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You've selected:
Moment To Moment
SheetMusicPlus
Guitar
Sheetmusic to print
47 sheet music found
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1
26
Go Tell It On The Moment For Guitar
Guitar
Solo Guitar - Digital Download SKU: A0.955323 Composed by Traditional. Arranged by …
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Solo Guitar - Digital Download SKU: A0.955323 Composed by Traditional. Arranged by Neal Fitzpatrick. Christian,Christmas,Folk,Praise & Worship,Spiritual. Individual part. 2 pages. Neal Fitzpatrick Editions #4995077. Published by Neal Fitzpatrick Editions (A0.955323). This arrangement of Go Tell It On The Moment is for solo guitar. This is a beginner to intermediate level finger style edition in standard notation with accompanying tablature. This can be a great piece for getting started with finger style playing or as a holiday addition to more advanced players repertoire. This arrangement is in the key of C Major.
$2.99
2.76 €
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Guitar
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Traditional
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Go Tell It On The Moment For Guitar
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Neal Fitzpatrick Editions
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SheetMusicPlus
Moment for Four Guitars
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.737388 Composed by Katrina Wreede.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.737388 Composed by Katrina Wreede. Contemporary,Standards. Individual part. 16 pages. Vlazville Music-Digital #6719331. Published by Vlazville Music-Digital (A0.737388). Charming and stately guitar quartet commissioned by the Left Coast Chamber Ensemble for their Intersection 2022 project. Very playable for good amateur guitarists. Intended to create a moment of normalcy, stability and peace during Covid. Enough challenges to be fun, but goes down easy with listeners and players alike. Recommend for college recitals, music camps, group lessons. .
$21.99
20.27 €
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Guitar
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Katrina Wreede
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Moment for Four Guitars
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Vlazville Music-Digital
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SheetMusicPlus
One Moment In Time
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.788370 By Whitney Houston. By Albe…
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Solo Guitar - Level 5 - Digital Download SKU: A0.788370 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 8 pages. Antonius Agung Setiawan #5741995. Published by Antonius Agung Setiawan (A0.788370). One Moment In Time by Whitney HoustonSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playinstagram @ https://www.instagram.com/pakagung/youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg#guitaronlybypakagung
$5.99
5.52 €
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Guitar
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Whitney Houston
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One Moment In Time
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Antonius Agung Setiawan
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SheetMusicPlus
Moment Musical No.3 for Classical Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.951399 Composed by Franz Schubert.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.951399 Composed by Franz Schubert. Arranged by Andrew Howes. Romantic Period. Individual part. 2 pages. Andrew Howes #6049715. Published by Andrew Howes (A0.951399). A new classical guitar arrangement of one of Schubert's classic piano miniatures for intermediate to advanced players - UK grades 7/8. it is part of my standard repertoire and has some good technical demands.
$5.00
4.61 €
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Guitar
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Franz Schubert
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Moment Musical No.3 for Classical Guitar
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Andrew Howes
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SheetMusicPlus
Momentum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.987606 Composed by Tulio Cremisini…
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Solo Guitar - Level 4 - Digital Download SKU: A0.987606 Composed by Tulio Cremisini. Contemporary,Country,Pop,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6715. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987606). Momentum is the title piece of my new solo album Momentum distributed by CD Baby everywhere online and physical formats. It is an energetic piece of music with an uplifting melodic theme in E major at 120 bpm tempo in 4/4. The piece has an always increasingly happy feel to it. Enjoy!
$8.99
8.29 €
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Guitar
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Tulio Cremisini
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Momentum
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Tulio Cremisini
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SheetMusicPlus
Moments of Joy
Guitar
Solo Guitar - Digital Download SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Co…
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Solo Guitar - Digital Download SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Contemporary,Folk,Jazz. Individual part. 2 pages. Denny Dlabal #6492395. Published by Denny Dlabal (A0.1000130). This is a song composed for solo pick style guitar. The song could be played in a jazz format with the melody being the head of the tune, and then solos taken afterwards. This melody follows the chord changes and has a nice melodic contour that allows the song to sound nice just as a solo melody. It would be a nice song to teach a student how to incorporate arpeggios and chordal type playing into a solo.
