Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
3
Digital
Sheet Music
14
Sheet Music
Books
0
Music
Equipment
25
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Sheetmusicplus
Not classified
12274
PIANO & KEYBOARDS
Piano, Voice
1624
Piano Accompaniment
194
Piano, Vocal and Guitar
177
C Instruments
135
Piano solo
117
Easy Piano
64
Organ
62
Piano (band part)
12
1 Piano, 4 hands
11
Piano Trio: piano, violin, cello
5
Harpsichord
4
Organ, Trumpet (duet)
3
Organ, Piano (duet)
1
2 Pianos, 4 hands
1
Accordion
1
Piano Quartet: piano, violin, viola, cello
1
Instrumentations suivantes
Retracter
GUITARS
Ukulele
56
Guitar (band part)
25
Melody line, (Lyrics) and Chords
19
Guitar notes and tablatures
14
Guitar
14
Piano, Guitar (duet)
4
Baritone Ukulele
3
Bass guitar
2
Lyrics and Chords
2
Guitar, Orchestra
1
2 Guitars (duet)
1
4 Guitars (Quartet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
2279
Vocal duet, Piano
1897
Choral 2-part
1384
Soprano voice, Piano
1336
Choral 3-part
1023
Vocal duet
600
Choral SSAA
266
High voice
183
Voice solo
140
Mezzo-Soprano voice, Piano
119
Choral Instrumental Pak
106
Soprano voice
81
Choral Unison
74
Choral
59
Alto voice, Piano
51
Choral TTBB
43
Soli, Mixted choir and accompaniment
30
Tenor voice, Piano
26
Medium voice, Piano
18
Choral SSAB a cappella
12
Soprano voice, Orchestra
9
Baritone voice, Piano
8
Vocal duet, Organ
7
Tenor voice
6
Choral SSATB
6
Choral SSAATTBB
6
Low voice, Piano
6
Choral SSAB, Piano
5
Vocal (with Chords Symbols)
4
Voice, Guitar
3
Choral SSATTB
2
Low voice
2
Baritone voice
1
Choral SATBB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
6580
Soprano Saxophone and Piano
3359
Saxophone (band part)
2486
2 Saxophones (duet)
1935
Saxophone Quintet: 5 Saxophones
1470
Flute and Piano
1360
Flute
1136
Saxophone ensemble
983
Descant (Soprano) Recorder
805
3 Saxophones (trio)
798
Soprano Saxophone
780
Tenor Saxophone and Piano
702
2 Recorders (duet)
534
Descent (Soprano) Recorder, Piano
371
Saxophone, Clarinet (duet)
269
Recorder Quartet
217
Recorder Ensemble
125
Clarinet and Piano
102
Recorder
101
3 Recorders (trio)
99
Alto Saxophone and Piano
96
Saxophone, Violin (duet)
92
Clarinet
80
2 Flutes (duet)
77
Flute, Oboe, Clarinet, Bassoon
74
Clarinet Quartet: 4 clarinets
61
Saxophone and Guitar
53
Clarinet Ensemble
53
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
49
Saxophone, Bassoon (duet)
48
Oboe, Piano (duet)
46
2 Saxophones, Piano
46
Tenor Saxophone
44
Flute ensemble
43
Flute, Clarinet (duet)
36
Saxophone and cello
32
Saxophone
30
Saxophone and Piano
30
Flute Quartet: 4 flutes
30
Alto Saxophone
30
Saxophone and Organ
27
5 Recorders
25
3 Clarinets (trio)
21
2 Clarinets (duet)
17
Flute Trio: 3 flutes
15
Saxophone and Harp
15
Recorder, Guitar (duet)
13
Flute, Oboe (duet)
12
Tenor Recorder
12
Descant (Soprano) Recorder, Basso continuo
11
Clarinet Quintet: 5 clarinets
11
Treble (Alto) Recorder
10
English horn, Piano
9
Oboe (band part)
9
Baritone Saxophone, Piano
8
Bass Clarinet, Piano
7
2 Oboes (duet)
5
2 Clarinets, Piano
5
Flute, Violin, Piano
4
Flute (band part)
4
Flute and Guitar
4
2 Recorders, Piano
4
Flute, Cello, Piano (trio)
3
Flute Quintet : 5 flutes
3
2 Flutes, Piano
2
Flute, Oboe, Clarinet (trio)
2
Treble (Alto) Recorder, Piano
2
Recorder, Piano
2
Flute and Strings Trio
2
Clarinet, Guitar (duet)
2
Oboe
1
Wind ensemble
1
Clarinet, Bassoon, Piano (trio)
1
Oboe and viola (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
3 Recorders, Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
Bass Clarinet
1
Flute, Clarinet and Bassoon.
