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You've selected:
Suite No. 4
Guitar
Sheetmusic to print
27 sheet music found
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1
26
Prelude (from Suite No. 4 for Solo Cello) (BWV 1010) by JS Bach - arr for Solo Guitar in G major
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1079071 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1079071 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Individual part. 3 pages. Pietro Prugna #683272. Published by Pietro Prugna (A0.1079071). This is another beautiful Prelude from the popular 6 Suites for Solo Cello by JS Bach. It was originally in Eb but is arranged for Classical Guitar in G major. In this key, the lowest note is E, which does not require any alternate tuning for the Classical Guitar. Some fingerings have been added so as to allow the strings to vibrate longer and a more sustained effect.
$1.99
1.83 €
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Guitar
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Johann Sebastian Bach
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Prelude
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Pietro Prugna
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SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
9.18 €
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Guitar
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Joh
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Bach Cello Suite No 1 - solo guitar
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Georg Mertens
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SheetMusicPlus
Suite No.1 Prelude BWV 1007 For Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.941270 Composed by Johann Sebastia…
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Solo Guitar - Level 3 - Digital Download SKU: A0.941270 Composed by Johann Sebastian Bach. Arranged by Conor John Stevens. Baroque. Individual part. 4 pages. C J Stevens #5302579. Published by C J Stevens (A0.941270). Guitar arrangement of Bach's Prelude from Cello Suite No.1 BWV 1007.
$2.99
2.75 €
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Guitar
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Johann Sebastian Bach
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Suite No.1 Prelude BWV 1007 For Guitar
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C J Stevens
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SheetMusicPlus
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
Guitar
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
4.13 €
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Guitar
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Johann Sebastian Bach
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Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Valery Dzyabenko
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SheetMusicPlus
Sarabande (iv) from suite No. 2 BWV 1008 for for guitar solo
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.532374 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.532374 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Concert. Individual part. 1 pages. Amadeus Music #6055463. Published by Amadeus Music (A0.532374). Sarabande from suite II, BWV 1008, originally in D Minor for violoncello solo (1720).The whole suite is available for purchase at SMP (Amadeus Music).
$3.95
3.63 €
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Guitar
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Johann Sebastian Bach
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Sarabande
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Amadeus Music
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SheetMusicPlus
Cello Suite No. 1
Guitar
By Johann Sebastian Bach (1685-1750). Arranged by Frank Koonce. For solo guitar. Level 4. …
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By Johann Sebastian Bach (1685-1750). Arranged by Frank Koonce. For solo guitar. Level 4. 24 pages. Published by Les Productions d'OZ - Digital
$8.95
8.22 €
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Guitar
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Johann Sebastian Bach
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Cello Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Suite no. 7
Guitar
By George Frideric Handel (1685-1759). Arranged by David Russell. For solo guitar. Level 4…
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By George Frideric Handel (1685-1759). Arranged by David Russell. For solo guitar. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$10.95
10.06 €
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Guitar
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George Frideric Handel
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Suite no. 7
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Les Editions Doberman-Yppan
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SheetMusicPlus
Suite no 3, BWV 1009
Guitar
By Johann Sebastian Bach (1685-1750). Arranged by Andrew Zohn. For solo guitar. Level 4. P…
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By Johann Sebastian Bach (1685-1750). Arranged by Andrew Zohn. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$7.95
7.3 €
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Guitar
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Johann Sebastian Bach
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Suite no 3, BWV 1009
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Les Productions d'OZ - Digital
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SheetMusicPlus
Cello Suite No. 1, BWV 1007, - 8-string guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1277278 By Jeffry Steele. By Johan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1277278 By Jeffry Steele. By Johann Sebastian Bach. Arranged by Jeffry Steele. Baroque. Individual part. 9 pages. Jeffry Steele #868975. Published by Jeffry Steele (A0.1277278). Note that I can only link to the Prelude here but on youtube it is part of a playlist comprising all six movements.
