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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
141
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67
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66
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63
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54
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52
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51
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50
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49
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43
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42
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22
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115
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16
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11
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9
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6
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5
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STRINGS
String Quartet: 2 violins, viola, cello
195
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175
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74
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63
Cello (band part)
50
Cello, Piano
48
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47
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46
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42
Viola, Piano
37
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36
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34
Viola
30
Cello
29
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28
2 Violas (duet)
28
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23
String Quintet: 2 violins, 2 violas, cello
15
Harp
15
String Trio: 2 violins, cello
14
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13
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Double Bass
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4 Cellos
9
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8
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7
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2 Double basses (duet)
6
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4
String Quintet: 2 violins, viola, 2 cellos
4
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Piano Trio: Violin, Viola, Piano
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4 Double Basses
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String Trio: 3 violins
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Harp and Piano
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Cello Ensemble
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PERCUSSION & ORCHESTRA
String Orchestra
138
Concert band
83
Orchestra
72
Chamber Orchestra
67
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53
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15
Piano and Orchestra
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Timpani (band part)
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Handbells
10
Orchestra, Violin
4
Vibraphone (band part)
4
Jazz Ensemble
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Drum (band part)
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Percussion
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Brass Quintet: other combinaisons
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Guitar
Sheetmusic to print
31 sheet music found
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1
26
Fantasy on a Mozart Theme
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.51 €
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Guitar
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
#
SheetMusicPlus
Piano Concerto No. 21 in C major, K. 467 (Wolfgang Amadeus Mozart)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1438323 Composed by Wolfgang Amade…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438323 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Richter. Classical. Individual part. 5 pages. Chris Richter #1018346. Published by Chris Richter (A0.1438323). Wolfgang Amadeus Mozart's Piano Concerto No. 21 in C major, K. 467 arranged for solo fingerstyle guitar.
$5.99
5.4 €
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Guitar
#
Wolfgang Amadeus Mozart
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Piano Concerto No. 21 in C major, K. 467
#
Chris Richter
#
SheetMusicPlus
Theme by Mozart
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.924155 Composed by Wolfgang Amadeu…
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Solo Guitar - Level 1 - Digital Download SKU: A0.924155 Composed by Wolfgang Amadeus Mozart. Arranged by Aaron Mogenson. Classical. Individual part. 1 pages. Aaron Mogenson #3568829. Published by Aaron Mogenson (A0.924155). A famous tune from Mozart's Piano Sonata in A Major K. 331. Arranged for classical guitar. Easy to play.
$1.99
1.79 €
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Guitar
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Wolfgang Amadeus Mozart
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Theme by Mozart
#
Aaron Mogenson
#
SheetMusicPlus
Theme (Piano´s sonata nº 11)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1401960 By José Hernán Navar…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1401960 By José Hernán Navarro Sánchez. By Wolfgang Amadeus Mozart. Arranged by José Hernán Navarro Sánchez. Classical,Historic,Traditional. Individual part. 1 pages. José Hernán Navarro Sánchez #985158. Published by José Hernán Navarro Sánchez (A0.1401960).
$3.99
3.6 €
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Guitar
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José Hernán Navarro Sánchez
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Theme
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José Hernán Navarro Sánchez
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SheetMusicPlus
Canon K230
Guitar
Guitar - Level 1 - Digital Download SKU: A0.1243117 Composed by Wolfgang Amadeus Mo…
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Guitar - Level 1 - Digital Download SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Published by Andre_Nusa (A0.1243117). Immerse yourself in the enchanting melodies of Mozart's Canon K. 230 with this mesmerizing arrangement. This sheet music captures the timeless allure and intricate interplay of the original composition, allowing you to experience Mozart's musical brilliance in a new light. Specifically tailored for acoustic guitar duo, this arrangement showcases the essence of Canon K. 230 with precision and elegance. The two instruments blend seamlessly, creating a rich and resonant sound that highlights the depth and complexity of Mozart's composition. Perfect for performances, recitals, or chamber music enthusiasts, this arrangement offers an opportunity to showcase the talents of acoustic guitar, bringing the beauty of Canon K. 230 to life for your audience. The interplay between the instruments creates a captivating musical dialogue, accentuating the unique tonal colors and expressive capabilities of the two instruments. The sheet music includes standard notation and tablature.
$4.99
4.5 €
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Guitar
#
Wolfgang Amadeus Mozart
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Canon K230
#
Andre_Nusa
#
SheetMusicPlus
Largettho
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1434030 Composed by Wolfgang Amade…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1434030 Composed by Wolfgang Amadeus Mozart. Arranged by Nick Mordal. Classical,Historic,Romantic Period,Wedding. Individual part. 6 pages. Nick Mordal #1014278. Published by Nick Mordal (A0.1434030). This is the middle movement from Mozart's Piano Concerto number 27. It has been transposed from Eb to A for the classical guitar. The many melodies are preserved and ring out beauftifully on the guitar. It is an advanced arrangement that features cadenza material.
