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14620
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5658
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3433
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1953
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1528
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898
1 Piano, 4 hands
472
Piano Accompaniment
320
Piano Trio: piano, violin, cello
182
Accordion
156
Piano (band part)
125
2 Pianos, 4 hands
99
Piano Quartet: piano, violin, viola, cello
62
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42
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35
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34
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32
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28
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21
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18
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8
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Guitar notes and tablatures
1418
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1350
Melody line, (Lyrics) and Chords
448
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426
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348
2 Guitars (duet)
188
Bass guitar
166
Lyrics and Chords
150
Piano, Guitar (duet)
146
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137
Banjo
68
Dulcimer
68
4 Guitars (Quartet)
63
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41
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22
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16
Mandolin, Guitar (duet)
10
Baritone Ukulele
5
2 Dulcimers (duet)
5
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4
2 Ukuleles
4
Mandolin, Piano (duet)
4
Guitar, Orchestra
3
Lap Steel Guitar
2
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2
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1
Dobro
1
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1
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5666
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1741
Choral 2-part
1087
Choral TTBB
1048
Choral Unison
665
Choral SSAA
644
Vocal duet, Piano
245
Soprano voice, Piano
188
Voice solo
173
Vocal duet
145
Low voice, Piano
118
High voice
114
Soli, Mixted choir and accompaniment
106
Tenor voice, Piano
74
Mezzo-Soprano voice, Piano
54
Baritone voice, Piano
54
Choral
52
Medium voice, Piano
49
Alto voice, Piano
38
High voice, Piano
29
Choral SSAATTBB
29
Choral SSATB
18
Tenor voice
16
Choral SSATTB
15
Low voice
13
Soprano voice
12
Voice, Guitar
4
Choral SATBB
3
Choral SSAB, Piano
3
Choral SSAATB
3
Vocal duet, Organ
2
Voice, Basso continuo
1
Baritone voice
1
Choral SSAB a cappella
1
Soprano voice, Orchestra
1
Choral SSAATB A Cappella
1
Choral SATTBB A Cappella
1
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WOODWIND
Flute and Piano
1539
Clarinet and Piano
1338
2 Saxophones (duet)
1271
Saxophone Quartet: 4 saxophones
1220
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1187
Oboe, Piano (duet)
1148
Alto Saxophone and Piano
987
Flute, Oboe, Clarinet, Bassoon
923
Saxophone (band part)
878
Flute
802
Clarinet
802
Tenor Saxophone and Piano
792
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697
Alto Saxophone
632
2 Flutes (duet)
627
Saxophone Quintet: 5 Saxophones
603
2 Clarinets (duet)
586
Tenor Saxophone
460
Soprano Saxophone and Piano
427
Oboe (band part)
370
Descant (Soprano) Recorder
361
Clarinet (band part)
318
Baritone Saxophone, Piano
315
Flute, Clarinet (duet)
284
2 Recorders (duet)
267
3 Saxophones (trio)
264
Flute Quartet: 4 flutes
253
Saxophone, Clarinet (duet)
249
2 Oboes (duet)
246
Treble (Alto) Recorder
245
Clarinet Ensemble
225
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210
Harmonica
209
Oboe
206
Flute and Guitar
175
Oboe, Clarinet (duet)
173
Oboe, Bassoon (duet)
163
Clarinet, Trumpet (duet)
163
3 Clarinets (trio)
156
Saxophone ensemble
150
Flute (band part)
150
Flute ensemble
141
Clarinet Quintet: 5 clarinets
136
English horn, Piano
133
Flute Trio: 3 flutes
133
Flute, Violin
126
Soprano Saxophone
119
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108
Baritone Saxophone
94
Flute, Viola (duet)
93
Flute, Oboe, Clarinet (trio)
91
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89
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88
Flute, Trumpet (duet)
86
Clarinet, Bassoon (duet)
80
Bass Clarinet, Piano
79
Flute Quintet : 5 flutes
72
Recorder Quartet
70
Flute, Clarinet and Bassoon.
