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On The Other Hand
Guitar
Sheetmusic to print
45 sheet music found
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1
26
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
$2.99
2.73 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.56 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
The Entertainer (Excerpt)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.82 €
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Guitar
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Scott Joplin
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
pimami - an etude for solo guitar in the mixolydian mode
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20th Century. Individual part. 4 pages. Ted Stanley #5791539. Published by Ted Stanley (A0.923974). A quasi-minimalist piece for solo guitar. From my series of diatonic pieces for guitar that employ no accidentals, other than those in the key signature. The right hand plays the same pattern throughout (pimami) with each successive note on a different string. The recording was made on a cheap cassette player in the late 1980's; thus the authentic hiss and wobble. The meditative aspect of the piece can be enhanced by the burning of incense: a secondary title is Raga Nag Champa.Contact: tstanley@fsu.edu (email).
$2.99
2.73 €
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Guitar
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Ted Stanley
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pimami - an etude for solo guitar in the mixolydian mode
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Ted Stanley
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SheetMusicPlus
Deck the Halls with Boughs of Holly - Easy Guitar duo
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1117896 By André Alberto Santos…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1117896 By André Alberto Santos. By Traditional. Arranged by André Alberto Santos. Children,Christian,Christmas,Holiday. Individual part. 4 pages. Soul - Musical Creations #719403. Published by Soul - Musical Creations (A0.1117896). DECK THE HALLS WITH BOUGHS OF HOLLY, an easy guitar duo. This is a great Christmas piece for beginner and intermediate guitar players. Here you will find a beautiful melody in an easy arrangement and some simple techniques for the right hand. There is a challenge for the student to perform the melody uniformly and a simple hand jump that brings confidence to the student. It's a lot of fun to play as a duo or quartet. Be sure to check out my other cool holiday sheet music I offer on this channel.
$1.99
1.82 €
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Guitar
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André Alberto Santos
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Deck the Halls with Boughs of Holly - Easy Guitar duo
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Soul - Musical Creations
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SheetMusicPlus
Etude no 1 by Villa Lobos. Right and Left Hand Edit by Angelos Tsoutsis
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1436011 Composed by Heitor Villa L…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1436011 Composed by Heitor Villa Lobos. Arranged by Angelos Tsoutsis. 20th Century,Classical. Individual part. 4 pages. Angelos tsoutsis #1016180. Published by angelos tsoutsis (A0.1436011). Here is a new approach of the famous Etude No 1 by Villa Lobos. I suggest a completely diferent way of fingering for the right hand which ,aside the complexety, gives another sound and qualities unknown until now.When the c letter appears on the score, it is there to indicate the use of the little finger of the right hand. Whenever the arrow appears, it means that the finger should strike the string the opposite way, as in Rasgueado , just like the fingers move in Chinese Pipa.
$19.99
18.28 €
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Guitar
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Heitor Villa Lobos
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Etude no 1 by Villa Lobos. Right and Left Hand Edit by Angelos Tsoutsis
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angelos tsoutsis
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SheetMusicPlus
Another Brick In The Wall, Part 2
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters.…
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Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
5.49 €
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Guitar
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Pink Floyd
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Another Brick In The Wall, Part 2
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Milhomusic
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
4.56 €
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Guitar
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B
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Raindrops Keep Fallin' On My Head
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Christopher J. Malin
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SheetMusicPlus
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
18.28 €
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Guitar
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Various
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Baroque Anthology 2 - 20 easy Pieces for Guitar
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Socrates Arvanitakis
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SheetMusicPlus
Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
Guitar
Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical,…
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Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanitakis #752557. Published by Socrates Arvanitakis
This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.
$25.00
22.86 €
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Guitar
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Traditional/Anonymous
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Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
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SheetMusicPlus
Patios de Córdoba
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.65 €
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Guitar
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Traditional
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941922 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941922 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330443. Published by Cristiano Sousa (A0.941922). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).
