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I'm your treasure Box
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1346736 By Hoshou Marine. By Hosho…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1346736 By Hoshou Marine. By Hoshou Marine. Arranged by Aki ã‚ã and ã²ãらã—P. Pop. Individual part. 1 pages. Aki ã‚ã #931517. Published by Aki ã‚ã (A0.1346736). ë‚œ ë„ˆì˜ ë³´ë¬¼ìƒìž - 호쇼 마린I'm your treasure Box - Hoshou Marine.
$4.00
3.68 €
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Guitar
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Hoshou Marine
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I'm your treasure Box
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Aki ã‚ã
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.32 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Metodo Completo de Guitarra Moderna de Mel Bayá
Guitar
Guitar (all) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.93396SPEB
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Guitar (all) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.93396SPEB Composed by Mel Bay. Jazz. Complete. All styles. E-book. Mel Bay Publications - Digital Sheet Music #93396SPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93396SPEB). ISBN 9781610650120. 8.75x11.75 inches.Los siete volúmenes de la serie original Modern Method Method de Mel Bay se incluyen en esta compilación maestra única y enorme. Esta edición también incluye arreglos sobresalientes de solo de guitarra plectrum que no se encuentran en los volúmenes originales. Cuando el Sr. Bay percibió la necesidad de un método de guitarra que enseñara efectivamente a los guitarristas principiantes a leer música, este método está escrito intencionalmente solo en notación estándar. Aunque es una técnica de estilo de dedo, este libro está diseñado especÃficamente para el jugador de estilo de púas, desde principiante hasta niveles avanzados.All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, huge master compilation. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original volumes. As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only. Although fingerstyle technique, this book is tailored specifically for the plectrum-style player, beginner through advanced levels.
$34.99
32.22 €
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Guitar
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Mel Bay
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Intermediate
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Metodo Completo de Guitarra Moderna de Mel Bayá
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941926 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941926 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual part. 2 pages. Cristiano Sousa #6444017. Published by Cristiano Sousa (A0.941926). Study n°2 (Moderato con Espressivo) is focused arppeggiation. To left hand, the main concern is centered on the connection between the chords. There is little room for alternative fingerings because attention is focused on the right hand. In it, a fixed typing in p-i-m-a-m-i-m-i is reiterated throughout the piece. This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches. You can contact me at cristiano.sousa.santos@gmail.com
$2.99
2.75 €
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Guitar
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Matteo Carcassi
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STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941925 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941925 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Classical,Concert,Instructional,Standards. Individual part. 2 pages. Cristiano Sousa #6444015. Published by Cristiano Sousa (A0.941925). Study n°2 (Moderato con Espressivo) is focused arppeggiation. To left hand, the main concern is centered on the connection between the chords. There is little room for alternative fingerings because attention is focused on the right hand. In it, a fixed typing in p-i-m-a-m-i-m-i is reiterated throughout the piece. This edition features detailled fingerings.
$5.99
5.52 €
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Guitar
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Matteo Carcassi
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STUDY nº 2 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
Deixa (let Me)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1218301 Composed by Baden Powell a…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1218301 Composed by Baden Powell and Norman Gimbel. Arranged by MARCIO AMARAL. 20th Century,Folk,Jazz,Latin,Multicultural,World. Individual part. 8 pages. Marcio Amaral #814782. Published by Marcio Amaral (A0.1218301). Arranjo da música Deixa de Baden Powell. Arranjo no estilo fingerstyle contendo partitura, tablatura e cifras.Apresenta a melodia principar e um trecho instrumental (improviso).Tonalidade original em Am. Contém 08 páginas.
$6.99
6.44 €
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Guitar
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Baden Powell and Norman Gimbel
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Deixa
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Marcio Amaral
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SheetMusicPlus
How Insensitive (insensatez)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1279516 By Astrud Gilberto. By Ant…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1279516 By Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by MARCIO AMARAL. 20th Century,Contemporary,Folk,Jazz,Latin. Individual part. 2 pages. Marcio Amaral #870999. Published by Marcio Amaral (A0.1279516). Arranjo para violão no estilo fingerstyle do famoso tema de bossa nova Insensatez. Composição de Tom Jobim, VinÃcius de Moraes e Norman Gimbel, apresenta um cenário intimista e melancólico que era uma das caracterÃsticas de certas composições da bossa nova. Nesse clássico da música brasileira a partitura contém a tablatura, cifras, e acordes com shapes. 2 páginas em formato pdf.
$5.99
5.52 €
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Guitar
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Astrud Gilberto
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How Insensitive
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Marcio Amaral
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SheetMusicPlus
The Time Between Genesis 1:1 and 1:2
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
2.39 €
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Guitar
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J
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The Time Between Genesis 1:1 and 1:2
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J.S. Jacques
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1226026 By Tony Bennett. By Bart H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1226026 By Tony Bennett. By Bart Howard. Arranged by MARCIO ROBERTO AMARAL. Folk,Jazz,Latin,Standards. Individual part. 4 pages. Marcio Amaral #822052. Published by Marcio Amaral (A0.1226026). Arranjo do estilo fingerstyle.IntermediárioArquivo pdf com 4 páginas. Contém partitura, cifras, tablatura e diagramas do braço do violão.
$6.99
6.44 €
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Guitar
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Tony Bennett
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Fly Me To The Moon
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Marcio Amaral
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SheetMusicPlus
Romantic Guitar Anthology
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
15.64 €
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Guitar
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
A Day in May
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4273. Published by Les Productions d'OZ - Digital
Composé à l'occasion de la naissance d'un premier enfant, une fille née au mois de mai. Dédiée à son fier père, le guitariste turc Serhat Bulut. La pièce démarre dans l'expectative, puis se dessine dans des sonorités orientales, suivie d'un passage tendre représentant le berçage d'un enfant. La pièce se termine par un intervalle mélodique dans lequel chaque bébé dit maman et papa pour la première fois. Composed on the occasion of the birth of a first child, a girl born in the month of May. Dedicated to her proud father, the Turkish guitarist Serhat Bulut. The piece starts expectantly, then takes shape in oriental sounds, followed by a tender passage depicting the cradling of a child. The piece ends with a melodic interval in which each baby says mommy and daddy for the first time.
$3.95
3.64 €
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Guitar
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Annette Kruisbrink
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A Day in May
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Les Productions d'OZ - Digital
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SheetMusicPlus
Pêle-Mêle, vol. 2
Guitar
Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3920 Composed by Luc Gueugne…
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Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3920 Composed by Luc Gueugneau. Score. 17 pages. Les Productions d'OZ - Digital #DZ 3920. Published by Les Productions d'OZ - Digital (ZZ.DZ-3920). ISBN 9782897958374.
$9.95
9.16 €
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Guitar
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Luc Gueugneau
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Pêle-Mêle, vol. 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
Pêle-Mêle, vol. 1
Guitar
Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3550 Composed by Luc Gueugne…
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Guitar - Intermédiare - Digital Download SKU: ZZ.DZ-3550 Composed by Luc Gueugneau. Score. 17 pages. Les Productions d'OZ - Digital #DZ 3550. Published by Les Productions d'OZ - Digital (ZZ.DZ-3550). ISBN 9782897954673.
$9.95
9.16 €
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Guitar
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Luc Gueugneau
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Pêle-Mêle, vol. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
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