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Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.82 €
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Guitar
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Anon
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
Guitar
Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online…
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Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
Song List
: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
$24.99
22.85 €
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Guitar
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The William Bay Collection - Flatpicking Guitar Solo Anthology #1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Giuliani Reharmonized (Right-Hand Exercises for Guitar)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenn…
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Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenneth Pasciak. Arranged by Kenneth Pasciak. Instructional. Educational Exercises. 29 pages. Kenneth Pasciak #4293691. Published by Kenneth Pasciak (A0.820284). Giuliani Reharmonized - Twenty Studies: Harmonic Variations of Selected Exercises by Mauro Giuliani for Classical GuitarFirst published in 1812, Mauro Giuliani's Op. 1, Studio per la Chitarra, remains an indispensable resource for classical guitarists. Part I, Degli arpeggi esercizio per la mano destra (also known as 120 Exercises for the Right Hand), in particular, is arguably the direction toward which many performers, teachers and students turn when seeking to refine their right-hand technique.This collection of twenty studies builds upon selected exercises by Giuliani and adapts them to 13 major and 13 minor keys organized by ascending or descending fifths, as well as to various harmonic contexts that feature diatonic and chromatic sequences within particular keys.Kenneth Pasciak Music Publishingkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$7.99
7.3 €
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Guitar
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Mauro Giuliani, Kenneth Pasciak
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Giuliani Reharmonized
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Kenneth Pasciak
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SheetMusicPlus
Away in a Manger (Spillman Version)
Guitar
Solo Guitar - Digital Download SKU: A0.1364456 Composed by Jonathan Spillman. Arran…
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Solo Guitar - Digital Download SKU: A0.1364456 Composed by Jonathan Spillman. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Jazz,Standards. Individual part. 2 pages. Bronson Ferdinand #948748. Published by Bronson Ferdinand (A0.1364456). Chord melody arrangement of the Jonathan Spillman version of Away in a Manger.This arrangment features:-interesting harmonizations and chord voicings-different time signature than the original-creative ways to incorporate open strings which adds an ethereal qualityIn the style of Bill Frisell, Tim Lerch and Ted Greene.
$4.99
4.56 €
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Guitar
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Jonathan Spillman
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Away in a Manger
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Bronson Ferdinand
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SheetMusicPlus
A Bright Summer Night
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published by Tomas Ericsson (A0.1083293). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
2.74 €
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Guitar
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Tomas Ericsson
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A Bright Summer Night
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Tomas Ericsson
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SheetMusicPlus
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
$2.99
2.73 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.56 €
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Guitar
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Johann Sebastian Bach
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
„Ah, vous dirai-je, Maman
Guitar
Guitar - easy - Digital Download SKU: S9.Q44829 Theme from: Variations on  
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Guitar - easy - Digital Download SKU: S9.Q44829 Theme from: Variations on “Ah, vous dirai-je, Mamanâ€, K. 265. Composed by Wolfgang Amadeus Mozart. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44829. Published by Schott Music - Digital (S9.Q44829). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.73 €
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Guitar
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Wolfgang Amadeus Mozart
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„Ah, vous dirai-je, Maman
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Schott Music - Digital
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitar
#
Richard Strauss
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for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Romanze
Guitar
Guitar - easy to intermediate - Digital Download SKU: S9.Q23697 Composed by Anonymo…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q23697 Composed by Anonymous. Edited by Konrad Ragossnig. This edition: Sheet music. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. Downloadable. Schott Music - Digital #Q23697. Published by Schott Music - Digital (S9.Q23697). German • English.Digital publication of the piece found in the following print music collection: Guitar Concert Collection - 40 Easy to Intermediate Pieces from 3 Centuries.
$2.99
2.73 €
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Guitar
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Anonymous
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Romanze
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Schott Music - Digital
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SheetMusicPlus
Big Drum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.56 €
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Guitar
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
(there's No Place Like) Home For The Holidays
Guitar
Solo Guitar - Digital Download SKU: A0.1337287 By Perry Como. By Al Stillman and Ro…
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Solo Guitar - Digital Download SKU: A0.1337287 By Perry Como. By Al Stillman and Robert Allen. Arranged by Bronson Ferdinand Wright. 20th Century,Broadway,Christmas,Jazz,Musical/Show,Standards. Individual part. 2 pages. Bronson Ferdinand #923099. Published by Bronson Ferdinand (A0.1337287). Chord melody arrangement of the classic Christmas song.This chart features full harmonic analysis and tab. Detailed articulations are also notated. A must-know tune for solo guitar Christmas gigs.
