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Musical course - Solfege
5
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Voice 2
Guitar
Sheetmusic to print
59 sheet music found
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51
Gigue, Partita no. 2 (1004)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.985019 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.985019 Composed by Johann Sebastian Bach. Arranged by Michael New. Baroque. Individual part. 3 pages. Winterbee Music Company #6614397. Published by Winterbee Music Company (A0.985019). Solo guitar transcription of J. S. Bach's Gigue, from Violin Partita no. 2 (1004). Original manuscript used (no added voices). 2 pages. Advanced.
$2.99
2.75 €
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Guitar
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Johann Sebastian Bach
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Gigue, Partita no. 2
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Winterbee Music Company
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SheetMusicPlus
BWV 997 - Fugue - Lute suite 2 (Bach) - 3 guitars
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1091989 By Johann Sebastian Bach. By Jo…
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Guitar - Level 3 - Digital Download SKU: A0.1091989 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Instructional,Traditional,Wedding. 17 pages. Soul - Musical Creations #696120. Published by Soul - Musical Creations (A0.1091989). This is an arrangement of the second movement of Bach's Fugue from Lute Suite No.2 BWV 997 for three guitars. Simply beautiful! This arrangement is a good exercise because the voices alternate between each other, which makes it challenging but also rewarding in the end. I recommend this piece for intermediate and advanced players and guitarists who are looking for new challenges in their playing. _____________________________________________________________ arrangement, violao vadio, sheet music, music, Score and Parts, pop, magic, song, guitar, Guitar, Arrangement, Baroque, composer, children, students, recital, staff, sheet, sheetmusic , PDF, Lute Suite, J. S. Bach, Johan, Johann, Sebastian, Bach, Trio, trio, 3 guitars, classical, 3 Guitars, classical guitar, nº2, n.2, n2, Fugue.
$4.99
4.6 €
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Guitar
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Johann Sebastian Bach
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BWV 997 - Fugue - Lute suite 2
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Soul - Musical Creations
#
SheetMusicPlus
Estudo de Tremolo nº 2 / Tremolo Study n. 2
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1033372 Composed by Alvaro Henriqu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1033372 Composed by Alvaro Henrique. 20th Century,Instructional,Romantic Period,Spiritual. Individual part. 4 pages. Alvaro Henrique #6418227. Published by Alvaro Henrique (A0.1033372). Venho pesquisando o trêmolo, e neste estudo desenvolvo possibilidades de tocar a melodia sustentada em cada uma das três vozes, alternando o acompanhamento. É uma bela melodia, usando uma cadência de acordes tonais bela e relaxante. I've been researching tremolo, and in this study I develop possibilities to play the long sustained melody in each of the three voices, alternating the accompainment. It's a beutiful melody, based on a beautiful and relaxing tonal chord cadence.
$1.99
1.83 €
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Guitar
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Alvaro Henrique
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Estudo de Tremolo nº 2 / Tremolo Study n. 2
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Alvaro Henrique
#
SheetMusicPlus
Contrapontinho n° 2
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.963117 Composed by Matheus Viana. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.963117 Composed by Matheus Viana. Contemporary. Individual part. 2 pages. Matheus Viana #3631103. Published by Matheus Viana (A0.963117). A counterpoint for guitar solo, made for a friend that is guitar player. It is a little study counterpoint on guitar using three voices. .
$10.00
9.21 €
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Guitar
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Matheus Viana
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Contrapontinho n° 2
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Matheus Viana
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SheetMusicPlus
Vals No 1 for 2 Guitars
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
3.68 €
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Guitar
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Fernando Sor
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
Vals No 2 - Guitar
Guitar
Solo Guitar - Digital Download SKU: A0.742405 Composed by Luigi Legnani. Arranged b…
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Solo Guitar - Digital Download SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
$5.00
4.61 €
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Guitar
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Luigi Legnani
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Vals No 2 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Le temps a laissé son manteau (voice & guitar)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1011926 Composed by Alain Jacques.…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1011926 Composed by Alain Jacques. 20th Century,Contemporary,World. Individual part. 2 pages. The Gentle Way #3513371. Published by The Gentle Way (A0.1011926). An easy melody and guitar accompaniment to sing this most famous poem.