$6.00
5.51 €
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Guitar
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Jeffry Steele
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Cello Suite No. 1, BWV 1007, - 8-string guitar
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Jeffry Steele
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SheetMusicPlus
Cello Suite No. 1 (Prelude) For Solo Guitar - standard tuning
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.482217 By Johann Sebastian Bach. B…
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Solo Guitar - Level 3 - Digital Download SKU: A0.482217 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ivan de Andrade. Baroque,Classical,Instructional,Traditional,Wedding. Individual part. 4 pages. Finesse Music #100261. Published by Finesse Music (A0.482217). Features fingering notation, phrasing ideas and articulation recommendations. Key signature (D Major) and octave placement according to the instrument range and most natural performance. Proper page turn and easy-to-read layout. Formatted for A4 paper print or table view. Stand out from the crowd by adding this beautiful and worldwide celebrated piece to your repertoire!
$3.99
3.66 €
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Guitar
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Johann Sebastian Bach
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Cello Suite No. 1
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Finesse Music
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SheetMusicPlus
Cello Suite No. 2, BWV 1008, - 8-string guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1277275 By Jeffry Steele. By Johan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1277275 By Jeffry Steele. By Johann Sebastian Bach. Arranged by Jeffry Steele. Baroque. Individual part. 12 pages. Jeffry Steele #868972. Published by Jeffry Steele (A0.1277275). Note that I can only link to my performance of the Prelude here, but on youtube it is part of a playlist containing all six movements.
$6.00
5.51 €
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Guitar
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Jeffry Steele
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Cello Suite No. 2, BWV 1008, - 8-string guitar
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Jeffry Steele
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SheetMusicPlus
Prelude to Cello Suite no. 5, BWV 1011 (excerpt)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946414 By Johann Sebastian Bach. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946414 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Renaissance. Individual part. 1 pages. Nick Mordal #6274995. Published by Nick Mordal (A0.946414). This is a mere excerpt from one of Bach's longest fugues. It is the prelude to the fugue and is a wonderfully moody baroque lute piece in A minor. Like most well written minor pieces, it utilizes natural minor, harmonic minor and melodic minor scales throughout. Techniques used in the arrangement include slurs, cross string trills, barre and familiarity with the higher notes of the fretboard.
$4.00
3.67 €
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Guitar
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Johann Sebastian Bach
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Prelude to Cello Suite no. 5, BWV 1011
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Nick Mordal
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SheetMusicPlus
Cello Suite No. 3, BWV 1009, - 8-string guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1276799 By Jeffry Steele. By Johan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1276799 By Jeffry Steele. By Johann Sebastian Bach. Arranged by Jeffry Steele. Baroque. Individual part. 12 pages. Jeffry Steele #868486. Published by Jeffry Steele (A0.1276799). Note that I can only link to my performance of the Prelude here, but on youtube it is part of a playlist containing all six movements.
$6.00
5.51 €
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Guitar
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Jeffry Steele
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Cello Suite No. 3, BWV 1009, - 8-string guitar
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Jeffry Steele
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SheetMusicPlus
Prelude (from Cello Suite No.1
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.890019 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.890019 Composed by Johann Sebastian Bach. Arranged by Robin Hill. Baroque,Standards. Individual part. 3 pages. Robin Hill #3820231. Published by Robin Hill (A0.890019). Arrangement by Robin Hill for solo guitar of Bach's famous masterpiece.
$3.99
3.66 €
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Guitar
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Johann Sebastian Bach
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Prelude
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Robin Hill
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.59 €
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Guitar
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Alban Berg
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitar
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.59 €
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Guitar
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Alban Berg
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Suite No. 4 in A
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q4928 Composed by Silv…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q4928 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4928. Published by Schott Music - Digital (S9.Q4928). Key: A major.
