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101
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitar
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.68 €
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Guitar
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Felix Bartholdy Mendelssohn
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
Songs of the Heart
Guitar
Guitar - Intermeidate - Digital Download SKU: M0.30897MEB Music for Voice and Gu…
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Guitar - Intermeidate - Digital Download SKU: M0.30897MEB Music for Voice and Guitar. Composed by Giovanni De Chiaro. Classical. Ebook and online audio. 145 pages. Mel Bay Publications - Digital Sheet Music #30897MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30897MEB). ISBN 9781513472812. 8.75X11.75 inches.This unique anthology enhances the voice and classic guitar repertoire with newly revised transcriptions of many of the most popular works of Schubert, Mozart, and Giuliani. It also includes four folksongs arranged by noteworthy mid-nineteenth-century English composer/guitarists.The 22 selections in this book lie well within the technical reach of vocalists and guitarists alike and will make an engaging addition to concert and recital programs. As the human voice brings an added lyrical dimension to any musical performance, audiences will love this music.Includes an outstanding online audio recording by the author and soprano, Kate Rawls.
$24.99
23.04 €
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Guitar
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Giovanni De Chiaro
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Songs of the Heart
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Frere Jacques (in three voices) for solo classical guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.775486 Composed by Anon. Arranged …
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Solo Guitar - Level 4 - Digital Download SKU: A0.775486 Composed by Anon. Arranged by John Pinno. Contemporary. Individual part. 3 pages. John Pinno #5720597. Published by John Pinno (A0.775486). An arrangement by John Pinno of the folk French round Frere Jacques for classical guitar in three voices.Note to purchasers of arrangements and/or compositions by John Pinno published on Sheet Music Plus:~For any comments and/or questions, email to jpinno093@hotmail.com with subject of sheet music plus ~Please also see my other publications on Sheet Music Plus at : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 ~This includes arrangements and/or compositions for solo classical guitar, classical guitar duos and quartets, Christmas arrangements for solo guitar and guitar quartets, classical ensemble arrangements for voice and guitar, flute and guitar, and other combinations, and also works for recorder ensembles.
$6.00
5.53 €
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Guitar
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Anon
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Frere Jacques
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John Pinno
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SheetMusicPlus
Evergreen (Love Theme from A Star Is Born): Guitar
Guitar
Guitar - Digital Download SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra…
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Guitar - Digital Download SKU: AX.00-PC-0017553_G Guitar. Composed by Barbra Streisand. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017553_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017553_G). Paul Williams.Barbra Streisand's smash hit from her 1976 film A Star Is Born is now available for your choir! Lush harmonies and long flowing melodic lines give plenty of opportunities to develop musical expression, and all voice parts get an opportunity to sing the melody.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00
4.61 €
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Guitar
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Barbra Streisand
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Recorded Acc. Available.
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Evergreen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The First Noel (classical guitar quartet)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.775414 Composed by Traditional. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775414 Composed by Traditional. Arranged by John Pinno. Christmas. Individual part. 13 pages. John Pinno #2888307. Published by John Pinno (A0.775414). An arrangement for classical guitar quartet of the traditional Christmas tune, the First Noel, with score and individual guitar parts.For any concerns or questions contact John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$10.00
9.22 €
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Guitar
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Traditional
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The First Noel
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John Pinno
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SheetMusicPlus
He is Born the Holy Child for solo classical guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.775396 Composed by traditional Chr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775396 Composed by traditional Christmas music. Arranged by John Pinno. Christmas. Individual part. 1 pages. John Pinno #90305. Published by John Pinno (A0.775396). An arrangement for solo classical guitar of the French Christmas carol He is Born the Holy Child. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$8.00
7.38 €
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Guitar
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traditional Christmas music
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He is Born the Holy Child for solo classical guitar
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John Pinno
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SheetMusicPlus
The Guitar Études
Guitar
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and…
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may have
$22.00
20.28 €
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Guitar
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
You Are the Reason (Intermediate Level, Guitar comp. Voice and Orchestra)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Guitar
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James Scott
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Tomplay
Le temps a laissé son manteau (voice & guitar)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1011926 Composed by Alain Jacques.…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1011926 Composed by Alain Jacques. 20th Century,Contemporary,World. Individual part. 2 pages. The Gentle Way #3513371. Published by The Gentle Way (A0.1011926). An easy melody and guitar accompaniment to sing this most famous poem.
$1.99
1.83 €
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Guitar
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Alain Jacques
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Le temps a laissé son manteau
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The Gentle Way
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SheetMusicPlus
Galileo: It's a song the Bossa Nova rythm
Guitar
Solo Guitar - Digital Download SKU: A0.1019151 Composed by Luiz Tarcisio Brito Filo…
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Solo Guitar - Digital Download SKU: A0.1019151 Composed by Luiz Tarcisio Brito Filomeno. Arranged by Jardel Caetano Costa Filho. Latin. Individual part. 1 pages. Luiz Tarcisio Brito Filomeno #3034013. Published by Luiz Tarcisio Brito Filomeno (A0.1019151). Enclosed are the recorded song (Voice, Guitar and Percussion) and the lyrics with the corresponding chords symbols.
