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We Two
Sheetmusicplus
Not classified
799
Piano & keyboards
Piano solo
238
Piano Accompaniment
75
Piano, Vocal and Guitar
71
Piano, Voice
59
Easy Piano
44
Organ
41
2 Pianos, 4 hands
34
1 Piano, 4 hands
27
C Instruments
11
Piano Trio: piano, violin, cello
9
Organ, Trumpet (duet)
6
Piano Quartet: piano, violin, viola, cello
5
Piano Quartet: piano, 2 violins, cello
3
Organ, Piano (duet)
2
Piano (band part)
1
Harpsichord
1
Accordion
1
+ 12 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29
Guitar
15
Piano, Guitar (duet)
7
2 Guitars (duet)
5
Melody line, (Lyrics) and Chords
4
4 Guitars (Quartet)
3
3 Guitars (trio)
2
Guitar (band part)
2
Banjo
1
Ukulele
1
Bass guitar
1
2 Ukuleles
1
Lyrics and Chords
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
186
Choral 2-part
121
Choral Unison
99
Choral 3-part
67
Tenor voice, Piano
20
Choral TTBB
14
Vocal duet, Piano
14
Soprano voice, Piano
14
Vocal duet
14
Choral SSAA
9
Alto voice, Piano
8
Tenor voice
5
Choral
5
Baritone voice, Piano
5
Voice solo
3
High voice
2
Choral SSAATTBB
1
Medium voice, Piano
1
Low voice, Piano
1
Choral SSATTB
1
Soprano voice
1
+ 16 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
90
2 Flutes (duet)
74
2 Clarinets (duet)
56
Clarinet and Piano
44
Flute and Piano
39
Oboe, Piano (duet)
29
Tenor Saxophone and Piano
24
2 Oboes (duet)
24
Saxophone, Clarinet (duet)
22
Saxophone Quartet: 4 saxophones
21
Clarinet, Violin (duet)
20
Flute, Oboe, Clarinet, Bassoon
19
3 Clarinets (trio)
19
Flute, Violin
18
3 Saxophones (trio)
17
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
17
Flute, Clarinet (duet)
16
Alto Saxophone and Piano
16
Flute Quartet: 4 flutes
15
Flute
14
Soprano Saxophone and Piano
14
Clarinet, Trumpet (duet)
14
2 Recorders (duet)
13
Clarinet Quartet: 4 clarinets
13
2 Flutes, Piano
9
Clarinet and Viola
9
Clarinet Ensemble
8
Saxophone ensemble
8
Oboe, Flute
8
Flute, Viola (duet)
8
Oboe, Clarinet (duet)
8
English horn, Piano
8
Flute, Saxophone (duet)
7
Clarinet
7
Oboe, Bassoon (duet)
7
Descant (Soprano) Recorder
6
Flute, Clarinet, Piano (trio)
6
Baritone Saxophone, Piano
6
Flute ensemble
5
Clarinet, Cello (duet)
5
Flute, Trumpet (duet)
5
Recorder Quartet
4
2 Clarinets, Piano
4
Descent (Soprano) Recorder, Piano
4
Alto Saxophone
4
Flute Trio: 3 flutes
4
Clarinet, Bassoon (duet)
4
Flute, Violin and Violoncello
4
Flute, Viola and Piano
3
Clarinet Quintet: 5 clarinets
3
Flute, Violin, Piano
3
Bass Clarinet, Piano
3
Flute, Clarinet and Bassoon.
