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The Piano Solo Collection
Guitar
Sheetmusic to print
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1
The Vampire: A Dramatic Theme
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.69 €
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Guitar
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Sol Paul Levy
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
"Brilliant Chopin Preludes Collection" for Guitar (Background Tracks)-Video
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.634399 Composed by Frederic Chopin…
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Solo Guitar - Level 3 - Digital Download SKU: A0.634399 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Individual part. 6 pages. F & N Enterprise #3619211. Published by F & N Enterprise (A0.634399). Brilliant Chopin Preludes Collection for Guitar (Background Tracks) (Jazz/Pop Version)The video for Violin and Piano: https://www.youtube.com/watch?v=cnD79GxaX4o
$4.99
4.61 €
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Guitar
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Frederic Chopin
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"Brilliant Chopin Preludes Collection" for Guitar
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F & N Enterprise
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SheetMusicPlus
Whimsical monologue [Guitar Solo]
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.912064 By Masakazu YAMAMOTO. By Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.912064 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. Contemporary,Contest,Festival,Film/TV,Holiday,Multicultural,World. Individual part. 6 pages. Motch Music #517992. Published by Motch Music (A0.912064). Original work by Masakazu Yamamoto.Work for guitar solo. Composed for guitarist Tatsuya Aikawa. Premiered at his solo concert on November 7, 2021. Various passage like muttering and rhythm appears whimsically, and music leads you gradually enters the delusional world. Fragments of improvised phrases are lined up in a guitar-specific playing style, as if to mutter a sudden idea.Duration : 8 minutes around ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$20.00
18.49 €
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Guitar
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Masakazu YAMAMOTO
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Whimsical monologue [Guitar Solo]
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Motch Music
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SheetMusicPlus
Serenata Española. New completely revised and fingered edition based on original sources,
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malat…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
7.86 €
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Guitar
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Joaquín Malats
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Serenata Española. New completely revised and fingered edition based on original sources,
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Classical Guitar Tunes - Parlor Gems
Guitar
Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and onlin…
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Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30944MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459905. 8.75 x 11.75 inches.<br> <br> In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the books online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving Kathleen MavoureenRomanza by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndts Nola, one of the eras most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.
$14.99
13.86 €
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Guitar
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Classical Guitar Tunes - Parlor Gems
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Early Music for Beginning Guitar
Guitar
Guitar (classical & fingerpicking) - Beginning - Digital Download SKU: M0.99662EB C…
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Guitar (classical & fingerpicking) - Beginning - Digital Download SKU: M0.99662EB Composed by Michael Boyd. Solos. Early Music/Renaissance. E-book. Mel Bay Publications - Digital Sheet Music #99662EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99662EB). ISBN 9781609743352. 8.75x11.75 inches.A very representative collection of music from the Renaissance and Baroque periods, skillfully adapted for solo guitar from lute and piano works. This book contains well-recognized pieces by master composers, many of which have already become essential repertoire for the classical guitar. Compiled with the performance skills of the beginner guitarist in mind, this collection also fulfills repertoire requirements of the student guitarist, as well as providing valuable exercises in sight-reading in standard notation for the more intermediate and advanced performers.
$14.99
13.86 €
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Guitar
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Michael Boyd
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Early Music for Beginning Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Asturiana - Siete canciones populares españolas
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De …
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Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De Falla, Manuel. Arranged by Nick Mordal. 20th Century,Classical,Folk,Latin,Romantic Period. Individual part. 2 pages. Nick Mordal #6294907. Published by Nick Mordal (A0.946417). This arrangement condenses piano and voice onto classical guitar. It features a motoric accompaniment of octave repetition with the thread of a harmonic minor melody. Techniques used in the arrangement include barre, right hand string skipping, long stretches and overall precision to avoid guitar noise. It is sure to improve your skills on the instrument. This is a song from Manuel de Falla's 1922 collection called Siete Canciones Populares Españolas (7 popular Spanish songs). It is a haunting melody from ancient Spanish tradition.Â
$4.00
3.7 €
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Guitar
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De Falla, Manuel
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Asturiana - Siete canciones populares españolas
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Nick Mordal
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SheetMusicPlus
Transcriptions for Classical Guitar, Volume 1
Guitar
By Clyde Witmyer. For Guitar (Classical). Classic. 88 pages. Published by Mel Bay Publicat…
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By Clyde Witmyer. For Guitar (Classical). Classic. 88 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742799. This collection of 55 transcriptions brings pieces from the early to early-intermediate piano repertoire ranging from the Renaissance to the Twentieth Century to the classical guitar. Many of the pieces have not previously been transcribed for guitar, while others offer innovations in fingering or musical arrangement. Particular attention has been given to works that are not well-represented in the field of published music for classical guitar. Nearly all of the pieces are in their original keys, with the original range preserved where possible. Although there are no pieces for beginners in this book, it does present easy to early intermediate pieces for those ready to play solo material. These transcriptions will serve both as study material and as delightful additions to the performance repertoire.
$14.99
13.86 €
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Guitar
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Clyde Witmyer
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Transcriptions for Classical Guitar, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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