Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
12
Digital
Sheet Music
10
Sheet Music
Books
18
Music
Equipment
145
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
196
PIANO & KEYBOARDS
Piano solo
72
Easy Piano
12
1 Piano, 4 hands
9
Organ
5
Piano, Voice
4
Piano Trio: piano, violin, cello
2
2 Pianos, 4 hands
2
C Instruments
1
Piano Quartet: piano, violin, viola, cello
1
Piano, Vocal and Guitar
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
10
Piano, Guitar (duet)
6
Guitar notes and tablatures
3
2 Guitars (duet)
1
Dulcimer
1
4 Guitars (Quartet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
12
Choral Unison
4
Choral 3-part
2
Vocal duet
1
Choral 2-part
1
Choral SSAATTBB
1
Instrumentations suivantes
Retracter
WOODWIND
2 Flutes, Piano
25
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
24
Flute and Piano
22
Saxophone Quintet: 5 Saxophones
17
Clarinet and Piano
16
Alto Saxophone and Piano
15
Oboe, Piano (duet)
15
Saxophone Quartet: 4 saxophones
12
Tenor Saxophone and Piano
10
Clarinet Ensemble
8
Saxophone ensemble
7
2 Saxophones (duet)
7
Soprano Saxophone and Piano
7
Clarinet Quartet: 4 clarinets
7
Flute, Oboe, Clarinet, Bassoon
7
Baritone Saxophone, Piano
7
2 Flutes (duet)
6
English horn, Piano
6
Flute ensemble
6
Flute Quintet : 5 flutes
5
Clarinet
5
Clarinet Quintet: 5 clarinets
4
3 Saxophones (trio)
4
Flute
3
Bass Clarinet, Piano
3
3 Clarinets (trio)
3
Tenor Recorder
2
2 Recorders (duet)
2
Piccolo, Piano
2
Clarinet, Bassoon (duet)
2
Oboe
2
Saxophone and Guitar
2
Alto Saxophone
2
2 Clarinets (duet)
2
Clarinet, Harp (duet)
1
Flute, Oboe, Clarinet (trio)
1
Flute, Clarinet (duet)
1
Clarinet, Violin (duet)
1
Oboe, Cello
1
Oboe, Bassoon (duet)
1
Clarinet, Cello (duet)
1
Flute Trio: 3 flutes
1
Flute Quartet: 4 flutes
1
3 Recorders (trio)
1
Descant (Soprano) Recorder
1
Flute, Violoncello
1
Oboe, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
28
Trombone and Piano
12
French Horn and Piano
12
Euphonium, Piano (duet)
12
Brass Quartet
11
Trumpet, Piano
11
Trombone ensemble
7
Trumpet ensemble
7
English horn, Piano
6
Brass quartet : 2 trumpets, trombone, tuba
6
Trumpet
5
Tuba and Piano
4
Horn Ensemble
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
French horn
3
Trumpet, Horn (duert)
2
2 Trumpets (duet)
2
Brass Quartet: 2 trumpets, horn, trombone
2
Trombone
2
2 French horns (duet)
2
3 French horns (trio)
1
Brass Quartet: 4 horns
1
Tuba and Organ
1
2 Tubas (duet)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Brass Quartet: 4 trombones
1
Trumpet, Trombone (duet)
1
2 Trombones (duet)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
29
Violin and Piano
22
Viola, Piano
15
String Trio: violin, viola, cello
11
Cello, Piano
10
Harp
7
Cello
6
Violin
6
Violin, Cello (duet)
5
2 Violins (duet)
4
Viola
3
Viola ensemble
3
Double Bass
3
Double bass, Piano (duet)
3
Violin ensemble
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violas
1
2 Violas (duet)
1
Violin, Clarinet, Piano (trio)
1
4 Cellos
1
Harp, Violin (duet)
1
Harp, Flute (duet)
1
String quartet: 4 violins
1
String Trio: 3 violins
1
String Quartet : 4 violas
1
Viola, Cello (duet)
1
Harp, Trombone (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
String Quintet: 2 violins, viola, cello, bass
1
Viola (band part)
1
String Trio: 3 cellos
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
22
Chamber Orchestra
20
String Orchestra
14
Concert band
14
Handbells
4
Percussion Ensemble
4
Jazz Ensemble
2
Brass ensemble
1
Piano and Orchestra
1
Orchestra, Violin
1
Brass Quintet: other combinaisons
1
Jazz combo
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Vem var han?
