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--INSTRUMENTS--
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Joy In Harmony
Not classified
404
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143
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72
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7
C Instruments
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2 Pianos, 4 hands
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+ 6 instrumentations
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16
Guitar notes and tablatures
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2 Ukuleles
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Mandolin
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Bass guitar
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Choral SATB
88
Choral 3-part
29
Choral 2-part
20
Choral Unison
17
Choral TTBB
15
Choral SSAA
11
Voice solo
5
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4
Soprano voice, Piano
1
Alto voice, Piano
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+ 5 instrumentations
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30
2 Saxophones (duet)
26
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25
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18
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13
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12
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11
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Clarinet
8
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8
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8
Flute, Oboe, Clarinet (trio)
8
2 Recorders (duet)
8
Flute Trio: 3 flutes
6
Clarinet Quintet: 5 clarinets
6
Flute, Violin
6
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6
Flute
5
Clarinet and Viola
5
Oboe, Flute
5
Oboe, Bassoon (duet)
5
Flute, Clarinet (duet)
5
Flute, Viola (duet)
5
Oboe, Clarinet, Bassoon (trio)
4
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4
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4
Flute, Trumpet (duet)
4
Flute, Clarinet and Bassoon.
4
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4
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4
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3
Flute, Oboe, Bassoon
3
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2
Oboe
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Flute, Oboe, Piano (trio)
2
Oboe, Cello
2
Flute, Saxophone (duet)
2
Flute ensemble
2
Oboe and viola (duet)
2
Saxophone ensemble
2
Alto Saxophone
2
Oboe (band part)
1
Oboe, Violin (duet)
1
Ocarina
1
Recorder Quartet
1
Flute and Guitar
1
Recorder
1
Descant (Soprano) Recorder
1
Flute and Strings Trio
1
4 Oboes
1
2 Clarinets, Piano
1
Piccolo, Piano
1
Clarinet, Guitar (duet)
1
Bass Clarinet, Piano
1
+ 60 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
26
Brass Quintet: 2 trumpets, horn, trombone, tuba
12
Trombone and Piano
11
2 Trumpets (duet)
9
Trumpet, Saxophone (duet)
8
Brass Quartet: 4 trombones
7
2 Trombones (duet)
7
Trumpet, Trombone (duet)
7
Tuba and Piano
6
Trumpet
6
Trombone
6
Brass quartet : 2 trumpets, trombone, tuba
6
French Horn and Piano
6
Brass Quartet: 4 trumpets
5
2 French horns (duet)
5
Brass Quartet: 2 trumpets, horn, trombone
5
Brass Quartet: 4 horns
5
Tuba
5
3 Trumpets (trio)
4
French horn
4
2 Tubas (duet)
4
Brass Quartet
1
Trombone ensemble
1
Trombone, Horn (duet)
1
4 Euphoniums
1
3 Trombones (trio)
1
Trumpet ensemble
1
Euphonium, Piano (duet)
1
Tuba and Organ
1
Horn, Tuba (duet)
1
Trumpet, Cello (duet)
1
+ 26 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
57
2 Violins (duet)
24
Violin and Piano
20
String Trio: violin, viola, cello
18
Violin, Cello (duet)
17
Violin, Bassoon (duet)
14
Cello, Piano
12
2 Cellos (duet)
11
Violin, Viola (duet)
11
Harp
10
2 Violas (duet)
9
Cello
9
Viola, Piano
8
Violin
7
String Quintet: 2 violins, viola, cello, bass
6
2 Harps (duet)
5
4 Cellos
4
String Quintet: 2 violins, viola, 2 cellos
4
Viola
4
Double bass, Piano (duet)
4
Viola, Cello (duet)
4
Double Bass
3
String Trio: 2 violins, cello
3
String Quartet : 4 violas
2
2 Double basses (duet)
2
4 Double Basses
2
Viola ensemble
1
Violin ensemble
1
String quartet: 4 violins
1
String Trio: 2 violins, viola
1
2 Cellos, Piano
1
String Trio: 3 violins
1
+ 27 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
58
Concert band
56
Brass ensemble
6
Orchestra
4
Jazz Ensemble
4
Percussion Ensemble
4
Vibraphone
2
Jazz combo
1
Handbells
