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2 Guitars (duet)
2
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44
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14
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8
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6
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3
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66
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50
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12
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9
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+ 57 instrumentations
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45
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29
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27
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17
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16
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14
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13
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13
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13
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12
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11
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10
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8
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8
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5
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4
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3
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2
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101
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26
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16
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9
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Richard Mant
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17 sheet music found
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1
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitar
#
INTERMEDIATE
#
Classical
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Prologue/chim Chim Cher-Ee
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Guitar
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INTERMEDIATE
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Anthony Drewe, George Stiles,
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Julius Marx
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Prologue/chim Chim Cher-Ee
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Julius Marx
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1388168 Composed by Anthony Drewe, George Stiles, Richard M. Sherman, and Robert B. Sherman. Arranged by...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1388168 Composed by Anthony Drewe, George Stiles, Richard M. Sherman, and Robert B. Sherman. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Opera,Romantic Period. Individual part. 128 pages. Julius Marx #971713. Published by Julius Marx (A0.1388168). The full Guitar score of the Broadway Musical Mary Poppins.
$4.99
Prelude to Lohengrin
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Wagner
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Rod Whittle
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5 pages
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. M...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
$9.00
Klassische Loog Gitarre
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Guitar
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BEGINNER
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Classical
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Ludwig van Beethoven, Mit Musi
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Javier Marcó
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Klassische Loog Gitarre
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Javier Marco
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfga...
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Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
$9.99
Prelude to Parsifal
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Wagner
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Rod Whittle
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Prelude to Parsifal
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. M...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
$7.00
Prelude to Lohengrin
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Guitar
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INTERMEDIATE
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Classical
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Richard Wagner
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Rod Whittle
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. M...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #3037171. Published by Maggie Creek Music (A0.899128). Transcription for solo classical guitar. 5 pages. Study arrangement.
$9.00
Also Sprach Zarathustra for Beginning Electric Guitar Solo
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Guitar
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Classical
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Richard Strauss
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Kimberly Steele
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Also Sprach Zarathustra for Be
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Kimberly Steele
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.733351 Composed by Richard Strauss. Arranged by Kimberly Steele. Romantic Period. Individual part. 2 pages. Kimber...
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Solo Guitar - Digital Download SKU: A0.733351 Composed by Richard Strauss. Arranged by Kimberly Steele. Romantic Period. Individual part. 2 pages. Kimberly Steele #4111611. Published by Kimberly Steele (A0.733351). Perfect for beginning electric guitar players, this solo is of the famous theme from the movie 2001: A Space Odyssey. Play it for your first guitar recital or to see if your friends recognize the classic theme. Chord charts are provided. Uses the E major, E minor, and A major chords.
$3.50
Somewhere In Time
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Guitar
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INTERMEDIATE/ADVANCED
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,F...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
It Came Upon a Midnight Clear
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Guitar
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INTERMEDIATE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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It Came Upon a Midnight Clear
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Pow...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316386 By The Candlelight Guitarist. By Edmund Sears and Richard Storrs Willis. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 3 pages. Geofonica Artistworks #904878. Published by Geofonica Artistworks (A0.1316386). This arrangement of It Came Upon A Midnight Clear is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. It Came Upon A Midnight Clear can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 0:20.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, playing for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$2.99
Short wedding motif for guitar solo (based on Mendelssohn and Wagner)
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Guitar
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EASY
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Felix Mendelssohn, Richard Wag
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David Warin Solomons
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Short wedding motif for guitar
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic Period,Wedding. Individual part. 1 pages. David Warin Solomons #3541615. Published by David Warin Solomons (A0.578128). This little solo was originally used as an introduction for a song for my parents' 40th wedding anniversary,
$4.00
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
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Guitar
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Richard Wagner
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Bridal Chorus from Lohengrin
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Musicnotes
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instrum...
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
Lady Jane
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Guitar
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INTERMEDIATE
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Keith Richards and Mick Jagger
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Viktoriia Kulykovska
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Lady Jane
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Viktoriia Kulykovska
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1463240 Composed by Keith Richards and Mick Jagger. Arranged by Viktoriia Kulykovska. 20th Century,Pop,R...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1463240 Composed by Keith Richards and Mick Jagger. Arranged by Viktoriia Kulykovska. 20th Century,Pop,Romantic Period. Individual part. 2 pages. Viktoriia Kulykovska #1041934. Published by Viktoriia Kulykovska (A0.1463240). Arrangement of the famous song Lady Jane from the repertoire of the Rolling Stones for classical guitar. 1 page. Medium level.
$5.00
Étude Tremolo #1
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Guitar
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INTERMEDIATE/ADVANCED
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Instructional
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Daniel Richard McLellan
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Daniel Richard McLellan
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Étude Tremolo #1
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Daniel McLellan
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SheetMusicPlus
Composed by Daniel Richard McLellan. Arranged by Daniel Richard McLellan. For Guitar. Post-Romantic,Modern,Method,Etudes and Exercises,Technique Training. Advan...
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Composed by Daniel Richard McLellan. Arranged by Daniel Richard McLellan. For Guitar. Post-Romantic,Modern,Method,Etudes and Exercises,Technique Training. Advanced Intermediate. Individual Part,Score. 4 pages. Published by Daniel McLellan
$1.99
Richard Rodgers: Isn't It Romantic? for guitar solo
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Guitar
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INTERMEDIATE
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Film/TV
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Richard Rodgers
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Virtualsheetmusic
Instantly printable sheet music by Rodgers & Hart for guitar solo of MEDIUM skill level. / film/tv,jazz,love,standards,movies
Instantly printable sheet music by Rodgers & Hart for guitar solo of MEDIUM skill level. / film/tv,jazz,love,standards,movies
$6.97
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