$2.99
2.76 €
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Guitar
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Denny Dlabal
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Moments of Joy
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Denny Dlabal
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SheetMusicPlus
Timeless Solos for Guitar
Guitar
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
9.21 €
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Guitar
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
As Summer Fades - guitar solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.971635 Composed by Jeffrey Hoover.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.971635 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 7 pages. Musicart Publications #2021697. Published by Musicart Publications (A0.971635). As Summer Fades is a descriptive work in which composer Jeffrey Hoover musically presents the seasons’ transition. Classical guitar: 3 min. 15 sec. As the warm breeze of summer becomes cooler, the verdant foliage of trees takes on hues of red, brown, orange, and yellow gold. Melodic ideas -- brief and momentary, musical textures, instrumental timbres, and techniques all special to the guitar create this shifting autumnal scene. As with many of his other compositions, there is an interpretive painting – As Summer Fades – also created by the composer.
$9.95
9.17 €
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Guitar
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Jeffrey Hoover
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As Summer Fades - guitar solo
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Musicart Publications
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
27.66 €
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Guitar
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Jean-Philippe Rameau
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RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Mfp Éditions
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.05 €
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Guitar
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Alfie
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
4.6 €
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Guitar
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Cher
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Alfie
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John Fries
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SheetMusicPlus
Pluck for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.75 €
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Guitar
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.21 €
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Guitar
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Benjamin Godard
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
LULLABY
Guitar
Solo Guitar - Digital Download SKU: A0.1004418 Composed by Larry Williams. Contempo…
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Solo Guitar - Digital Download SKU: A0.1004418 Composed by Larry Williams. Contemporary. Individual part. 2 pages. Larry Andrew Williams #3637295. Published by Larry Andrew Williams (A0.1004418). A soothing short and easy piece designed to create your own perfect moment. .
$5.00
4.61 €
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Guitar
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Larry Williams
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LULLABY
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Larry Andrew Williams
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SheetMusicPlus
Shadow Of The Day
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1150977 By Linkin Park. By Brad De…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1150977 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Patommavat Thammachard. Classical,Contemporary,Pop,Rock. Individual part. 3 pages. PTNote Music #751163. Published by PTNote Music (A0.1150977). ‘Shadow Of The Day’ one of ballads from Linkin Park's 2007 album Minutes To Midnight. a song that tells about the frustration in the hearts of people experiencing despair, however in the end, the moment will pass like the sun that rises and sets every day. This arrangement is for solo guitar, which more suitable for intermediate and Advance players. Patommavat Thammachard (PTNoteMusic).
$13.90
12.81 €
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Guitar
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Linkin Park
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Shadow Of The Day
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PTNote Music
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SheetMusicPlus
Cuentos de la Juventud Op.1 No.6
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.951413 Composed by Enrique Granado…
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Solo Guitar - Level 3 - Digital Download SKU: A0.951413 Composed by Enrique Granados 1847-1916. Arranged by Andrew Howes b1951. Romantic Period,Standards,World. Individual part. 1 pages. Andrew Howes #6212601. Published by Andrew Howes (A0.951413). A lovely, tender little salon-piece, forming a quiet moment in the Opus 1 Suite 'Cuentos de la Juventud', which is dedicated to the composer's son Eduardo. Originally for piano it suits the guitar very well and is only of moderate difficulty.
$3.00
2.77 €
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Guitar
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Enrique Granados 1847-1916
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Cuentos de la Juventud Op.1 No.6
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Andrew Howes
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SheetMusicPlus
Suite de Maré: II. Baixa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1260848 By Leo Costa. By Leonardo …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260848 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Contemporary,Jazz,Latin. Individual part. 3 pages. Leo Costa #853989. Published by Leo Costa (A0.1260848). SuÃte de Maré: II. Baixa was composed in Paris in 2014 and released in 2023 on the album Na Densidade do Ar, performed by guitarist Leo Costa. It translates the natural and chaotic movement of a low tide (Maré Baixa) to the guitar with strong erudite, jazz and contemporary influences in a dynamic arrangement that mixes moments of great feeling with moments of agitation.