70
Recorder
67
Treble (Alto) Recorder, Piano
66
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62
Flute, Oboe (duet)
60
Descent (Soprano) Recorder, Piano
59
Oboe, Clarinet, Bassoon (trio)
59
Recorder Ensemble
50
Flute, Violoncello
48
English Horn
47
Tenor Recorder
47
2 Saxophones, Piano
46
2 Flutes, Piano
40
Clarinet, Cello (duet)
39
Flute, Clarinet, Piano (trio)
36
3 Recorders (trio)
32
Oboe, Cello
31
Flute, Violin, Piano
29
Flute, Oboe, Bassoon
28
5 Recorders
27
Oboe, Violin (duet)
25
Piccolo
24
Flute, Bassoon, and Piano
22
Oboe, Guitar (duet)
22
Piccolo, Piano
21
Saxophone and Organ
20
Bass Clarinet
18
Treble (Alto) Recorder, Basso continuo
18
Flute, Clarinet, Horn and Bassoon (Quartet)
17
Flute, Violin and Violoncello
17
Clarinet, Harp (duet)
17
Recorder, Piano
16
Flute, Cello, Piano (trio)
16
Clarinet, Cello, Piano (trio)
14
Flute, Trombone (duet)
14
2 Clarinets, Piano
14
Clarinet, Trombone (duet)
12
Clarinet, Bassoon, Piano (trio)
12
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11
Flute, harp and violin
10
Flute, Viola and Piano
10
Oboe and viola (duet)
10
Saxophone
9
2 Clarinets, Bassoon
9
Flute, trombone and piano
9
Saxophone and Guitar
8
4 Oboes
8
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8
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7
Ocarina
7
Oboe, Harp
7
Clarinette, Viola and Piano (trio)
7
Flute, Oboe, Piano (trio)
7
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6
Clarinet, Double bass (duet)
6
Pennywhistle
6
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5
Clarinet, Organ
5
Oboe ensemble
5
Clarinet, trumpet and piano
5
Clarinet Quintet: Clarinet, String Quartet
4
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4
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4
Flute and Strings Trio
4
Wind ensemble
4
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3
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3
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1
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1348
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1048
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945
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929
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692
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638
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577
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562
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553
French horn
468
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396
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370
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357
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334
Brass Quartet
302
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273
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272
French horn (band part)
249
2 French horns (duet)
225
Trumpet, Saxophone (duet)
184
Euphonium, Piano (duet)
169
Brass Quartet: 4 trombones
151
English horn, Piano
133
Tuba (band part)
120
2 Tubas (duet)
98
Brass Quartet: 4 horns
90
Trumpet ensemble
73
Trumpet, Horn (duert)
70
Trombone ensemble
65
Euphonium
55
Brass Quartet: 4 trumpets
49
English Horn
47
Horn Ensemble
39
3 Trombones (trio)
34
2 Euphoniums and 2 Tubas
27
4 Tubas
26
Brass Trio
23
Bass Trombone and Piano
22
Tuba and Organ
20
Bass Trombone
20
3 Trumpets (trio)
18
2 Euphoniums (duet)
15
Horn, Cello (duet)
15
Trombone, Organ
15
Trombone, Horn (duet)
15
Tuba or Euphonium or Saxhorn
14
Bass Clef Instruments
13
French Horn and Harp
13
Trumpet, Cello (duet)
12
Trumpet, Bassoon (duet)
11
Brass Quartet: 2 trumpets, 2 trombones
10
Trumpet, Harp
10
3 Tubas (trio)
10
3 French horns (trio)
9
Horn, Tuba (duet)
9
English Horn, Guitar (duet)
8
Trombone, Tuba (duet)
8
Euphonium, Tuba (duet)
7
French horn and Basson (duet)
7
Horn and Organ
6
Bb Instruments
5
Trumpet, Trombone, Piano
5
Trumpet and Guitar
4
Trombone and Orchestra
4
Trumpet, Tuba (duet)
4
Trumpet, violin (duet)
4
Cornet
4
2 Trumpets, Keyboard (piano or organ)
3
Trombone, Violin (duet)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 English horns and Pianoforte
3
Trumpet, Cello, Piano
2
2 Trombones, Piano
2
English horn, Harp (duet)
2
Clarinet, Horn (duet)
2
Cornet and Orchestra
1
4 Euphoniums
1
Tuba ensemble
1
Trumpet, Orchestra
1
3 Euphoniums
1
Trumpet, Euphonium (duet)