$1.99
1.83 €
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Guitar
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Alain Jacques
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Le temps a laissé son manteau
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The Gentle Way
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SheetMusicPlus
Danza Espanola No.2 'Oriental' for Spanish Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1442514 By Keith Terrett. By Panta…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1442514 By Keith Terrett. By Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916). Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Individual part. 5 pages. Keith Terrett #1022477. Published by Keith Terrett (A0.1442514). Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916), commonly known as Enrique Granados in Spanish or Enric Granados in Catalan, was a Spanish composer of classical music, and concert pianist from Catalonia, Spain. His most well-known works include Goyescas, the Spanish Dances [es], and María del Carmen.Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar; examples include Dedicatoria, Danza No. 5, and Goyescas.His music can be divided into three styles or periods:A romantic style including such pieces as Escenas Románticas and Escenas Poeticas.A more typically nationalist, Spanish style including such pieces as Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Pieces based on popular Spanish songs).The Goya (Goyesca) period, which includes the piano suite Goyescas, the opera Goyescas, various Tonadillas for voice and piano, and other works.Granados was a significant influence on at least two other famous Spanish composers and musicians, Manuel de Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
$1.99
1.83 €
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Guitar
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Keith Terrett
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Danza Espanola No.2 'Oriental' for Spanish Guitar
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Keith Terrett
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SheetMusicPlus
I Will Wait For You
Guitar
Composed by Jacques Demy, Michel Legrand (1932-), and Norman Gimbel. Arranged by And…
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Composed by Jacques Demy, Michel Legrand (1932-), and Norman Gimbel. Arranged by Andres Rivas. Broadway, Classical, Jazz, Musical/Show, Pop, Standards. Individual part. 2 pages. Published by Andrés Rivas
This is a Classical Guitar Arrangement by "I WILL WAIT FOR YOU" by MIchael Legrand.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$10.00
9.21 €
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Guitar
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Jacques Demy, Michel Legrand
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I Will Wait For You
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Andrés Rivas
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SheetMusicPlus
Eye Of The Tiger
Guitar
Solo Guitar - Digital Download By Survivor. By Jim Peterik and Frank Sullivan. Arrang…
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Solo Guitar - Digital Download By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Best Music Coach and Dan Spencer. Pop, Rock. Individual part. 2 pages. Published by Best Music Coach
Level 1: Notation for guitar. Easy to play along with and see the words of the song as you play!<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99
4.6 €
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Guitar
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Survivor
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Eye Of The Tiger
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Best Music Coach
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SheetMusicPlus
Dragon Age: Inquisition
Guitar
Solo Guitar, Guitar - Digital Download Composed by Trevor Morris. Arranged by Andr&ea…
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Solo Guitar, Guitar - Digital Download Composed by Trevor Morris. Arranged by Andrés Rivas. Classical, Film/TV, Sacred, Traditional, Video Game. Individual part. 2 pages. Published by Andrés Rivas
This is Enchanter by Dragon Age Inquisition by Trevor Morris on Classical Guitar.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$7.00
6.45 €
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Guitar
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Trevor Morris
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Dragon Age: Inquisition
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Andrés Rivas
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SheetMusicPlus
STUDY nº 3 op. 60 [ by Matteo Carcassi ]: guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941927 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941927 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6866407. Published by Cristiano Sousa (A0.941927). Study n°3 (Andantino) is focused at arpeggiation displayed in tuplets. To left hand, there is little difficulties rather than smooth voice leading. The fingering presented, however, give the sound expected. Right hand requires a diferenciation between inner, upper and bottom voices and it provides some challenge as well a give good field to mastering skills. This edition features detailled fingerings. You can contact me at cristiano.sousa.santos@gmail.com
$5.99
5.52 €
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Guitar
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Matteo Carcassi
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STUDY nº 3 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitar
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.61 €
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Guitar
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Johann Sebastian Bach
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Angels We Have Heard on High
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditio…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
2.75 €
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Guitar
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Music:Traditional / Words by: James Chadwick
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
15 traditionelle Weihnachtslieder für Gitarre allein/ 15 Traditional German Christmas Songs for Gui
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1031881 Composed by div. Arranged …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1031881 Composed by div. Arranged by D.S. Weiss. Christian,Christmas,Sacred,World. Individual part. 17 pages. D.S. Weiß #3662343. Published by D.S. Weiß (A0.1031881). 15 traditional German Christmas Songs for Guitar Solo. 2 voices/ easyInhalst/Content1 Lasst uns froh und munter sein2 In dulci jubilo
$7.00
6.45 €
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Guitar
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div
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15 traditionelle Weihnachtslieder für Gitarre allein/ 15 Traditional German Christmas Songs for Gui
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D.S. Weiß
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Resonancia
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.895614 By Nadia Borislova. By Emma…
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Solo Guitar - Level 3 - Digital Download SKU: A0.895614 By Nadia Borislova. By Emmanuel Christian Vázquez Miguel. Arranged by Emmanuel Christian Vazquez Miguel. Classical,Contemporary,New Age,Romantic Period,Spiritual. Individual part. 7 pages. Emmanuel Vázquez #501492. Published by Emmanuel Vázquez (A0.895614). ...a cada quien su voz, me lo decÃa la otra voz... Resonancia, pieza para Guitarra Clásica, desarrollado en 2 movimientos y basados en los poemas de Luis Cortés Bargalló. Es un diálogo interno reflejado en los recursos de la guitarra, mi yo, charlando con mi otro yo. ...to each one his voice, the other voice told me... Resonancia, piece for Classical Guitar, developed in 2 movements and based on the poems of Luis Cortés Bargalló. It is an internal dialogue reflected in the resources of the guitar, my self, chatting with my other self.
