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--INSTRUMENTS--
ACCORDION
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What a King
Not classified
600
Piano & keyboards
Piano solo
446
Piano, Voice
321
Piano, Vocal and Guitar
233
Easy Piano
178
C Instruments
36
Organ
32
Accordion
12
Piano Trio: piano, violin, cello
12
1 Piano, 4 hands
12
2 Pianos, 4 hands
10
Piano Quartet: piano, violin, viola, cello
4
Piano Accompaniment
4
Piano (band part)
3
Organ, Piano (duet)
1
1 Piano, 6 hands
1
2 Pianos, 8 hands
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
56
Guitar
36
Bass guitar
16
Ukulele
12
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12
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5
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Banjo
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Guitar Ensemble
1
3 Guitars (trio)
1
4 Guitars (Quartet)
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
186
Choral 3-part
46
Choral 2-part
38
Choral TTBB
34
Choral Unison
23
Choral SSAA
18
Alto voice, Piano
13
Vocal duet, Piano
11
Soprano voice, Piano
10
Vocal duet
7
Choral Instrumental Pak
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Baritone voice, Piano
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Voice solo
3
Tenor voice, Piano
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High voice
2
Choral
2
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Choral SSATTB
1
+ 15 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
90
Saxophone Quartet: 4 saxophones
89
Saxophone Quintet: 5 Saxophones
81
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80
Flute
48
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44
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36
Clarinet and Piano
35
Oboe (band part)
32
Oboe, Piano (duet)
31
2 Flutes (duet)
27
Clarinet Quartet: 4 clarinets
26
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24
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22
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21
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20
2 Clarinets (duet)
16
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15
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14
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13
Soprano Saxophone and Piano
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11
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11
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10
3 Clarinets (trio)
9
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9
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8
Descant (Soprano) Recorder
7
Flute Quintet : 5 flutes
6
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6
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6
Flute, Oboe, Clarinet (trio)
6
2 Oboes (duet)
5
Ocarina
5
Saxophone, Clarinet (duet)
5
Baritone Saxophone, Piano
5
Flute, Violin, Piano
5
Oboe
4
2 Flutes, Piano
4
Oboe, Clarinet, Bassoon (trio)
4
Oboe, Bassoon (duet)
4
Clarinet Quintet: 5 clarinets
4
Flute, Violin
3
Harmonica
3
2 Recorders (duet)
3
Clarinet, Violin (duet)
3
Flute Trio: 3 flutes
3
2 Clarinets, Piano
2
Soprano Saxophone
2
Clarinet, Cello (duet)
2
Clarinet and Viola
2
Treble (Alto) Recorder
2
Oboe, Flute
2
Baritone Saxophone
2
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2
Recorder Quartet
2
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2
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2
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2
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1
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1
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1
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1
Tenor Recorder
1
2 Saxophones, Piano
1
Clarinet, Trumpet (duet)
1
Pennywhistle
1
Flute, Oboe, Piano (trio)
1
Oboe, Violin, Piano
1
Flute, Clarinet and Bassoon.
1
Oboe, Guitar (duet)
1
Saxophone and Piano
1
2 Oboes, Piano
1
Flute and Strings Trio
1
Clarinet, Cello, Piano (trio)
1
Clarinet (band part)
1
Flute, Clarinet, Piano (trio)
1
Flute, Trumpet (duet)
1
+ 75 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
95
Brass Quartet
68
Trumpet
41
Trumpet, Piano
34
Trombone and Piano
27
Trombone
23
Brass quartet : 2 trumpets, trombone, tuba
22
French horn
21
Tuba and Piano
18
French Horn and Piano
18
Brass Quartet: 4 trombones
15
2 Trombones (duet)
15
Tuba
15
Brass Quartet: 2 trumpets, horn, trombone
14
Trumpet (band part)
13
Trombone (band part)
13
2 Trumpets (duet)
10
Brass Trio
8
2 French horns (duet)
6
Trumpet ensemble
5
Trombone ensemble
5
Euphonium, Piano (duet)
4
French horn (band part)
4
Trumpet, Trombone (duet)
4
2 Tubas (duet)
3
Brass Quartet: 4 horns
3
Tuba (band part)
3
Brass Quartet: 4 trumpets
2
Horn Ensemble
2
Trumpet, Saxophone (duet)
2
2 Euphoniums and 2 Tubas
2
Bass Trombone and Piano
1
Trumpet, Horn (duert)
1
2 Trombones, Piano
1
Euphonium, Tuba (duet)
1
4 Tubas
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Trombone, Piano
1
2 French horns, Piano
1
+ 34 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
166
String Quintet: 2 violins, viola, cello, bass
76
Violin and Piano
62
Violin
51
Cello
45
Cello, Piano
41
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40
Viola
31
Harp
24
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23
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22
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19
Double Bass
17
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14
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13
2 Cellos (duet)
12
2 Violas (duet)
11
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8
String Trio: 2 violins, cello
7
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6
Doublebass (band part)
6
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5
Harp, Voice
5
String Trio: 2 violins, viola
4
2 Double basses (duet)
4
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3
2 Harps (duet)
3
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2
2 Violas, Piano
2
Viola ensemble
2
String quartet: 4 violins
1
Harp, Cello (duet)
1
Violin, Guitar (duet)
1
Cello, Organ
1
String Trio: 3 cellos
1