$5.00
4.61 €
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Guitar
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Leo Costa
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Suite de Maré: II. Baixa
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Leo Costa
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SheetMusicPlus
Baby Shark
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1360298 By Johnny Only. By Jonatha…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1360298 By Johnny Only. By Jonathan Robert Wright. Arranged by Glauco Fernandes. Chamber,Children,Instructional. Individual part. 5 pages. Glauco Fernandes #944791. Published by Glauco Fernandes (A0.1360298). Discover the joy of teaching and learning with the easy arrangement of the children's song Baby Shark!Whether you're a student eager to enhance your musical skills or a teacher in search of engaging instructional material, this sheet music is the perfect choice. Developed at an accessible level, our arrangement of Baby Shark is ideal for beginners, ensuring an educational and enjoyable musical experience.Sheet Music Highlights:- Simplified arrangement suitable for various instruments.- Easy-to-follow notation for seamless learning.- Perfect adaptation for students of different ages.- Unique opportunity to introduce musical concepts in a playful manner.Why choose our sheet music?Our Baby Shark sheet music offers an accessible approach to help students develop their musical skills while having fun. Teachers, seize this opportunity to engage your students uniquely, making lessons more dynamic and compelling.How to purchase:Get the Baby Shark sheet music now and bring the joy of music to your classes and daily practices. Download it instantly and transform your study sessions into fun and educational moments.Don't miss the chance to captivate your students and provide a unique musical learning experience. Purchase the Baby Shark sheet music today and dive into the fun of music!If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$6.99
6.44 €
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Guitar
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Johnny Only
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Baby Shark
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Glauco Fernandes
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SheetMusicPlus
Baby Shark
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1360300 By Johnny Only. By Jonatha…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1360300 By Johnny Only. By Jonathan Robert Wright. Arranged by Glauco Fernandes. Chamber,Children,Instructional. Individual part. 2 pages. Glauco Fernandes #944793. Published by Glauco Fernandes (A0.1360300). Discover the joy of teaching and learning with the easy arrangement of the children's song Baby Shark!Whether you're a student eager to enhance your musical skills or a teacher in search of engaging instructional material, this sheet music is the perfect choice. Developed at an accessible level, our arrangement of Baby Shark is ideal for beginners, ensuring an educational and enjoyable musical experience.Sheet Music Highlights:- Simplified arrangement suitable for various instruments.- Easy-to-follow notation for seamless learning.- Perfect adaptation for students of different ages.- Unique opportunity to introduce musical concepts in a playful manner.Why choose our sheet music?Our Baby Shark sheet music offers an accessible approach to help students develop their musical skills while having fun. Teachers, seize this opportunity to engage your students uniquely, making lessons more dynamic and compelling.How to purchase:Get the Baby Shark sheet music now and bring the joy of music to your classes and daily practices. Download it instantly and transform your study sessions into fun and educational moments.Don't miss the chance to captivate your students and provide a unique musical learning experience. Purchase the Baby Shark sheet music today and dive into the fun of music!If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$4.99
4.6 €
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Guitar
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Johnny Only
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Baby Shark
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Glauco Fernandes
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SheetMusicPlus
Baby Shark
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1360297 By Johnny Only. By Jonatha…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1360297 By Johnny Only. By Jonathan Robert Wright. Arranged by Glauco Fernandes. Chamber,Children,Instructional. Individual part. 5 pages. Glauco Fernandes #944790. Published by Glauco Fernandes (A0.1360297). Discover the joy of teaching and learning with the easy arrangement of the children's song Baby Shark!Whether you're a student eager to enhance your musical skills or a teacher in search of engaging instructional material, this sheet music is the perfect choice. Developed at an accessible level, our arrangement of Baby Shark is ideal for beginners, ensuring an educational and enjoyable musical experience.Sheet Music Highlights:- Simplified arrangement suitable for various instruments.- Easy-to-follow notation for seamless learning.- Perfect adaptation for students of different ages.- Unique opportunity to introduce musical concepts in a playful manner.Why choose our sheet music?Our Baby Shark sheet music offers an accessible approach to help students develop their musical skills while having fun. Teachers, seize this opportunity to engage your students uniquely, making lessons more dynamic and compelling.How to purchase:Get the Baby Shark sheet music now and bring the joy of music to your classes and daily practices. Download it instantly and transform your study sessions into fun and educational moments.Don't miss the chance to captivate your students and provide a unique musical learning experience. Purchase the Baby Shark sheet music today and dive into the fun of music!If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$6.99
6.44 €
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Guitar
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Johnny Only
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Baby Shark
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Glauco Fernandes
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SheetMusicPlus
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