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Say Something
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By C…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
$4.99
4.57 €
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Guitar
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A Great Big World
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Say Something
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B. McCormick
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.82 €
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Guitar
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
"Seven Guitar Solos from Space and Time"
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
13.73 €
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Guitar
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Keith Gehle
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"Seven Guitar Solos from Space and Time"
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Keith Gehle
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SheetMusicPlus
Composer's Desk Reference for the Classic Guitar
Guitar
By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Pu…
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By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744724. Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar. Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section.The very structure of the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? How does the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
$17.99
16.48 €
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Guitar
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Christopher Kachian
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Composer's Desk Reference for the Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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