Cello Ensemble
1
String trio
1
Cello, Guitar (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Viola and Harp
1
Cello (band part)
1
Viola, Guitar (duet)
1
Harp, Trombone (duet)
1
+ 38 instrumentations
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Retract
Orchestra & Percussion
Concert band
131
Orchestra
57
Jazz Ensemble
40
String Orchestra
32
Drums
19
Brass ensemble
12
Handbells
12
Chamber Orchestra
10
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5
Percussion Ensemble
3
Drum (band part)
2
Jazz combo
2
Piano and Orchestra
1
Marimba
1
Xylophone, Piano
1
Vibraphone
1
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Retract
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--INSTRUMENTS--
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You've selected:
What a King
Guitar
Sheetmusic to print
36 sheet music found
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1
26
What a Wonderful World (Easy/Intermediate Level, Solo Guitar)
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Guitar
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EASY
#
Jazz
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Louis Armstrong
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What a Wonderful World
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
What a Wonderful World (Very Easy Level, Solo Guitar)
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Guitar
#
BEGINNER
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Jazz
#
Louis Armstrong
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What a Wonderful World
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
What A Wonderful World
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Guitar
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INTERMEDIATE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Centu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
What A Difference A Day Makes
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Guitar
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INTERMEDIATE
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Jazz
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Jon Davis and Steve Seskin
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Will McNicol
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What A Difference A Day Makes
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Will McNicol
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1476553 Composed by Jon Davis and Steve Seskin. Arranged by Will McNicol. Jazz. Individual part. 4 pages...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1476553 Composed by Jon Davis and Steve Seskin. Arranged by Will McNicol. Jazz. Individual part. 4 pages. Will McNicol #1054068. Published by Will McNicol (A0.1476553). This arrangement of Dinah Washington's version of What a Difference a Day Makes is in standard tuning and aims to capture the lovely vibe of her recording. I hope you enjoy working through it!
$5.99
Carols of Suite 1225 / What Child Is This?
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Guitar
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INTERMEDIATE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Carols of Suite 1225 / What Ch
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Chr...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Christmas,Folk,Holiday,Renaissance,Traditional. Individual part. 4 pages. Geofonica Artistworks #905018. Published by Geofonica Artistworks (A0.1316982). This two-song arrangement or Carols of Suite 1225 and What Child Is This? is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell), featuring relaxing classical guitar versions of 14 traditional Christmas carols. These two-songs use fingerstyle classical guitar, with a mix of modern folk-classical and Renaissance flavor. They can be seen and heard, in sequence, performed by the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) at the very beginning of the video. Also, check out the Candlelight Guitarist official video of Part 1, which includes a similar take on this opener Carols of Suite 1225: https://youtu.be/g4QRqTcNGtkABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitar
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INTERMEDIATE
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Contemporary
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
That's what's the matter
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Guitar
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INTERMEDIATE/ADVANCED
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St
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Bettina Schipp
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That's what's the matter
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1322038 Composed by St. Foster. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual p...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322038 Composed by St. Foster. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 4 pages. Songbooks.info #910456. Published by songbooks.info (A0.1322038). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
That's What I Like
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Guitar
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Bruno Mars
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Mike West
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That's What I Like
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.833129 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Phili...
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Solo Guitar - Digital Download SKU: A0.833129 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Mike West. Pop,R & B. Individual part. 4 pages. Kicker Productions Ltd. #5998561. Published by Kicker Productions Ltd. (A0.833129). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$4.99
8 Swinging Xmas Carols for Guitar & Piano
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Guitar
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Gui
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise &...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs..