$6.99
6.42 €
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Guitar
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Silvius Leopold Weiss
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Suite No. 4 in A
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Schott Music - Digital
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SheetMusicPlus
Suite No. 4
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2694 Composed by James Mcguire. Edi…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2694 Composed by James Mcguire. Edited by Jeffrey McFadden. Arranged by Jeffrey McFadden. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2694. Published by Les Productions d'OZ - Digital (ZZ.DZ-2694). ISBN 9782897376116.
$8.95
8.22 €
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Guitar
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James Mcguire
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Suite No. 4
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Les Productions d'OZ - Digital
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SheetMusicPlus
Sonata No. 6 in D Major
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.987955 Composed by Paul Erickson. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.987955 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 4 pages. Paul Erickson #3121865. Published by Paul Erickson (A0.987955). This sonata focuses on hammer-on technique. It is written in standard notation and is suited to the advanced student.
$4.99
4.58 €
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Guitar
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Paul Erickson
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Sonata No. 6 in D Major
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Paul Erickson
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SheetMusicPlus
Suite for Young Guitarists No. 4
Guitar
By Nejc Kuhar. For solo guitar. Level 3. 20 pages. Published by Les Productions d'OZ - Dig…
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By Nejc Kuhar. For solo guitar. Level 3. 20 pages. Published by Les Productions d'OZ - Digital
$8.95
8.22 €
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Guitar
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Nejc Kuhar
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Suite for Young Guitarists No. 4
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Les Productions d'OZ - Digital
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SheetMusicPlus
Suite in D Lydian Mixed Mode
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
11.02 €
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Guitar
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Enigmatic Gavotte
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1459973 Composed by Stanley M Hoff…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1459973 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. Individual part. 1 pages. Stanleymhoffman.com #1038986. Published by stanleymhoffman.com (A0.1459973). My brief musical composition, Enigmatic Gavotte for guitar solo, served as a brief, modal study for my Enigmatic Dance Suite for vibraphone solo which I also completed in 2024. The rhythms for the beginning and reprise of Enigmatic Gavotte are inspired by those found in the Gavotte from French Suite No. 5 by J. S. Bach, BWV 816. The middle of the piece effectively runs those rhythms and the pervasive octatonic pitches backwards at the interval of a tritone. Enjoy! --- Music: © Copyright 2024 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.
$2.00
1.84 €
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Guitar
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Stanley M Hoffman
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Enigmatic Gavotte
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stanleymhoffman.com
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SheetMusicPlus
Prelude from Cello Suite No. 1
Guitar
By Johann Sebastian Bach (1685-1750). Edited by Didier Coll. Guitar solo. For Guitar solo.…
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By Johann Sebastian Bach (1685-1750). Edited by Didier Coll. Guitar solo. For Guitar solo. The Must-Haves for Guitar. Classical, Educational. Grade 4. Guitar Part. 5 pages. Published by FLEX Editions - Digital Sheet Music
$5.95
5.46 €
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Guitar
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Johann Sebastian Bach
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Prelude from Cello Suite No. 1
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Summer Idyll
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew Howes. 20th Century,21st Century,Classical. Individual part. 2 pages. Andrew Howes #832517. Published by Andrew Howes (A0.1236980). This is the finale of my 'Eyeworth Suite' for the classical guitar, and it describes a tranquil, sunny afternoon by Eyeworth Pond in the New Forest, Hampshire, UK, and is written as a response to a seasonal cycle of four poems by my friend, the poet, David Dayson. The work is gentle and reflective but demands a high level of technique as a lot of it takes place around and above the twelfth fret. There will be no 'dusty bits' on your guitar after playing this one! :-)The whole suite is available either as single movements or as a complete work. The complete work is also available with tab. and consists of 'Prelude', 'Autumn', 'Winter', 'Spring' and this movement, the 'Summer Idyll' and intersperses two episocdic, lively movements between the two rhapsodic outer movements, with the doleful Winter in the middle - this does however, have a lively Yule Dance in 6/4 at its heart.
$4.00
3.67 €
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Guitar
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Andrew Howes
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Summer Idyll
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Andrew Howes
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.59 €
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Guitar
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Alban Berg
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
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