$6.49
5.93 €
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Guitar
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Perry Como
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(there's No Place Like) Home For The Holidays
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Bronson Ferdinand
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SheetMusicPlus
Allemande Right Now
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1116352 Composed by Paul Brooks Ho…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1116352 Composed by Paul Brooks Horn. 19th Century,20th Century,Baroque,Chamber,Classical. Individual part. 2 pages. Paul Brooks Horn #717986. Published by Paul Brooks Horn (A0.1116352). A modern Allemande for the classical guitar.
$3.99
3.65 €
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Guitar
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Paul Brooks Horn
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Allemande Right Now
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Paul Brooks Horn
#
SheetMusicPlus
Variations on a Theme by Tommie Wright
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Co…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00
9.14 €
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Guitar
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Ted Stanley
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Variations on a Theme by Tommie Wright
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Ted Stanley
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SheetMusicPlus
Romance sans Paroles
Guitar
Guitar - easy to intermediate - Digital Download SKU: S9.Q23684 Op. 23. Comp…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q23684 Op. 23. Composed by Jose Ferrer. Edited by Konrad Ragossnig. This edition: Sheet music. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 23. Schott Music - Digital #Q23684. Published by Schott Music - Digital (S9.Q23684). German • English.Digital publication of the piece found in the following print music collection: Guitar Concert Collection - 40 Easy to Intermediate Pieces from 3 Centuries.
$2.99
2.73 €
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Guitar
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Jose Ferrer
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Romance sans Paroles
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Schott Music - Digital
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SheetMusicPlus
Romanza d´Espagna
Guitar
Guitar - easy to intermediate - Digital Download SKU: S9.Q46940 Composed by Anonymo…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46940 Composed by Anonymous. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46940. Published by Schott Music - Digital (S9.Q46940). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.73 €
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Guitar
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Anonymous
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Romanza d´Espagna
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Schott Music - Digital
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SheetMusicPlus
Romanza de Espagna
Guitar
Guitar - easy - Digital Download SKU: S9.Q44873 Composed by Anonymous. This edition…
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Guitar - easy - Digital Download SKU: S9.Q44873 Composed by Anonymous. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44873. Published by Schott Music - Digital (S9.Q44873). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.73 €
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Guitar
#
Anonymous
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Romanza de Espagna
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Schott Music - Digital
#
SheetMusicPlus
Romanza d´Espagna
Guitar
Guitar - intermediate to advanced - Digital Download SKU: S9.Q42709 Composed by Ano…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q42709 Composed by Anonymous. This edition: Sheet music. Copyright 2016 SCHOTT MUSIC GmbH & Co. KG, Mainz. Downloadable. 2 pages. Schott Music - Digital #Q42709. Published by Schott Music - Digital (S9.Q42709). Digital publication of the piece found in the following print music collection: Best of Guitar Classics - 50 Famous Concert Pieces.
$2.99
2.73 €
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Guitar
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Anonymous
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Romanza d´Espagna
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Schott Music - Digital
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SheetMusicPlus
Away in a Manger
Guitar
Solo Guitar - Digital Download SKU: A0.1344157 Composed by James Ramsey Murray and …
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Solo Guitar - Digital Download SKU: A0.1344157 Composed by James Ramsey Murray and William J. Kirkpatrick. Arranged by Bronson Ferdinand Wright. 19th Century,Christian,Christmas,Holiday,Jazz. Individual part. 3 pages. Bronson Ferdinand #929639. Published by Bronson Ferdinand (A0.1344157). Chord melody arrangement of Away in a Manger.This arrangement features jazz harmony and natural harmonics. A Christmas classic in the style of Tim Lerch and Bill Frisell.
$5.99
5.48 €
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Guitar
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James Ramsey Murray and William J
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Away in a Manger
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Bronson Ferdinand
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SheetMusicPlus
Romance
Guitar
Guitar - easy - Digital Download SKU: S9.Q44836 From: Little Night Music, K. 525…
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Guitar - easy - Digital Download SKU: S9.Q44836 From: Little Night Music, K. 525. Composed by Wolfgang Amadeus Mozart. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44836. Published by Schott Music - Digital (S9.Q44836). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.73 €
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Guitar
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Wolfgang Amadeus Mozart
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Romance
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Schott Music - Digital
#
SheetMusicPlus
Suite for guitar in E minor by J. A. de Logy
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
7.31 €
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Guitar
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Jan Antonin de Logy
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Suite for guitar in E minor by J. A. de Logy
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Socrates Arvanitakis
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SheetMusicPlus
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