$5.99
5.48 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
XII Estudos em Serenata - Ziza Padilha
Guitar
Solo Guitar - Digital Download SKU: A0.597603 Composed by Ziza Padilha. Instruction…
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Solo Guitar - Digital Download SKU: A0.597603 Composed by Ziza Padilha. Instructional,Jazz,Latin,World. Individual part. 24 pages. Emerson Coelho #5302557. Published by Emerson Coelho (A0.597603). Most of these studies, in serenade, I composed to solve problems encountered since the beginning of my career as a guitar student. Left-handed and without an instrument, the force used on the left hand was excessive and harmful, in contrast to the disconcerting lightness of the right hand. I dedicate this songbook in the form of a study to friends, brothers and teachers (most of whom contributed significantly to correct these problems), and of course, to my family, with whom I share all dreams and sounds. May the XII Serenata Studies wander in the wind, and, in time, our playing will mature.
$7.00
6.4 €
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Guitar
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Ziza Padilha
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XII Estudos em Serenata - Ziza Padilha
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Emerson Coelho
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SheetMusicPlus
My Old Kentucky Home
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.82 €
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Guitar
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Stephen Foster
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Solo Now!
Guitar
Guitar - easy - Digital Download Preparatory Book. This edition: Sheet music. The E…
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Guitar - easy - Digital Download Preparatory Book. This edition: Sheet music. The EGTA Series. Downloadable. Chanterelle #Q54655. Published by Chanterelle
English - German.<br> <br> Easy and accessible guitar solos with minimal demands on the left-hand so that the student can concentrate on a stable relaxed right tirando technique. Other techniques such as apoyando, tremolo, simple chords, tambora and rasgueado are also covered. This primer was planned to precede the 3-volume Solo Now! series, but is suitable as a stand-alone easy solo book.
$11.99
10.96 €
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Guitar
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Solo Now!
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Chanterelle
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.71 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Dan Levenson's Master Collection of Old-Time Tunes
Guitar
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List
: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
18.28 €
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Guitar
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Dan Levenson's Master Collection of Old-Time Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.13 €
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Guitar
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
Bourrée in E MInor
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.56 €
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Guitar
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Johann Sebastian Bach
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitar
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.5 €
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Guitar
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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SheetMusicPlus
Fandango de Huelva
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.56 €
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Guitar
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Traditional
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Guitar Music - Melodies for Beginners
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.921998 Composed by Numerous. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
$9.95
9.1 €
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Guitar
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Numerous
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Guitar Music - Melodies for Beginners
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Robert Styles
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SheetMusicPlus
Guitar Music - Book Two
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95
11.84 €
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Guitar
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Numerous
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Contredanse Opus 8 - Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3009123. Published by Arte Nova Music Lab (A0.742410). Dionisio Aguado y GarcÃa (8 April 1784 – 29 December 1849) was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel GarcÃa. In 1826, Aguado visited Paris, where he met and became friends with and for a while lived with Fernando Sor.[1] Sor's duo Les Deux Amis (The Two Friends) commemorated the friendship: one part is marked Sor and the other Aguado.Aguado's major work Escuela de Guitarra was a guitar tutor published in 1825.[1] As of 2011, it is still in print, with Tecla Editions releasing a reprint in 2005.[2] In the Escuela Aguado describes his use of fingernails on the right hand as well as his invention of a tripodison: a device that held the guitar and thus minimized the damping effect of the player's body on the guitar's back and sides.[3] Aguado's other works include Trois Rondos Brillants (Opus 2), Le Menuet Affandangado (Opus 15), Le Fandango Varie (Opus 16), as well as numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, The Classical Guitar). Taken from https://en.wikipedia.org/wiki/Dionisio_Aguado_y_Garc%C3%ADa
$5.00
4.57 €
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Guitar
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Dionisio Aguado
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Contredanse Opus 8 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
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