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Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.39 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Prelude (BWV1006) in E major transcribed for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
1.83 €
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Guitar
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Johann Sebastian Bach
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Prelude
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Daniel Clark
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SheetMusicPlus
Partita II (BWV1004) in d minor transcribed for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
7.3 €
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Guitar
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Johann Sebastian Bach
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Partita II
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Daniel Clark
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SheetMusicPlus
Candle In The Wind
Guitar
Guitar, Classical Guitar - Intermediate - Digital Download By Elton John. Arranged by…
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Guitar, Classical Guitar - Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 2 pages. Published by David Jaggs
Candle in the Wind has to be one of Elton John's best known tunes, and it transcribes beautifully onto the classical guitar.<br> <br> Fingering is provided in tricky places, and as usual there is another version with tablature available on this website.
$6.99
6.38 €
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Guitar
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Elton John
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Candle In The Wind
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David Jaggs
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.69 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Ain't Always The Cowboy
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.55 €
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Guitar
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Jon Pardi
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Minuet in G Major and Minuet in G minor From Notebooks for Anna Magdalena Bach (Bach J.S.)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.931026 Composed by Johann Sebastia…
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Solo Guitar - Level 3 - Digital Download SKU: A0.931026 Composed by Johann Sebastian Bach. Arranged by Tullio Bellocco. Baroque. Individual part. 3 pages. Tullio Bellocco #6705433. Published by Tullio Bellocco (A0.931026). These two great Bach masterpieces, I have transcribed them for solo guitar. Good music!
$5.00
4.56 €
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Guitar
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Johann Sebastian Bach
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Minuet in G Major and Minuet in G minor From Notebooks for Anna Magdalena Bach
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Tullio Bellocco
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.48 €
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Guitar
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Johann Sebastian Bach
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
All 9 Menuets from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273542 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273542 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 9 pages. Esteban Peretz #865683. Published by Esteban Peretz (A0.1273542). These are the 9 Menuets from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$11.99
10.94 €
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Guitar
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Johann Sebastian Bach
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All 9 Menuets from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 5 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273552 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273552 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865692. Published by Esteban Peretz (A0.1273552). This is the fifth Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 5 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 7 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273555 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273555 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865695. Published by Esteban Peretz (A0.1273555). This is the seventh Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 7 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 11 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273559 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273559 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865699. Published by Esteban Peretz (A0.1273559). This is the eleventh Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 11 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 17 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273561 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273561 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865701. Published by Esteban Peretz (A0.1273561). This is the seventeenth Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 17 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 26 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273562 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273562 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865702. Published by Esteban Peretz (A0.1273562). This is the twenty-sixth Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 26 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 1 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273544 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273544 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865686. Published by Esteban Peretz (A0.1273544). This is the first Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 1 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 3 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273550 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273550 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865690. Published by Esteban Peretz (A0.1273550). This is the third Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 3 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 2 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273546 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273546 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865689. Published by Esteban Peretz (A0.1273546). This is the second Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 2 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Menuet 10 from Anna Magdalena Bach's Notebook for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1273556 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1273556 Composed by Johann Sebastian Bach. Arranged by Esteban Peretz. Baroque,Chamber,Classical,Early Music,Renaissance. Individual part. 1 pages. Esteban Peretz #865696. Published by Esteban Peretz (A0.1273556). This is the tenth Menuet from Anna Magdalena Bach's Notebook transcribed for Classical Guitar.
$3.99
3.64 €
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Guitar
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Johann Sebastian Bach
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Menuet 10 from Anna Magdalena Bach's Notebook for Classical Guitar
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Esteban Peretz
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SheetMusicPlus
Charley's Waltz (including tab.)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1350428 By Sibelius 7 Software. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1350428 By Sibelius 7 Software. By Andrew Howes. 19th Century,Chamber,Classical. Individual part. 5 pages. Andrew Howes #935227. Published by Andrew Howes (A0.1350428). A Chopin-style waltz I wrote for my granddaughter Charley's thirteenth birthday and have recently transcribed for the classical guitar.
$4.00
3.65 €
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Guitar
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Sibelius 7 Software
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Charley's Waltz
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Andrew Howes
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SheetMusicPlus
Mr. Knight's Galliard
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1099081 By Ricardo Farão. By Jo…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1099081 By Ricardo Farão. By John Dowland. Arranged by Ricardo Farão. Renaissance. Individual part. 2 pages. Ricardo Farão #702949. Published by Ricardo Farão (A0.1099081). Arrangement for modern guitar transcribed from the Renaissance tabs to lute. A masterpiece of English music of rare energy and beauty. John Dowland was one of the greatest lutenist composers of all time.
$6.99
6.38 €
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Guitar
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Ricardo Farão
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Mr. Knight's Galliard
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Ricardo Farão
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SheetMusicPlus
The Entertainer (classical guitar)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.900099 Composed by Scott Joplin. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.900099 Composed by Scott Joplin. Arranged by Ivan Paschoito. Contemporary. Individual part. 5 pages. Ivan Paschoito #3031077. Published by Ivan Paschoito (A0.900099). The most famous Joplin's rag transcribed for guitar. An arrangement, at same time, faithful to the piano original solo and quite playable on the guitar.
$3.99
3.64 €
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Guitar
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Scott Joplin
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The Entertainer
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Ivan Paschoito
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.39 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.39 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.39 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
The Classical Guitarist's Gig Book
Guitar
Guitar - Intermediate - Advanced - Digital Download Composed by Mark Cruz. Classical.…
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Guitar - Intermediate - Advanced - Digital Download Composed by Mark Cruz. Classical. E-book. 136 pages. Mel Bay Publications - Digital Sheet Music #30841EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455051.<br> <br> The Classical Guitarist's Gig Book is an essential collection of classic works either written or transcribed for solo guitar. Many of the pieces are frequently requested for ceremonial or formal events. In addition to containing functional music, concert literature is also included which may be used for a wide spectrum of musical situations. Some of the works are presented as faithful transcriptions while others are treated with mild to generous artistic liberties.
$19.99
18.24 €
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Guitar
#
Mark Cruz
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The Classical Guitarist's Gig Book
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
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