Digital Sheet Music at Sheetmusicplus Digital Print

Digital scores (access after purchase)

Post mailing Digital sheet music

SORTING AND FILTERS

Sorting and filtering :

with audio

with video

with play-along

Sheetmusicplus
Not classified 213

PIANO & KEYBOARDS

Piano, Voice 30 Piano solo 19 Piano, Vocal and Guitar 11 C Instruments 8 Organ 7

Piano Accompaniment 3 Easy Piano 2 Organ, Trumpet (duet) 1 2 Pianos, 4 hands 1

Instrumentations suivantes

Retracter

GUITARS

Melody line, (Lyrics) and Chords 1 Guitar 1

VOICE

Choral SATB 250 Choral 2-part 196 Choral 3-part 138 Choral Unison 86 Choral SSAA 79

Choral TTBB 58 Vocal duet, Piano 6 Voice solo 5 Vocal duet 4 Voice, Guitar 1 High voice 1 Soprano voice, Piano 1 Alto voice, Piano 1 Choral SSAATTBB 1

Instrumentations suivantes

Retracter

WOODWIND

2 Saxophones (duet) 8 3 Saxophones (trio) 5 Saxophone Quartet: 4 saxophones 4 Saxophone Quintet: 5 Saxophones 4 Clarinet and Piano 4

Clarinet 4 Oboe, Piano (duet) 3 Oboe 2 2 Clarinets (duet) 2 Flute and Piano 2 Flute 2 Clarinet Quartet: 4 clarinets 2 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2 Oboe, Bassoon (duet) 1 5 Recorders 1 Baritone Saxophone, Piano 1 Tenor Saxophone and Piano 1 Treble (Alto) Recorder 1 Recorder 1 Flute, Clarinet (duet) 1 Recorder Quartet 1 Flute, Oboe, Clarinet (trio) 1 Saxophone (band part) 1 Oboe, Cello 1 Alto Saxophone and Piano 1 English horn, Piano 1 Flute Quartet: 4 flutes 1 3 Clarinets (trio) 1 Clarinet, Cello (duet) 1 2 Recorders (duet) 1 2 Oboes (duet) 1 2 Flutes (duet) 1 Oboe, Clarinet, Bassoon (trio) 1 Clarinet, Bassoon (duet) 1 3 Recorders (trio) 1 Flute, Oboe, Clarinet, Bassoon 1 Flute Trio: 3 flutes 1 Tenor Saxophone 1 Flute Quintet : 5 flutes 1

Instrumentations suivantes

Retracter

WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 7 Trumpet 3 French horn 3 Trumpet, Piano 2 Tuba 2

Trombone and Piano 2 Brass quartet : 2 trumpets, trombone, tuba 2 Trombone 2 French Horn and Piano 2 Tuba and Piano 2 Horn, Cello (duet) 1 English horn, Piano 1 Brass Quartet: 4 trombones 1 Horn Ensemble 1 Brass Quartet 1

Instrumentations suivantes

Retracter

STRINGS

String Quartet: 2 violins, viola, cello 9 Violin 4 Violin, Cello (duet) 4 Cello, Piano 4 Viola, Piano 4

Violin and Piano 3 Viola 3 Double bass, Piano (duet) 2 Viola, Cello (duet) 2 Cello 2 Double Bass 2 String Trio: 3 violas 1 String Trio: 3 cellos 1 String quartet: 4 violins 1 2 Violins (duet) 1 Violin, Viola (duet) 1 String Quartet : 4 violas 1 4 Cellos 1 2 Violas (duet) 1 String Trio: 2 violins, cello 1 2 Cellos (duet) 1 String Trio: 3 violins 1

Instrumentations suivantes

Retracter

PERCUSSION & ORCHESTRA

Orchestra 8 Chamber Orchestra 7 Brass ensemble 5 String Orchestra 4 Jazz Ensemble 4

Concert band 3 Handbells 2 Percussion Ensemble 1

Instrumentations suivantes

Retracter

OTHERS

You've selected:

Voices of Sun

SheetMusicPlus

Guitar

Sheetmusic to print

1 sheet music found

Excerpt from the Last Part of Ariadne Auf Naxos Guitar

Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â€¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.

$7.00 6.44 € #Guitar #Richard Strauss #Excerpt from the Last Part of Ariadne Auf Naxos #Maggie Creek Music #SheetMusicPlus