3
Clarinet, Cello, Piano (trio)
3
Wind ensemble
2
Tenor Saxophone
2
2 Flutes and Harp
2
Saxophone Quintet: 5 Saxophones
2
Flute, Cello, Piano (trio)
2
Flute, trombone and piano
2
Clarinet, Trombone (duet)
1
Flute Quintet : 5 flutes
1
Clarinet, trumpet and piano
1
Bass Clarinet
1
Flute and Strings Trio
1
English horn, Harp (duet)
1
Clarinet, Harp (duet)
1
Flute, Bassoon, and Piano
1
Flute (band part)
1
Recorder, Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Recorder Ensemble
1
Saxophone (band part)
1
Flute, Oboe, Piano (trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Violin (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe (duet)
1
Flute, Cello, Guitar
1
+ 75 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
43
2 Trumpets (duet)
39
2 Trombones (duet)
35
Trombone and Piano
22
Trumpet, Piano
19
Trumpet, Saxophone (duet)
17
Trumpet, Trombone (duet)
15
Brass quartet : 2 trumpets, trombone, tuba
15
Brass Quartet: 2 trumpets, horn, trombone
13
2 French horns (duet)
10
French Horn and Piano
9
Trumpet
8
English horn, Piano
8
Trombone
8
Euphonium, Piano (duet)
7
Tuba and Piano
6
Brass Quartet
5
Trombone ensemble
5
2 Trumpets, Keyboard (piano or organ)
4
Tuba
4
Trombone (band part)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Brass Quartet: 4 trombones
3
Trumpet, Cello, Piano
2
Brass Trio
2
Brass Quartet: 4 trumpets
2
French horn
2
Trumpet, Horn (duert)
1
Horn, Cello (duet)
1
Trumpet ensemble
1
French horn (band part)
1
2 Tubas (duet)
1
English horn, Harp (duet)
1
Trombone, Tuba (duet)
1
Trumpet, Cello (duet)
1
3 French horns (trio)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Tuba and Organ
1
2 Trombones, Piano
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
98
String Trio: violin, viola, cello
74
2 Violins (duet)
60
Harp
50
2 Cellos (duet)
46
Violin and Piano
44
Violin, Cello (duet)
39
2 Violas (duet)
27
Viola, Piano
27
Cello, Piano
20
Violin, Viola (duet)
18
String Trio: 2 violins, cello
18
Violin
16
Cello
10
2 Harps (duet)
9
String Trio: 2 violins, viola
9
String Quintet: 2 violins, viola, cello, bass
8
Harp, Flute (duet)
6
4 Cellos
5
Violin (band part)
5
Piano Trio: Violin, Viola, Piano
5
Double bass, Piano (duet)
4
Harp, Violin (duet)
4
2 Violins, Piano
4
String quartet: 4 violins
4
Viola, Cello (duet)
4
Violin, Clarinet, Piano (trio)
4
String trio
4
Viola (band part)
3
String Trio: 3 cellos
3
String Trio: 3 violins
3
Harp and Piano
2
Doublebass (band part)
2
String Quartet : 4 violas
2
4 Double Basses
1
Cello (band part)
1
Viola
1
2 Cellos, Piano
1
Violin, Bassoon (duet)
1
Double Bass
1
Viola and Harp
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
135
Brass ensemble
49
Handbells
45
String Orchestra
41
Orchestra
30
Marching band
24
Jazz Ensemble
10
Chamber Orchestra
8
Percussion Ensemble
7
Marimba
4
Jazz combo
4
2 Marimbas
1
Orchestra, Violin
1
Piano and Orchestra
1
Drum (band part)
1
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We Two
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15 sheet music found
<
1
We Wish You a Merry Christmas / Jingle Bells
#
Guitar
#
INTERMEDIATE
#
Rock
#
The Candlelight Guitarist
#
Bradley Powell
#
We Wish You a Merry Christmas
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1316981 By The Candlelight Guitarist. By Traditional and James Lord Pierpont. Arranged by Bradley Powell...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316981 By The Candlelight Guitarist. By Traditional and James Lord Pierpont. Arranged by Bradley Powell. Christmas,Classical,Holiday,Jazz,Traditional. Individual part. 4 pages. Geofonica Artistworks #905010. Published by Geofonica Artistworks (A0.1316981). This two-song arrangement of We Wish You a Merry Christmas and Jingle Bells is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist, featuring 14 classic Christmas carols. We Wish You A Merry Christmas and Jingle Bells features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and other distinctive stylistic features. The two songs can be heard (audio format) played by the Candlelight Guitarist, in sequence, in the YouTube video below, of Christmas Suite 1225 (Part 2) beginning at 2:32 in video timeline.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
Angels we have heard on high
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Guitar
#
INTERMEDIATE
#
Christmas
#
Joachim Ribbentrop
#
Joachim Ribbentrop
#
Angels we have heard on high
#
bossanova-gitarre.de
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1323722 By Joachim Ribbentrop. By Traditional. Arranged by Joachim Ribbentrop. Christian,Christmas,Jazz,...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1323722 By Joachim Ribbentrop. By Traditional. Arranged by Joachim Ribbentrop. Christian,Christmas,Jazz,Multicultural,Traditional,World. Individual part. 3 pages. Bossanova-gitarre.de #911909. Published by bossanova-gitarre.de (A0.1323722). Here is an original arrangement in a Jazz-Ballade style of a very pretty Christmas Carol. It is originally from France and called Les anges dans nos campagnes which translates to The Angels in our Country. Where I grew up it is named in Latin Gloria (in exelcis Deo) and in internationally it is known as Angels we have heard on high.In this PDF you will find the basic Leadsheet with lyrics, a simple two-part arrangement and the arrangement as you can see it in the Video-Link.