Guitar
Sheetmusic to print
10 sheet music found
<
1
Prelúdio 2
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Ba…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Banda. By Jeferson Mota de Oliveira. Arranged by Jeferson Mota de Oliveira. Christmas,Classical,Renaissance,Soul,Wedding. Individual part. 1 pages. JEFERSON MOTA DE OLIVEIRA #839138. Published by JEFERSON MOTA DE OLIVEIRA (A0.1244166). Esse é um Prelúdio para violão solo.Um prelúdio é uma composição musical instrumental curta e independente que geralmente serve como introdução a uma peça mais extensa, como uma ópera, uma suÃte, uma sonata ou um concerto. O termo prelúdio vem do latim praeludium, que significa tocar antes.Os prelúdios são caracterizados por sua natureza improvisatória e exploratória, permitindo ao compositor ou ao intérprete explorar diferentes melodias, harmonias e texturas musicais. Eles podem apresentar uma variedade de estilos e formas musicais, desde peças virtuosÃsticas e brilhantes até prelúdios mais introspectivos e contemplativos.Os prelúdios têm sido escritos e apreciados ao longo da história da música em várias épocas e gêneros musicais, como no perÃodo barroco com os prelúdios de Johann Sebastian Bach, no perÃodo romântico com os prelúdios de Frédéric Chopin e no jazz com os prelúdios improvisados pelos pianistas de jazz.
$1.99
1.83 €
#
Guitar
#
Allegro Instrumental Banda
#
Prelúdio 2
#
JEFERSON MOTA DE OLIVEIRA
#
SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
#
Guitar
#
Francis Bebey
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Gioco. Sonata for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.51 €
#
Guitar
#
Victor Rebullida
#
tpo
#
Gioco. Sonata for guitar
#
Victor Rebullida
#
SheetMusicPlus
The Color of Fire is
Guitar
Solo Guitar - Digital Download SKU: A0.904118 Composed by David Lucas Frith. Concer…
(+)
Solo Guitar - Digital Download SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frith (A0.904118). The Color of Fire is, for guitar and piano, paints a picture of a fire in various scenes. This piece was written for Jacob Cypranowski. It's three movements, I. Brilliant, II. Changing, and III. Renewed are all inspired by fire. The first movement is all about the brilliance of color in a flame, and how calming it can be to just watch a fire. The second movement is about how quickly a fire can change, and how dangerous it can become. The final movement is about how the color of a flame is constantly renewed and fresh, even as the flame dies.
$1.99
1.83 €
#
Guitar
#
David Lucas Frith
#
The Color of Fire is
#
David Frith
#
SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.51 €
#
Guitar
#
Mauro Giuliani
#
Mauro Giuliani: Sonatina in C op.71 no.1
#
Socrates Arvanitakis
#
SheetMusicPlus
Analysia's Margarita
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954945 Composed by Jim Bosse. Conc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim Bosse (A0.954945). This is the second movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Analysia's Margarita was inspired by a street merchant melody that I heard in the Andes. I used this melody to give this piece a Peruvean flavor. Performance time is 3 minutes and 34 seconds with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.83 €
#
Guitar
#
Jim Bosse
#
piece
#
Analysia's Margarita
#
Jim Bosse
#
SheetMusicPlus
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
4.59 €
#
Guitar
#
Jeremiah Lawson
#
Guitar Sonata on Themes by Thomas Commuck
#
Jeremiah Lawson
#
SheetMusicPlus
Classical Guitar "Suite of Dances" by J. S. Bach
Guitar
Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Ar…
(+)
Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Arranged by Ken Turley. Baroque,Instructional,Standards. Individual part. 22 pages. Ken Turley #5298929. Published by Ken Turley (A0.926033). This suite for solo classical guitar is a selection of movements from the various sonatas and partitas for solo instrument by J. S. Bach. They have been transposed to a common key and arranged for ease of playing on guitar. Nonetheless, with only a few minor adjustments and added bass notes, they are true to the originals in form and melody and work quite well for both study and performance.
$7.00
6.42 €
#
Guitar
#
Johann Sebastian Bach
#
Classical Guitar "Suite of Dances" by J. S. Bach
#
Ken Turley
#
SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitar
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
(+)
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.55 €
#
Guitar
#
Ernesto Garcia de Leon
#
Ernesto García de León - 20 Estudios
#
Michael Lorimer Editions
#
SheetMusicPlus
Classic Koshkin
Guitar
By Nikita Koshkin (1956-). For Guitar (Classical). Classic. 80 pages. Published by Mel Bay…
(+)
By Nikita Koshkin (1956-). For Guitar (Classical). Classic. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745189. Born in 1956 in Moscow, guitarist Nikita Koshkin is one of Russia's leading composers, teachers and concert artists. This collection includes works from throughout his 30-year career as a composer including his three-movement Hispanic Suite, one of his earliest compositions. The other compositions included in this volume are: Pan, Tristan Playing the Lute, Romance, and a five-movement suite called The Ballads: Suite for Solo Guitar. Koshkin uses dropped-D tuning in several of these pieces and favors rhythmic variety and stylistic diversity. These intermediate to advanced compositions appear in standard notation only with suggested left-hand fingering and generous performance notes.
$17.99
16.51 €
#
Guitar
#
Nikita Koshkin
#
Classic Koshkin
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