$5.00
4.61 €
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Guitar
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Luiz Tarcisio Brito Filomeno
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Galileo: It's a song the Bossa Nova rythm
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Luiz Tarcisio Brito Filomeno
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SheetMusicPlus
Old Town Road (i Got The Horses In The Back)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.486221 By Lil Nas X and Lil Nas X …
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Solo Guitar - Level 2 - Digital Download SKU: A0.486221 By Lil Nas X and Lil Nas X feat. Billy Ray Cyrus. By Atticus Ross, Kiowa Roukema, Montero Lamar Hill, and Trent Reznor. Arranged by Best Music Coach & Dan Spencer. Country,Hip-Hop,Pop,R & B. Individual part. 10 pages. Best Music Coach #104626. Published by Best Music Coach (A0.486221). Note for note guitar part and voice from the music video!
$4.99
4.6 €
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Guitar
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Lil Nas X and Lil Nas X feat
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Old Town Road
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Best Music Coach
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SheetMusicPlus
Hark! The Herald Angels Sing
Guitar
Solo Guitar - Digital Download SKU: A0.1356202 Composed by Traditional. Arranged by…
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Solo Guitar - Digital Download SKU: A0.1356202 Composed by Traditional. Arranged by Bronson Ferdinand Wright. Advent,Christmas,Jazz,Religious,Traditional. Individual part. 2 pages. Bronson Ferdinand #940873. Published by Bronson Ferdinand (A0.1356202). Beautiful arrangement of classic Christmas carol.This arrangement features fingerpicking, lush voicings and two voice counterpoint. Elements of both jazz and classical are on display in this gorgeous chord melody. A dynamic version of a timeless Christmas tune. Great for solo performances and for those studying the chord melody style.In the style of Tim Lerch and Ted Greene.
$4.99
4.6 €
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Guitar
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Traditional
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Hark! The Herald Angels Sing
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Bronson Ferdinand
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SheetMusicPlus
You Are the Reason (Easy Level, accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Guitar
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James Scott
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Tomplay
The Christmas Song (chestnuts Roasting On An Open Fire)
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1143953 By Michael Buble. By Mel Torme …
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Guitar - Level 2 - Digital Download SKU: A0.1143953 By Michael Buble. By Mel Torme and Robert Wells. Arranged by Heisenberg. Children,Christmas,Jazz,Pop,Spiritual. Chords/Lyrics. 2 pages. Heisenberg #744262. Published by Heisenberg (A0.1143953). Arrengement: The Christmas Song (Chestnuts Roasting On An Open Fire) - Lead Sheet (Voice and Guitar) in Ab.
$3.99
3.68 €
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Guitar
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Michael Buble
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The Christmas Song
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Heisenberg
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SheetMusicPlus
Dance The Night
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1255453 By Dua Lipa. By Andrew Wat…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1255453 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Andrew Pattinson. Contemporary,Disco,Film/TV,Funk,Pop. Individual part. 2 pages. Andrew Pattinson #848954. Published by Andrew Pattinson (A0.1255453). Dance the night for guitar. Full chord diagrams are included with this arrangement using excellent voice leading.
$4.99
4.6 €
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Guitar
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Dua Lipa
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Dance The Night
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Andrew Pattinson
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SheetMusicPlus
The Vineyard for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1308033 Composed by Scott J. Simon…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1308033 Composed by Scott J. Simon. 21st Century,Classical,Contemporary,Pop,Wedding. Individual part. 6 pages. Scott Simon #897313. Published by Scott Simon (A0.1308033). This is a contemporary fingerstyle original featuring voice-leading, syncopation, functional and non-functional harmony, and modulations between G and E Major. Standard fingerstyle techniques are utilized throughout. See also Tablature edition.
$4.99
4.6 €
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Guitar
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Scott J
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The Vineyard for Classical Guitar
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Scott Simon
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SheetMusicPlus
Prelude No 1 in D (Memories)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.76 €
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Guitar
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.83 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Eye Of The Tiger
Guitar
Solo Guitar - Digital Download By Survivor. By Jim Peterik and Frank Sullivan. Arrang…
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Solo Guitar - Digital Download By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Best Music Coach and Dan Spencer. Pop, Rock. Individual part. 2 pages. Published by Best Music Coach
Level 1: Notation for guitar. Easy to play along with and see the words of the song as you play!<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99
4.6 €
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Guitar
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Survivor
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Eye Of The Tiger
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Best Music Coach
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SheetMusicPlus
Michelle (Intermediate Level, accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Guitar
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The Beatles
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Tomplay
Michelle (Easy Level, accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Guitar
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The Beatles
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Tomplay
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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