$6.00
Angels We Have Heard On High
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Guitar
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INTERMEDIATE/ADVANCED
#
Christmas
#
Traditional
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Ryan's Guitar Shop
#
Angels We Have Heard On High
#
Ryan's Guitar Shop
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1318422 Composed by Traditional. Arranged by Ryan's Guitar Shop. Christmas,Traditional. Individual part....
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Solo Guitar - Level 4 - Digital Download SKU: A0.1318422 Composed by Traditional. Arranged by Ryan's Guitar Shop. Christmas,Traditional. Individual part. 3 pages. Ryan's Guitar Shop #907084. Published by Ryan's Guitar Shop (A0.1318422). This version of Angels We Have Heard On High is for Fingerstyle Guitar. There are a total of 3 different variations and two different Keys. (A and C)The song has been written to be played with all 3 variations back-to-back, or you can play each version seperately.The song has both notation and TAB versions available.This would be considered an Intermediate or Advanced level.
$4.99
Tanguillo de Cádiz Guitar 2
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Guitar
#
INTERMEDIATE
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Tanguillo de Cádiz Guitar 2
#
Richard Hirsch
#
SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Tr...
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Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
Mountains of Stowe, I Stand Strong
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Guitar
#
Apostolos Paraskevas
#
Mountains of Stowe, I Stand St
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Si...
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Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
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Guitar
#
Apostolos Paraskevas
#
Mountains of Stowe, and The Sk
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Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Si...
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Over The Rainbow
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Guitar
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INTERMEDIATE/ADVANCED
#
Broadway
#
Film/TV
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Black Falcon
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Guitar
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Contemporary
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Frank A
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Black Falcon
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Gyre Music
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Pu...
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Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre Music (A0.1015930). Black Falconby Frank A. Wallaceguitar soloDuration: 9 minutes; 7 pagesSkill level: large stretches and fast scalesWritten: March, 2013, for Edel MuñozInstrumentation: classical guitar soloRecording: on Elemental CD by Frank Wallace for Gyre, 2014; and a single FLAC file also by Frank Wallace on GyreBlack Falcon is a guitar solo written for Cuban guitarist Edel Muñoz, who I first met at the 2011 St. Joseph Guitar Festival. Edel had returned to St. Joseph to perform his competition winner’s concert. We met again at Classical Minds in Houston in June 2012 at which point we got to hear each others’ concerts. Edel is one of the most suave and subtle yet powerful players I have ever heard. I was thrilled that he asked me to write a piece for him.At the time of composition I generally used various techniques for generating musical ideas developed over the previous years. But I tossed those ideas out the door and wrote from pure inspiration. The result is my first piece that uses the octatonic, or diminished scale. It alternates between dramatic chordal outbursts and flowing bass melodies. Black Falcon is in two sections: Larghissimo in 4/2 and Allegro in 12/8. This is a pattern I have used in several solo works and one duo that I call my Raptor Series.All Gyre Publications are ASCAPGyre PublicationsCopyright ©2013 Frank A. WallaceCover photography and design by Nancy KnowlesAll rights reserved.
$10.95
Le chemin de croix / Labyrinthe
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Guitar
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Francis Kleynjans
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Le chemin de croix / Labyrinth
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Produ...
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitar
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INTERMEDIATE
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Classical
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Nadir
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle ...
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Confidence / Danse
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Guitar
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INTERMEDIATE
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Contemporary
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published...
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
The Singing Instrumentalist Guitar
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Guitar
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BEGINNER
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DaCapo Primary Music
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The Singing Instrumentalist Gu
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DaCapo Primary Music
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Inst...
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Guitar - Level 1 - Digital Download SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
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