$12.00
10.82 €
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Guitar
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Wolfgang Amadeus Mozart
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Largettho
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Nick Mordal
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SheetMusicPlus
Serenade K. 525 (Eine Kleine Nachtmusik) arr. for guitar quartet
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.940919 Composed by Wolfgang Amadeu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.940919 Composed by Wolfgang Amadeus Mozart. Arranged by A. Rinehart. Classical. Individual part. 57 pages. NovaScribe Editions #3470923. Published by NovaScribe Editions (A0.940919). Mozart's perennial favouite, here arranged for four equal guitars including score and parts. .
$12.99
11.72 €
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Guitar
#
Wolfgang Amadeus Mozart
#
Serenade K. 525
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NovaScribe Editions
#
SheetMusicPlus
Rondo Alla Turca (for two guitars)
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1104770 Composed by Wolfgang Amadeus Mo…
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Guitar - Level 4 - Digital Download SKU: A0.1104770 Composed by Wolfgang Amadeus Mozart. Arranged by Felipe Queiroga. Chamber,Classical,Multicultural,World. 15 pages. Golden Skull Editions #708008. Published by Golden Skull Editions (A0.1104770). An arrangement for two guitars of Mozart's Rondo Alla Turca, from his Piano Sonata in A, K. 331.
$5.99
5.4 €
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Guitar
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Wolfgang Amadeus Mozart
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Rondo Alla Turca
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Golden Skull Editions
#
SheetMusicPlus
Allegro K545
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.943116 Composed by Wolfgang Amadeu…
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Solo Guitar - Level 5 - Digital Download SKU: A0.943116 Composed by Wolfgang Amadeus Mozart. Arranged by Tim Rushworth. Classical. Individual part. 4 pages. Tim Rushworth #4298153. Published by Tim Rushworth (A0.943116). This is a solo arrangement of the famous opening movement of Mozart's Piano Sonata in C major K545.
$3.99
3.6 €
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Guitar
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Wolfgang Amadeus Mozart
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Allegro K545
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Tim Rushworth
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SheetMusicPlus
Eine kleine Nachtmusik II. Romanza Andante
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1101429 By Chris Richter. By Wolfg…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1101429 By Chris Richter. By Wolfgang Amadeus Mozart. Arranged by Chris Richter. Classical. Individual part. 4 pages. Chris Richter #704816. Published by Chris Richter (A0.1101429). A solo fingerstyle arrangement of Wolfgang Amadeus Mozart's Eine kleine Nachtmusik II. Romanza Andante for classical guitar.
$5.99
5.4 €
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Guitar
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Chris Richter
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Eine kleine Nachtmusik II. Romanza Andante
#
Chris Richter
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SheetMusicPlus
Wolfgang Amadeus Mozart: Papageno's Song for guitar solo
Guitar
Instantly printable sheet music by Wolfgang Amadeus Mozart for guitar solo of MEDIUM skill…
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Instantly printable sheet music by Wolfgang Amadeus Mozart for guitar solo of MEDIUM skill level. / classical
$6.97
6.29 €
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Guitar
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Six Airs
Guitar
Guitar - Digital Download SKU: S9.Q3539 From Mozart's The Magic Flute. Compo…
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Guitar - Digital Download SKU: S9.Q3539 From Mozart's The Magic Flute. Composed by Fernando Sor. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3539. Published by Schott Music - Digital (S9.Q3539).
$9.99
9.01 €
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Guitar
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Fernando Sor
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Six Airs
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Schott Music - Digital
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SheetMusicPlus
Introduction et Variations
Guitar
Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Compo…
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Guitar - advanced - Digital Download On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This edition: Sheet music. Downloadable. Op. 9. Duration 10 minutes. Chanterelle #Q51803. Published by Chanterelle
English - German.<br> <br> This edition has been chosen for the Michele Pittaluga guitar competition in 2010. Fernando Sor's most popular work, happens to probably be his best anyway. When Andres Segovia started playing it regularly its place in the guitar repertoire was guaranteed. This is an offprint of Volume 2 of Sor's Complete works for guitar.
$9.99
9.01 €
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Guitar
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Fernando Sor
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Introduction et Variations
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Chanterelle
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SheetMusicPlus
Birdcatcher's Aria
Guitar
From: The Magic Flute, K. 620. Composed by Wolfgang Amadeus Mozart (1756-1791). Arr…
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From: The Magic Flute, K. 620. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 1 pages. Published by Schott Music (S9.Q44859). - - - Schott Music
$2.99
2.7 €
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Guitar
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Wolfgang Amadeus Mozart
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Birdcatcher's Aria
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Schott Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.31 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Collection of polyphonic music for guitars. European composers of 17-18 centuries.