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Xylophone, Piano
1
Percussion
1
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Joy In Harmony
Guitar
Sheetmusic to print
16 sheet music found
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1
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.21 €
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Guitar
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Johann Sebastian Bach
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.53 €
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Guitar
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Mauro Giuliani
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Prelude No 3 in C (Streams)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.76 €
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Guitar
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Beetlejuice (main Theme)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfma…
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Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pages. Soul - Musical Creations #843883. Published by Soul - Musical Creations (A0.1249449). Elevate your musical performances to new heights with the captivating sheet music arrangement of Beetlejuice (Main Theme) by Danny Elfman from the iconic movie Beetlejuice, specifically arranged for four classical guitars. Experience the enchantment of this beloved melody as it resonates through the harmonies of multiple guitars, adding depth and richness to your performance.Crafted with precision and care, this arrangement allows you and your fellow guitarists to recreate the magical atmosphere of Beetlejuice, captivating audiences with the hauntingly beautiful notes that have become synonymous with the film. With individual parts for each guitar, you'll enjoy the unique experience of playing in harmony and creating a captivating ensemble performance.Whether you're a guitar ensemble, a group of friends, or a music educator looking to inspire your students, this sheet music is an invaluable addition to your repertoire. The four-part arrangement ensures that every guitarist has an opportunity to shine and contribute to the spellbinding rendition of Beetlejuice (Main Theme).From concerts and recitals to gatherings and events, this arrangement will be the highlight of any performance. Its recognizable melody and nostalgic charm will captivate listeners and leave a lasting impression on all who hear it.Unlock the extraordinary potential of your guitar ensemble with the sheet music for Beetlejuice (Main Theme) arranged for four classical guitars. Order your copy today and embark on a musical journey that blends the world of classical guitar with the enchantment of Beetlejuice.  Don't miss out – seize this opportunity and let the haunting melodies of Beetlejuice resonate through your guitars!
$4.99
4.6 €
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Guitar
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Danny Elfman
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Beetlejuice
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Soul - Musical Creations
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SheetMusicPlus
Deck the Halls - ELECTRIC GUITAR & PIANO - D Major
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.834548 By MAJOR SCORE PUBLISHING T…
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Solo Guitar - Level 3 - Digital Download SKU: A0.834548 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Jazz,Pop. Individual part. 25 pages. Major Score Publishing #6101991. Published by Major Score Publishing (A0.834548). Adapted with beautifully satisfying & tasteful jazz harmony with original melody, this holiday classic has never sounded more pleasing to the listener and performer. Designed for students, teachers and performers of all ages this sheet music download is a must have for your holiday enjoyment. You will receive a fully written out part for Guitar & Piano, Concert Lead sheet (with chords & lyrics for small jazz groups, and a lyrics page in case your listeners wish to sing along! Full performance demo on the Youtube link (performed in concert Eb Major for demo purpose). Check out all of our Holiday Sheet music available on our website such as Let it Go, All I Want for Christmas is You, Silent Night, Joy to the World, O Christmas Tree, You're a mean one Mr Grinch. Buy Deck the halls sheet music today! Stop by on our IG page as well @majorscorepublishing. Happy Holidays!