$10.00
9.21 €
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Guitar
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Nadia Borislova
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Resonancia
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Emmanuel Vázquez
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitar
#
Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.32 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Little Piece in A Minor
Guitar
Solo Guitar - Digital Download SKU: A0.965183 Composed by Robin Thomson. Contempora…
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Solo Guitar - Digital Download SKU: A0.965183 Composed by Robin Thomson. Contemporary. Individual part. 2 pages. Robin Thomson #4833729. Published by Robin Thomson (A0.965183). This piece was originally written for a student as an exercise for the fingers of the left hand. To get full benefit, students should annotate the score with fingering for both hands.The integrity of both voices needs to be maintained as accurately as possible.More advanced students may benefit from playing some of the octaves in the latter part of the score by sliding along the 5th and 3rd strings rather than confining themselves to 1st position.Enjoy
$1.99
1.83 €
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Guitar
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Robin Thomson
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Little Piece in A Minor
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Robin Thomson
#
SheetMusicPlus
Le Festin
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1107505 Composed by Boualem Lamhen…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1107505 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Davide Bizzarri. Contemporary,Film/TV,Jazz,Singer/Songwriter. Individual part. 2 pages. Davide Bizzarri #710169. Published by Davide Bizzarri (A0.1107505). This arrangement was commissioned by a conservatoire, so you can find an unusual orchestration. The organic: three voices, flute, oboe, clarinet, alto sax, bassoon, drums, piano, harp, guitar and strings. In this file, only Guitar part. Capo is required, as the original key is Eb major.
$4.99
4.6 €
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Guitar
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Boualem Lamhene and Michael Giacchino
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Le Festin
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Davide Bizzarri
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SheetMusicPlus
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
5.52 €
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Guitar
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Johann Sebastian Bach
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In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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DML
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SheetMusicPlus
Study in C No. 8 Op. 6 - Fernando Sor (Trio)
Guitar
Solo Guitar - Digital Download SKU: A0.901378 Composed by Fernando Sor. Arranged by…
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Solo Guitar - Digital Download SKU: A0.901378 Composed by Fernando Sor. Arranged by Christopher Everest. Classical. Individual part. 2 pages. Christopher Everest #5853475. Published by Christopher Everest (A0.901378). This is a teaching/practice supplement to highlight the independent voices of Sor's No. 8 Op. 6 .
$1.99
1.83 €
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Guitar
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Fernando Sor
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Study in C No. 8 Op. 6 - Fernando Sor
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Christopher Everest
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SheetMusicPlus
Collection of polyphonic music for guitars. European composers of 17-18 centuries.
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corel…
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Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I.S.Bach, Jean-Philippe Rameau, Johann Pachelbel, Krieger, Wiese, Wittgauer, and Wolfgang Amadeus Mozart. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 86 pages. Valery Dzyabenko #5354397. Published by Valery Dzyabenko (A0.978129). The collection of polyphonic pieces for classical guitar is intended for students of children's music schools. The complexity of the pieces is designed so that you can start learning polyphony even from 1st grade, and then up to 5th or 7th. Here you will find guitar arrangements of music by European composers of the 17th and 18th centuries. The collection contains many works that are not found in other publications. For example, the famous JS Bach's aria from Suite No. 3. The arrangement is performed in a comfortable key in C major, in good harmony with the transmission of almost all voices of this masterpiece of Bach. Or the famous Sarabande from JS Bach's suite. In other publications, it is presented in the key of B minor. In this edition, the Sarabande has been converted to the key minor. Sarabande became available to children. The collection also includes guitar arrangements by composers Mozart, Krieger, Türk, Rameau, Telemann, Aguado, Wiese, Corelli, Vitgauer, Hurlebusch and others.
$11.00
10.13 €
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Guitar
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Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I
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Collection of polyphonic music for guitars. European composers of 17-18 centuries.
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Valery Dzyabenko
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SheetMusicPlus
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