$15.99
Over The Rainbow
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Guitar
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Christmas Suite 1225 (Part 1 and 2, complete)
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Guitar
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INTERMEDIATE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Pow...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 29 pages. Geofonica Artistworks #904894. Published by Geofonica Artistworks (A0.1316157). Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Christmas Suite 1225 uses fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$6.99
Valediction
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Guitar
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INTERMEDIATE
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Contemporary
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Jesse Hendrix
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Valediction
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Jesse Hendrix
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1030097 Composed by Jesse Hendrix. Contemporary. Individual part. 5 pages. Jesse Hendrix #6114149. Publi...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1030097 Composed by Jesse Hendrix. Contemporary. Individual part. 5 pages. Jesse Hendrix #6114149. Published by Jesse Hendrix (A0.1030097). Duration: 3:30.A valediction can be a farewell to someone who is leaving or has passed away or a formal ending of a letter to a king or someone of great authority, and there is a certain gravitas associated with it.That is what I hear in this piece, but you be the judge: check out the YouTube video to see a performance of Valediction by Alejandro Rodriguez.
$4.00
Jazz Guitar Technique
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Guitar
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EASY
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Instructional
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Andrew Green
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Jazz Guitar Technique
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Beginning- Intermediate - Digital Download Breaking the Skill Barrier. Composed by Andrew Green. Technique, Theory, R...
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Guitar (jazz and contemporary) - Beginning- Intermediate - Digital Download Breaking the Skill Barrier. Composed by Andrew Green. Technique, Theory, Reference & Rhythm. E-book. 112 pages. Mel Bay Publications - Digital Sheet Music #097005761XEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118409.
When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.
$17.99
Say Something
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Guitar
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INTERMEDIATE
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A Great Big World
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B
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Say Something
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B. McCormick
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Reflections: Ten Solos for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Christmas and Carols to download for guitar solo
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Guitar
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EASY
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Christmas
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wence...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
Steve's Mythical Forest
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Guitar
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INTERMEDIATE
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Apostolos Paraskevas
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Steve's Mythical Forest
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.942113 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 6 pages. Silv...
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Solo Guitar - Level 3 - Digital Download SKU: A0.942113 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 6 pages. Silver Sickle Publications #6566951. Published by Silver Sickle Publications (A0.942113). I’ve known Stephan Connor for decades and I always enjoy seeing him working on his guitars (and on mine occasionally) and I enjoy learning of what keeps him fascinated constantly with the creation of new instruments. His latest creative thinking brought life to this composition. He brings out a special life to the forest when a different voice is been created through his guitars. When he asked me to compose Steve’s Mythical Forest he described it as …a walk to a forest where one finds a guitar and then picks it up and plays a tune... So, in this mythical forest I found the sounds at the same spots where the guitar maker transforms simple elements to a ‘magical wand’. And that is only a beginning… The work describes, in very simple tonal language, a small stroll in a forest at the end of the day and at the beginning of the night where sounds melting together in loving feelings and passionate desires for life. Apostolos Paraskevas. 2021
$7.99
Waltz No. 1 Opus 57
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Guitar
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EASY
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Mauro Giuliani
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Brian Streckfus
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Waltz No. 1 Opus 57
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instruc...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.
$1.99
Streams of Mercy Shower of Blessing
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Guitar
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ADVANCED
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John David Morgan
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John David Morgan
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Streams of Mercy Shower of Ble
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.518690 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Classical,Contemporary...
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Solo Guitar - Level 5 - Digital Download SKU: A0.518690 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Classical,Contemporary,Folk,New Age. Individual part. 10 pages. John David Morgan #129401. Published by John David Morgan (A0.518690). A shimmer of tripplets musically depicting the blessings of God flowing down from heaven. The chords for this song are somewhat stretchy and the right hand technique will take some time but it is very enjoyable to play. The picking is somewhat like Villa Lobos Etude #1.
$4.00
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Obscuritas
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Guitar
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ADVANCED
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Enjott Schneider
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Obscuritas
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - Digital Download SKU: S9.Q47357 Dream Tableau for Guitar. Composed by Enjott Schneider. This edition: Sheet music. Guitar Arch...
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Guitar - advanced - Digital Download SKU: S9.Q47357 Dream Tableau for Guitar. Composed by Enjott Schneider. This edition: Sheet music. Guitar Archive. Downloadable. Duration 7 minutes. Schott Music - Digital #Q47357. Published by Schott Music - Digital (S9.Q47357). Obscuritas – Traumbild für Gitarre is dedicated to the topic of dream. Most of what can be heard are soft passages orbiting around a harmonic figurative model and suggestively evoking strangely beautiful pictures.
$11.99
I Could Have Lied
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Guitar
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INTERMEDIATE
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Rock
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The Red Hot Chili Peppers
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Cleber Correia
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I Could Have Lied
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Cleber Domingues
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.
$10.00
Big Drum
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Guitar
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
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