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12 sheet music found
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1
Les 100 de Roland Dyens - staccatOstinato
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Guitar
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INTERMEDIATE
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Contemporary
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Roland Dyens
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Les 100 de Roland Dyens - stac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1920. Publis...
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Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1920. Published by Les Productions d'OZ - Digital
$3.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Sundown
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Guitar
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Tulio Cremisini
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Sundown
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Tulio Cremisini
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.987608 Composed by Tulio Cremisini. Contemporary,Folk,Standards. Individual part. 4 pages. Tulio Cremisini (TC Not...
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Solo Guitar - Digital Download SKU: A0.987608 Composed by Tulio Cremisini. Contemporary,Folk,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6719. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987608). Altered tuning: 3rd string in F# A 3/4 16th notes ostinato movement in B minor. The melodic theme is revealed by accentuation patterns within the 16th notes ostinato movement. This piece has an evident Celtic flavor to it. An interlude of all natural harmonics on 7th and 12th frets, later leading back to the main ostinato theme, in a lingering diminuendo resembling the dying lights of this idyllic sundown.
$8.99
Passacaglia
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #475682...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
Rush
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Guitar
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INTERMEDIATE/ADVANCED
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Tulio Cremisini
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Rush
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Tulio Cremisini
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (T...
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Solo Guitar - Level 4 - Digital Download SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6717. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987607). Altered tuning: 2nd in C, 6th in D. 9/8 rhythm at 125bpm This piece has an interesting use of harmonics and open air strings in its intro. Then the melody line is carried by the mid basses (5th, 4th and 3rd strings), while low 6th string plays the actual bass line. Upper strings play continuous eight note ostinato movement while also defining harmony.
$8.99
Passacaglia for solo guitar
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Guitar
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ADVANCED
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Contemporary
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David Warin Solomons
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Aaron Larget-Caplan
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Passacaglia for solo guitar
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.578608 Composed by David Warin Solomons. Arranged by Aaron Larget-Caplan. 20th Century,Contemporary. Ind...
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Solo Guitar - Level 5 - Digital Download SKU: A0.578608 Composed by David Warin Solomons. Arranged by Aaron Larget-Caplan. 20th Century,Contemporary. Individual part. 2 pages. David Warin Solomons #6426673. Published by David Warin Solomons (A0.578608). A passacaglia is a gentle stroll in triple time with a basso ostinato, which can vary.
$8.00
Nadir
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle ...
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Falling into the green abyss - suite for guitar solo.
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Guitar
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Vladimir Gapontsev
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Falling into the green abyss -
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VLADIMIR GAPONTSEV
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1032773 Composed by Vladimir Gapontsev. 20th Century,Blues,Contemporary,Pop. Individual part. 17 pages. VLADIMIR G...
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Solo Guitar - Digital Download SKU: A0.1032773 Composed by Vladimir Gapontsev. 20th Century,Blues,Contemporary,Pop. Individual part. 17 pages. VLADIMIR GAPONTSEV #5370315. Published by VLADIMIR GAPONTSEV (A0.1032773). The full version of Falling into the green abyss - suite by Vladimir Gapontsev, composed as an impression from Giulio Aristide Sartorio's painting The Siren.6 movements:1 The Siren's Call.2 The Siren.3 Interlude.4 The Dance. 5 Recitativo.6 Ostinato Blues.
$5.45
Lazy guitars - an improvisation for 4 guitars (mp3)
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Guitar
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Contemporary
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David Warin Solomons
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Lazy guitars - an improvisatio
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David Warin Solomons
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1059617 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 408. David Warin Solomons #3517667. ...
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Guitar - Digital Download SKU: A0.1059617 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 408. David Warin Solomons #3517667. Published by David Warin Solomons (A0.1059617). Improvisation for 4 guitars based on an ostinato in which the bass goes down by semitones from tonic to dominant and back.
$2.50
Passacaglia for solo guitar (mp3)
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Guitar
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Contemporary
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David Warin Solomons
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Aaron Larget-Caplan
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Passacaglia for solo guitar
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David Warin Solomons
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1060147 Composed by David Warin Solomons. Arranged by Aaron Larget-Caplan. 20th Century,Contemporary. Full Performance....
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Guitar - Digital Download SKU: A0.1060147 Composed by David Warin Solomons. Arranged by Aaron Larget-Caplan. 20th Century,Contemporary. Full Performance. Duration 188. David Warin Solomons #6426677. Published by David Warin Solomons (A0.1060147). A passacaglia is a gentle stroll in triple time with a basso ostinato, which can vary.
$3.50
Chaconne
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Guitar
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INTERMEDIATE
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Siegfried Schwab
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Chaconne
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate - Digital Download SKU: S9.Q20952 Composed by Siegfried Schwab. This edition: Sheet music. Guitar Archive. Downloadable. Schott Mus...
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Guitar - intermediate - Digital Download SKU: S9.Q20952 Composed by Siegfried Schwab. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q20952. Published by Schott Music - Digital (S9.Q20952). The guitarist Sigi Schwab from Munich has not only made a name for himself as a performer of classical guitar music and guitar chamber music but he has also become known as a jazz and studio musician, as a brilliant improviser and as a partner of Peter Horton in their legendary duo 'Guitarrissimo'. He has rather rarely presented written compositions. His 'Chaconne' for guitar continues the great chaconne tradition in the Renaissance and Baroque eras and varies a four-bar harmonic ostinato pattern as did the guitar compositions in the 16th and 17th centuries. In his work, Schwab still leaves enough room for improvisation. A rewarding original piece for concert and competition performances.
$7.99
Eight Octatonic Studies for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Studies
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Kenneth Pasciak
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Eight Octatonic Studies for Gu
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Kenneth Pasciak
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages...
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Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages. Published by Kenneth Pasciak
Inspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight short studies for classical or electric guitar. Each study explores the expressive potential of a single octatonic collection (also referred to as an octatonic scale or diminished scale).
Studies I, IV and VI feature ostinato patterns that support evocative melodies. Study II is an exercise in octatonic counterpoint and imitation. Studies III and VII feature octatonic scalar motives punctuated by dyads and seventh chords. Study V simulates a tonal context, implying the key of D flat major. Finally, Study VIII explores the intervallic relationships inherent in an octatonic collection. Includes preface, 9 pages sheet music
$6.99
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