1
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STRINGS
String Quartet: 2 violins, viola, cello
2992
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2096
Cello, Piano
1415
Viola, Piano
1190
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1189
Cello
990
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696
Harp
616
2 Violins (duet)
565
Viola
523
2 Cellos (duet)
460
String Trio: violin, viola, cello
425
String Quintet: 2 violins, viola, cello, bass
412
Violin, Viola (duet)
359
2 Violas (duet)
356
Double Bass
343
Double bass, Piano (duet)
321
Violin (band part)
295
Doublebass (band part)
227
String Trio: 2 violins, cello
203
Viola (band part)
196
Viola, Cello (duet)
107
2 Harps (duet)
97
Piano Trio: Violin, Viola, Piano
97
2 Double basses (duet)
94
4 Cellos
93
Violin, Guitar (duet)
88
Cello (band part)
73
String Trio: 3 violins
70
Cello, String Bass (duet)
54
String Trio: 3 cellos
50
Cello, Guitar (duet)
45
Harp, Flute (duet)
41
String quartet: 4 violins
37
String Quartet : 4 violas
37
Harp, Violin (duet)
34
Viola, Guitar (duet)
33
Violin, Bassoon (duet)
29
String Trio: 3 violas
24
String Quintet: 2 violins, viola, 2 cellos
23
String Trio: 2 violins, viola
22
String trio
20
String Quintet: 2 violins, 2 violas, cello
20
Viola and Harp
17
Viola and Bassoon
16
Harp, Cello (duet)
16
Harp, Voice
15
Violin ensemble
15
Violin, Basso continuo
14
Cello, Organ
14
Violin, Clarinet, Piano (trio)
13
Viola ensemble
11
Flute, Doublebass (duet)
10
Cello Ensemble
7
2 Violins, Piano
7
Autoharp
6
3 Harps
6
Violin, Organ
6
4 Double Basses
6
Violoncello, Basso continuo
5
Cello, Orchestra
4
Harp, Violin, Violoncello
4
Violin, Cello, Clarinet
4
Harp and Piano
3
Violin, Tuba (duet)
3
Harp, Trombone (duet)
3
2 Violas, Piano
2
Viola, Organ
2
5 Harps
2
Harp and Organ
2
Viola and orchestra
2
Harp (band part)
2
2 Cellos, Piano
1
Harp and mandolin
1
4 Harps
1
Violin, Trumpet and Piano
1
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PERCUSSION & ORCHESTRA
Concert band
6408
String Orchestra
1633
Orchestra
1631
Handbells
997
Jazz Ensemble
779
Brass ensemble
587
Chamber Orchestra
436
Percussion (band part)
256
Marching band
219
Percussion Ensemble
196
Jazz combo
181
Drums
175
Drum (band part)
127
Marimba
55
Percussion
45
Vibraphone
28
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
27
Timpani (band part)
25
Xylophone, Piano
22
Timpani
21
Xylophone
17
Piano and Orchestra
7
Woodwind Quintet
7
Orchestra, Violin
7
School Ensemble
6
2 Xylophones
5
Xylophone or Marimba or Vibraphone
4
3 Marimbas
4
Brass Quintet: other combinaisons
4
Big band
2
2 Snare Drums (duet)
2
Snare drums
2
2 Marimbas
2
Drums-Marching band
1
Vibraphone and Marimba
1
Marimba and Organ
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Conga
1
Woodwind Quartet: any 4 woodwinds
1
Bongos
1
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OTHERS
Musical course - Solfege
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1326
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1026670 Composed by Dave Anthony S…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353. Published by Anthony David Setteducati (A0.1026670). A happy jig dedicated to the memory of one of my students, killed by terrorists while serving in the military in the middle east. I wanted the piece to be joyful, for that is how I want everyone to remember him. For fingerstyle guitar. Stream the entire piece on Spotify, or download at iTunes.com. From the album My Guitar.
$5.99
5.38 €
#
Guitar
#
Dave Anthony Setteducati
#
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
#
Anthony David Setteducati
#
SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
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3.55 €
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Les Editions Doberman-Yppan
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SheetMusicPlus
You Love Lifted Me - Brandon Hixson
Guitar
Solo Guitar - Digital Download SKU: A0.1019669 Composed by Brandon Hixson, Eva Wils…
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Solo Guitar - Digital Download SKU: A0.1019669 Composed by Brandon Hixson, Eva Wilson, and James Rowe. Arranged by Brandon Hixson. Christian,Pop,Sacred. Individual part. 2 pages. Brandon Hixson #6195635. Published by Brandon Hixson (A0.1019669). Modern arrangement of the classic hymn, Love Lifted Me.
