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10 sheet music found
<
1
Chaconne
#
Guitar
#
Contemporary
#
Adrian Borza
#
Chaconne
#
Adrian Borza
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Pub...
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Guitar - Digital Download SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Published by Adrian Borza (A0.1071448). Chaconne gives you a one-of-a-kind music experience, requiring not only to retune a classical guitar, but also to adjust the way you think about microtones. A standard guitar with no extra frets allows a completely different intonation than the twelve-tone equal temperament by producing quarter-tones. Chords will sound in tune on some strings, but this piece would have more out-of-tune notes on other strings.
$1.99
Excerpt from the Lyric Suite
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Guitar
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
#
Guitar
#
Contemporary
#
Alban Berg
#
Rod Whittle
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music...
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
FAQ: Types and Uses of the Capo
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Guitar
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BEGINNER
#
Tom Rasely
#
FAQ: Types and Uses of the Cap
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #...
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Guitar (all) - Beginning - Digital Download SKU: M0.21002EB Composed by Tom Rasely. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21002EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21002EB). ISBN 9781609742089. 8.75x11.75 inches.The capo is a tool of the trade. This will guide you through an understanding of how it works, and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on an understanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos, examples, charts, and exercises are included. The author has created a systematic method that aids your understanding of note relationships, offers a practical application of Circle of Fifths, and works it all from the orientation of the guitar itself, so you also gain valuable knowledge about note relationships and chord shapes all over the fretboard.Since not all capos are created equal, a complete gallery of capos is presented to make your selection process that much easier.,• Guides you through an understanding of how the capo works., ;• Teaches how to select the one that is right for you and your guitar. • Lots of photos, examples, charts, and exercises are included.   • A theoretically correct method of capo use that relies mainly on an understanding of the fingerboard of the guitar; from note relationships to the Circle of Fifths to valuable knowledge about chord shapes all over the fretboard.
$3.99
Bittersweet Symphony
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Guitar
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INTERMEDIATE
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Thomas Mark Harmer Nichols and
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Dan Jones www
#
Bittersweet Symphony
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DanJonesGuitarist
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.co...
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Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
Nocturne Op.9 No.1 by Chopin - Guitar Solo (Full Score)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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César Madeira
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Nocturne Op.9 No.1 by Chopin -
#
Sheet Music To Play Editions
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1262476 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multic...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1262476 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Individual part. 6 pages. Sheet Music To Play Editions #855501. Published by Sheet Music To Play Editions (A0.1262476). Nocturne Op.9 No.1 in Bb minor. Arrangement for Advanced Guitar Solo. With Full Score. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Tuning the Guitar By Ear
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Guitar
#
BEGINNER
#
Instructional
#
Gerald H
#
Tuning the Guitar By Ear
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
By Gerald H. Klickstein. For Guitar (All). All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Gerald H. Klickstein. For Guitar (All). All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741280. The most complete guitar tuning method ever published. Written by one of America's leading guitar teachers and designed for all guitarists, from beginners to professionals, this book offers a practical new approach to tuning the guitar. This system is equally effective for all types of guitars and even includes the principal alternate tunings used in classic guitar performance: dropped-D, low-G (DGDGBE), and the lowered third string (G to F#) but otherwise normal tuning often used to emulate the lute or vihuela. Using the principles described in this book and conveyed purely through diagrams, any guitarists can learn to tune with precision and confidence.
$14.99
Love Of My Life
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Guitar
#
INTERMEDIATE
#
Queen
#
Derek Hasted
#
Love Of My Life
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Has...
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Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Hasted #889151. Published by Derek Hasted (A0.1299289). LOVE OF MY LIFE (Queen) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody fits classical guitar like a glove.There are two arrangements in this one edition - one for “solo and accompaniment†and one where the roles swap over at each verse. The versions are otherwise identical. The first of these arrangements is ideal for a duo in which the abilities are slightly unequal.My arrangement is based on Queen’s Official Video and includes all the key changes and phrases except for one little piece of quasi-improvisation I have removed (which would otherwise leave one player looking at the floor in a duet performance!)There is an amount of fingering and slurring which may help to get the smoothest performance, but there are plenty of places where the music needs to breathe, so please don’t rush... I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Passacaglia
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #475682...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
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