pieces - is based essentially on modes and rhythms from Balkan music. It is enriched with the use of chromatisms, hemiolas to vary the basic pulsation as well as different instrumental techniques.

$7.95 7.33 € #Guitar #Atanas Ourkouzounov #Thracian Tale #Les Editions Doberman-Yppan #SheetMusicPlus