$1.99
1.79 €
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Guitar
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Brandon Hixson, Eva Wilson, and James Rowe
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You Love Lifted Me - Brandon Hixson
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Brandon Hixson
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SheetMusicPlus
Come, Thou Long-Expected Jesus (HYFRYDOL) for solo finger-style guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.963088 Composed by Rowland Hugh Pr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.963088 Composed by Rowland Hugh Prichard. Arranged by Tim Brace. Christian,Christmas,Concert,Sacred,World. Individual part. 3 pages. Magnolia Arts #5990197. Published by Magnolia Arts (A0.963088). A setting for solo classical or finger-style guitar of an early 19th century Christian hymn tune named Hyfrydol. This tune is commonly associated with the Advent hymn Come, Thou Long-Expected Jesus, and others as well. This intermediate level arrangement is very flowing, true to the original melody, and has been performed in church services to great success, as well as other venues where traditional tunes are appropriate.
$2.99
2.69 €
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Guitar
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Rowland Hugh Prichard
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Come, Thou Long-Expected Jesus
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Magnolia Arts
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SheetMusicPlus
Everything I Wanted
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1438303 By Billie Eilish. By Billi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438303 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Chris Richter. Pop. Individual part. 7 pages. Chris Richter #1018328. Published by Chris Richter (A0.1438303). Billie Eilish's everything i wanted arranged for solo fingerstyle guitar.
$7.99
7.18 €
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Guitar
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Billie Eilish
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Everything I Wanted
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Chris Richter
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SheetMusicPlus
Collected Works for Guitar
Guitar
In reprints of first editions & engraved from manuscripts. Composed by Antonio J. …
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In reprints of first editions & engraved from manuscripts. Composed by Antonio J. Manjón. Downloadable. Chanterelle #Q581818. Published by Chanterelle
English.<br> <br> A contemporary of Albéniz, the highly literate blind guitarist Manjón (1866-1919) apparently started his guitar studies with a pupli of Aguado. He enjoyed a high reputation. A young Miguel Llobet was so impressed after hearing him that he decided to dedicate himself to the guitar and Austín Barrios asked him for lessons. We are proud to present this volume of Manjón's music which combines both Flamenco and Latin-American elements to give an innovative and unique blend of guitar music. Revised edition 2023.
$40.99
36.81 €
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Antonio J
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engraved from manuscripts
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Collected Works for Guitar
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Chanterelle
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitar
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.22 €
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Guitar
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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SheetMusicPlus
Double-Symmetrical Augmented Scale for Jazz Improvisation
Guitar
Theory. Other. Ebook and online audio. 101 pages. Mel Bay Publications - Digital She…
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Theory. Other. Ebook and online audio. 101 pages. Mel Bay Publications - Digital Sheet Music #30968MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513470115. 8.75x11.75 inches.<br> <br> With content ranging from theory and history to practical exercises, examples, etudes, and play-along tracks, this book offers the most comprehensive guide ever written for this esoteric and traditionally obscure scale. Simply put, it reveals the last big secret of jazz fusions avant-garde.According to which music theorist believes he first discovered it, this scale has been known variously as Messiaens mode 3, Slonimskys Tcherepnin Scale (honoring his colleague), and Tcherepnins own name for it the 9-note augmented or nonatonic scale.The nine notes of the double-symmetrical augmented scale have fascinated and crucially influenced legendary musicians like John Coltrane, Allan Holdsworth, Mark Turner, Kurt Rosenwinkel, Nelson Veras, Tim Miller, Gary Thomas, and Jerry Bergonzi, among many others.Coltranes historic composition, Giant Steps, can be directly attributed to his familiarity with the nonatonic scale. With this book by Berklee College of Music honors graduate, Xabier Oro, youll know the secret too.Includes access to online audio.
$19.99
17.95 €
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Guitar
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Double-Symmetrical Augmented Scale for Jazz Improvisation
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
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Mauro Giuliani: Dodici Monferrine opera 12
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SheetMusicPlus
Excerpt from Lulu Suite
Guitar
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
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Excerpt from Lulu Suite
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SheetMusicPlus
18 Etudes Progressives Pour La Guitare Op.51
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1254258 Composed by Mauro Giuliani…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1254258 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 77 pages. Socrates Arvanitakis #847831. Published by Socrates Arvanitakis (A0.1254258). PREFACE & Editorial NotesThe 18 studies op.51 by Mauro Giuliani are in general of a moderate difficulty andtheir didactic purposes can be perceived as the solid establishment of anintermediate level of technique and the advancement into a higher level, so some ofthem may be a little more difficult than the rest. At the same time, most of them areentertaining musical pieces with high aesthetic value and can also be studied andplayed for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 This volume is offered with decorated and undecorated pages (as two books in one)so that the user can chose which version he prefers and construct his printed ordigital book accordingly. Blank pages have been added to be used or omitted for thearrangement of left and right hand pages. Navigating the Thematic Index1 click on the photo of any piece: Go to relevant decorated page2 click the header of any titled page: Return to the index3 click on the title of any displayed piece: Interchange between decorated/undecorated pages.