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corel…
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Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I.S.Bach, Jean-Philippe Rameau, Johann Pachelbel, Krieger, Wiese, Wittgauer, and Wolfgang Amadeus Mozart. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 86 pages. Valery Dzyabenko #5354397. Published by Valery Dzyabenko (A0.978129). The collection of polyphonic pieces for classical guitar is intended for students of children's music schools. The complexity of the pieces is designed so that you can start learning polyphony even from 1st grade, and then up to 5th or 7th. Here you will find guitar arrangements of music by European composers of the 17th and 18th centuries. The collection contains many works that are not found in other publications. For example, the famous JS Bach's aria from Suite No. 3. The arrangement is performed in a comfortable key in C major, in good harmony with the transmission of almost all voices of this masterpiece of Bach. Or the famous Sarabande from JS Bach's suite. In other publications, it is presented in the key of B minor. In this edition, the Sarabande has been converted to the key minor. Sarabande became available to children. The collection also includes guitar arrangements by composers Mozart, Krieger, Türk, Rameau, Telemann, Aguado, Wiese, Corelli, Vitgauer, Hurlebusch and others.
$11.00
9.92 €
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Guitar
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Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I
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Collection of polyphonic music for guitars. European composers of 17-18 centuries.
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Valery Dzyabenko
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SheetMusicPlus
Dowland for Guitar
Guitar
Guitar - easy to intermediate - Digital Download SKU: S9.Q45576 24 Transcription…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q45576 24 Transcriptions for Guitar. Composed by John Dowland. Arranged by Martin Hegel. This edition: Sheet music. Gitarrenrepertoire - Sammlung - Guitar. Schott Guitar Classics. Downloadable. Schott Music - Digital #Q45576. Published by Schott Music - Digital (S9.Q45576). For guitar players who want to expand their repertoire: This collection provides a fantastic introduction to the works of John Dowland, containing the easiest of his compositions, arranged in their order of difficulty. Dowland ranks among the outstanding figures in the history of 16th- and 17th-century European lute music. Martin Hegel arranged the works originally composed for lute so that they can now be played on the guitar at an intermediate level. The edition is suited for both teaching and playing in one's spare time. Dowland for Guitar is part of the Schott Guitar Classic series. The editor Martin Hegel is dedicated to expanding the guitar repertoire in a varied and sensible way and making popular works of music history accessible even to guitar players at an intermediate level. His transcriptions, ranging from easy to intermediate, are perfectly adapted to the characteristics of the guitar. They present an opportunity to guitar players to experience classics and masterpieces on their own instrument: be it contrapuntal masterpieces by Johann Sebastian Bach and symphonic music by Mozart – or be it lute music from the Renaissance era. Already published in the series: Bach for Guitar (ED 21601), Händel for Guitar (ED 22319), Mozart for Guitar (ED 21856), Sor for Guitar (ED 22349), and Tárrega for Guitar (ED 21857).
$15.99
14.42 €
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Guitar
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John Dowland
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Dowland for Guitar
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Schott Music - Digital
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SheetMusicPlus
Introduction and variations
Guitar
Guitar - Digital Download SKU: S9.Q15702 Over one Theme of Mozart. Composed …
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Guitar - Digital Download SKU: S9.Q15702 Over one Theme of Mozart. Composed by Fernando Sor. This edition: Sheet music. Edition Narciso Yepes - guitar - Wolfgang Amadeus Mozart. Guitar Archive. Downloadable. Op. 9. Schott Music - Digital #Q15702. Published by Schott Music - Digital (S9.Q15702). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$11.99
10.81 €
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Guitar
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Fernando Sor
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Introduction and variations
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Schott Music - Digital
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitar
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.52 €
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Guitar
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
3 Nocturnes
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q18623 Composed by Enj…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q18623 Composed by Enjott Schneider. This edition: Sheet music. Guitar Archive. Downloadable. Duration 12 minutes. Schott Music - Digital #Q18623. Published by Schott Music - Digital (S9.Q18623). Nocturnes have a long tradition – from the notturni by Mozart and Haydn via the nocturnes of the Romantic era to Chopin who elevated the genre to fascinating character piece: He created ambivalently shining gems in an unreal world of human nature which were as close to the extremely sublime as to a demonic abyss. Enjott Schneider's '3 Nocturnes', the core of each of which is characterized by a Latin motto, stand in this tradition. Cicero's 'Somnus est imago mortus' sees sleep as a resemblance of death. 'Die Zeit eilt weg, die Liebe aber bleibt' [Time passes but love remains] explores the ambivalence between that what is hurrying and that what stays eternally. Ovid's 'Der Tropfen höhlt den Stein nicht durch Kraft, sondern durch stetes Fallen' [The drop hollows the stone, not by force but by constant dripping] has its counterpart in a minimalist motif which has a lasting influence on the listener through its constant sounding.
$12.99
11.72 €
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Guitar
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Enjott Schneider
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3 Nocturnes
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Schott Music - Digital
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SheetMusicPlus
Andantino for Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 4 pages. Arte Nova Music Lab #3684051. Published by Arte Nova Music Lab (A0.742430). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
3.6 €
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Guitar
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Fernando Sor
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Andantino for Guitar
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Arte Nova Music Lab
#
SheetMusicPlus
Vals No 1 for 2 Guitars
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
3.6 €
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Guitar
#
Fernando Sor
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
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