$5.99
5.52 €
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Guitar
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MAJOR SCORE PUBLISHING TM
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Deck the Halls - ELECTRIC GUITAR & PIANO - D Major
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Major Score Publishing
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SheetMusicPlus
Hotel California
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
18.42 €
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Guitar
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The Eagles
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Hotel California
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Ron Calabrese
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SheetMusicPlus
The Singing Instrumentalist Guitar
Guitar
Guitar - Level 1 - Digital Download SKU: A0.1319904 By DaCapo Primary Music. By Fre…
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Guitar - Level 1 - Digital Download SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.37 €
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Guitar
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DaCapo Primary Music
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The Singing Instrumentalist Guitar
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DaCapo Primary Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitar
#
Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Playing Easy Guitar Christmas Carols Book 2
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954708 Arranged by Dennis Greensmi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954708 Arranged by Dennis Greensmith. Christmas. Individual part. 16 pages. Dennis Greensmith #3637775. Published by Dennis Greensmith (A0.954708). Playing Easy Guitar Christmas Carols Book 2. Solo Guitar Intermediate level.Playing Easy Guitar Christmas Carols Book 2 is the second book in the series with Eleven popular Christmas songs that have been arranged at intermediate stage guitar players (who are playing at around Grades 3 and 4 level) who can already read music who wish to widen their repertoire. For those who already play to a higher level this book will provide enjoyable sight reading material. The book follows on from my Christmas Carols Book 1 and demonstrates how the introduction of harmony notes, chords and barre chords start to offer a wider choice of playing options to improve the depth of sound in a composition.This book is part of a series of books that are designed for finger style playing on a guitar suited to the nylon string classical guitar thought can also be played on the steel string acoustic guitar. Each book has been carefully developed so that each piece of music complements the standard syllabuses such as Trinity College London. Book 2 has the same musical standard as Grades 3 and 4 in terms of composition arrangement and moving higher up the guitar neck to give a greater range of notes that can be played.Please visit www.greensmith.info Christmas Carols Book 2 to see demonstrations and tuition vides on the songs . Further songs and teaching material can be found at www.guitarfingers.co.uk
$12.99
11.98 €
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Guitar
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Playing Easy Guitar Christmas Carols Book 2
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Dennis Greensmith
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SheetMusicPlus
Hotel California
Guitar
Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felde…
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Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Pop,Rock. 79 pages. Duration 372. Ron Calabrese #TNcRYrWN5BaTRWl6j56eK. Published by Ron Calabrese (A0.1350516). Key: A minor.Guitar, Guitar Ensemble, Guitar Ensemble – Beginner/Advanced – Ron Calabrese Hotel California (Arrangement by Ron Calabrese): Score, 5 Guitar Parts, Guitar Tablature: 49 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players. The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion. The iconic guitar solo includes smooth harmonies across multiple guitar parts. Part Descriptions: Guitar 1: The Guitar 1 Part is written to showcase the tune’s main melody and chorus. This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece. All fingering and tabulator are included for convenience. Guitar 2: The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable. Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo. This part can be played by an intermediate player. All fingering and tabulator are included for convenience. Guitar 3 & 4: The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections. These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5: The Guitar 5 Part is the bass guitar part (written in G clef). From time to time, the part includes key rhythmic phrases used to complement the other parts. The Guitar 5 Part also includes the chords as a potential 6th Part.
$19.99
18.43 €
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Guitar
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The Eagles
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Bridge Over Troubled Water
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1415655 By Simon And Garfunkel. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1415655 By Simon And Garfunkel. By Paul Simon. Arranged by Joseph M. Henson. 20th Century,Pop,Singer/Songwriter,Standards,Wedding. Individual part. 6 pages. Joseph Henson #997371. Published by Joseph Henson (A0.1415655). Arranged in D Major for Fingerstyle Solo Guitar. Original Recording is in Eb Major and can be matched by capoing at first fret. This arrangement considers piano harmony, sung melody, and bassline to the extent they can be played simulteneously on acoustic guitar. This arrangement includes ALL original song sections with chord and bass nuances to capture the accurate intro and iconic interlude, bridge, and outro sections. Enjoy!
$9.99
9.21 €
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Guitar
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Simon And Garfunkel
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Bridge Over Troubled Water
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Joseph Henson
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SheetMusicPlus
Over The Rainbow
Guitar
Guitar - Intermediate - Digital Download By Harold Arlen, E. Y. Harburg. Arranged by …
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Guitar - Intermediate - Digital Download By Harold Arlen, E. Y. Harburg. Arranged by Nicolas Kyriakou. Score, Sheet Music Single, Solo Part. 4 pages. Published by Nicolas Kyriakou
This is a free arrangement for CLASSICAL GUITAR in standard tuning. Almost like a Fantasy on "Over the rainbow". The Melody and Harmony of the main parts are there. I just included some Arpeggio interludes that make up a nice atmosphere. Enjoy and let me know if you have any questions. Here is my E-mail: info@nikymusic.com
$4.99
4.6 €
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Guitar
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Harold Arlen, E
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Over The Rainbow
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Nicolas Kyriakou
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SheetMusicPlus
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