$15.00
13.47 €
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18 Etudes Progressives Pour La Guitare Op.51
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Socrates Arvanitakis
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
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Various
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
Guitar
Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank…
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Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank Koonce. Early Music/Renaissance. E-book. 192 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21590EB). - e-book - Early Music/Renaissance - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746810. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)*Intended to help bridge the gap between scholarly editions and performance editions* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
$29.99
26.93 €
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Guitar
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Frank W
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The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018. As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page. The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.Â
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4.49 €
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Jeremiah Lawson
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Guitar Sonata No. 9 in E flat major
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Jeremiah Lawson
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SheetMusicPlus
Kapsberger
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
1.79 €
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Guitar
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GIOVANNI GIROLAMO KAPSBERGER
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Kapsberger
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Joabe Guilherme Oliveira
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SheetMusicPlus
Colascione
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1263243 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856202. Published by Joabe Guilherme Oliveira (A0.1263243). It is with great pleasure that we present the piece entitled Colascione. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Colascione showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Colascione is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Colascione provides.
$1.99
1.79 €
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Guitar
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GIOVANNI GIROLAMO KAPSBERGER
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Colascione
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Joabe Guilherme Oliveira
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SheetMusicPlus
Prelude X
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1263223 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263223 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856190. Published by Joabe Guilherme Oliveira (A0.1263223). It is with great pleasure that we present the piece entitled Prelude X. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Prelude X showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Prelude X is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Prelude X provides.
$1.99
1.79 €
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Guitar
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GIOVANNI GIROLAMO KAPSBERGER
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Prelude X
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Joabe Guilherme Oliveira
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SheetMusicPlus
Capona
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1263247 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263247 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 3 pages. Joabe Guilherme Oliveira #856206. Published by Joabe Guilherme Oliveira (A0.1263247). It is with great pleasure that we present the piece entitled Capona. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Capona showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Capona is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Capona provides.
$1.99
1.79 €
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Guitar
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GIOVANNI GIROLAMO KAPSBERGER
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Capona
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Joabe Guilherme Oliveira
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SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.48 €
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Guitar
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Johann Sebastian Bach
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 93 pages. Socrates Arvanitakis #845053. Published by Socrates Arvanitakis (A0.1250788). PREFACE & Editorial NotesThe 24 studies op.100  by Mauro Giuliani are in general of a moderate difficulty and their didactic purposes can be perceived as the solid establishment of an intermediate level of technique and the advancement into a higher level, so some of them may be a little more difficult than the rest. At the same time, most of them are entertaining musical pieces with high aesthetic value and can also be studied and played for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 Staff size has been reduced by different percentages for studies no. 11, 12, 13, 14, 15, 16 & 24 so that they can be rendered in a two-page view as the rest of the pieces.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.
$15.00
13.47 €
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Guitar
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Mauro Giuliani
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Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
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Socrates Arvanitakis
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SheetMusicPlus
Suite for guitar in E minor by J. A. de Logy
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
7.18 €
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Guitar
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Jan Antonin de Logy
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Suite for guitar in E minor by J. A. de Logy
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Socrates Arvanitakis
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SheetMusicPlus
Complete Giuliani Studies
Guitar
Edited by David Grimes. For Guitar (Classical). Editiones Classicae. Classic. Multiple Lev…
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Edited by David Grimes. For Guitar (Classical). Editiones Classicae. Classic. Multiple Levels. E-book. 166 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609740979. The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor, Matteo Carcassi, Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the "first generation" of classical guitarists. Giuliani was one of the most celebrated guitarists of his age, a brilliant performer and prolific composer. He left a legacy of compositions, and many of his works are heard regularly in recitals and concerts today. His student pieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building and refining a superior technical command of the guitar. In this edition, David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.
$19.99
17.95 €
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Guitar
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Complete Giuliani Studies
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.49 €
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Guitar
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Alban Berg
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
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