1
Flute, Oboe, Piano (trio)
1
Flute, Clarinet, Piano (trio)
1
Pennywhistle
1
Clarinet, Harp (duet)
1
Ocarina
1
Clarinet (band part)
1
Oboe, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet, Saxophone (duet)
151
Brass Quintet: 2 trumpets, horn, trombone, tuba
92
Trombone (band part)
60
Trumpet (band part)
50
Trumpet, Piano
41
Brass quartet : 2 trumpets, trombone, tuba
35
Trombone and Piano
22
Trumpet
18
Euphonium, Piano (duet)
10
Brass Quartet: 2 trumpets, horn, trombone
10
English horn, Piano
9
French Horn and Piano
7
Tuba and Piano
6
Bb Instruments
5
2 Trumpets (duet)
5
2 French horns (duet)
5
2 Trombones (duet)
4
Trombone
3
Tuba
2
Trombone, Tuba (duet)
2
French horn
2
Trumpet, Trombone (duet)
1
Trumpet, Harp
1
French Horn and Harp
1
Trombone and Orchestra
1
2 French horns, Piano
1
Brass Quartet
1
Trumpet ensemble
1
3 Trumpets (trio)
1
Trumpet, Horn (duert)
1
Horn and Organ
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
110
String Quartet: 2 violins, viola, cello
97
Viola, Piano
59
Violin
45
Cello, Piano
37
Harp
20
Doublebass (band part)
13
Cello
10
String Quintet: 2 violins, viola, cello, bass
9
2 Violins (duet)
8
Harp, Voice
6
Violin, Guitar (duet)
6
2 Cellos (duet)
5
4 Cellos
4
Violin, Cello (duet)
4
2 Violas (duet)
4
Viola
3
Harp, Flute (duet)
3
String Trio: 2 violins, cello
3
Double Bass
3
String Trio: violin, viola, cello
3
2 Harps (duet)
2
Cello (band part)
2
Double bass, Piano (duet)
2
Cello, Guitar (duet)
2
Viola (band part)
2
Violin, Organ
2
Violin (band part)
1
Viola and Harp
1
Piano Trio: Violin, Viola, Piano
1
2 Violins, Piano
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
445
Jazz Ensemble
236
Orchestra
223
Chamber Orchestra
157
Brass ensemble
79
String Orchestra
75
Jazz combo
20
Percussion Ensemble
20
Marimba
19
Vibraphone
18
Drum (band part)
12
Handbells
9
Marching band
8
Brass Quintet: other combinaisons
2
Voice Mezzo-Soprano, Orchestra
2
Xylophone, Piano
1
Drums
1
Xylophone
1
Marimba, Saxophone (duet)
1
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
soprano
SheetMusicPlus
Guitar
Sheetmusic to print
14 sheet music found
<
1
Summertime
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heywar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #879957. Published by Roger Wallace (A0.1289186). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: SopranoVoice: SopranoFlute/Oboe/Violin/VibraphoneClarinet/Soprano Sax/Trumpet Alto SaxGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.56 €
#
Guitar
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
At Last
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1277197 By Celine Dion. By Harry W…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1277197 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 9 pages. Roger Wallace #868873. Published by Roger Wallace (A0.1277197). Vocal or Instrumental Solo (in C) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo parts included in this set:Piano & Voice: SopranoFlute/Oboe/Violin/VibesClarinet/Soprano Sax/Trumpet Alto SaxGuitarVibraphoneMarimbaThe Audio Sample features the Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.56 €
#
Guitar
#
Celine Dion
#
At Last
#
Roger Wallace
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.82 €
#
Guitar
#
Keith Terrett
#
Recuerdos de la Alhanbra for Classical Guitar
#
Keith Terrett
#
SheetMusicPlus
Summertime
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1289711 Composed by Dorothy Heywar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1289711 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 17 pages. Roger Wallace #880416. Published by Roger Wallace (A0.1289711). Guitar Solo with Piano Accompaniment in D Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: AltoVoice: AltoClarinet/Soprano Sax/Trumpet Alto SaxViolin/VibraphoneViolaGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.56 €
#
Guitar
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Can She Excuse
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1134182 By Denis Gagnon. By John Dowlan…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1134182 By Denis Gagnon. By John Dowland (1563 - 1626). Arranged by D. Gagnon. 19th Century,Baroque. 6 pages. D. Gagnon #734269. Published by D. Gagnon (A0.1134182). Arrangement pour saxophone soprano et 3 guitares classiques.
$24.00
21.94 €
#
Guitar
#
Denis Gagnon
#
Can She Excuse
#
D. Gagnon
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Summertime
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1293329 Composed by Dorothy Heywar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1293329 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Christopher J. Malin. 20th Century,Blues,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883900. Published by Christopher J. Malin (A0.1293329). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Gershwin's finer songs. This arrangement is different than the 500+ out there. I did it in the upper regitster (soprano) of the guitar. Works well if you play through the changes in lower voicings to establish your rhythm, then play my arrangement. It will raise a few eyebrows and put smiles on the faces of your listeners. I do this with a number of my arrangements. It will also help to have accurate intonation on your instrument. This piece makes you stand out as a solo jazz guitarist of all idioms. Sounds great on acoustic and electric guitars.
$4.99
4.56 €
#
Guitar
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Summertime
#
Christopher J. Malin
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Songs of the Heart
Guitar
Guitar - Intermeidate - Digital Download SKU: M0.30897MEB Music for Voice and Gu…
(+)
Guitar - Intermeidate - Digital Download SKU: M0.30897MEB Music for Voice and Guitar. Composed by Giovanni De Chiaro. Classical. Ebook and online audio. 145 pages. Mel Bay Publications - Digital Sheet Music #30897MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30897MEB). ISBN 9781513472812. 8.75X11.75 inches.This unique anthology enhances the voice and classic guitar repertoire with newly revised transcriptions of many of the most popular works of Schubert, Mozart, and Giuliani. It also includes four folksongs arranged by noteworthy mid-nineteenth-century English composer/guitarists.The 22 selections in this book lie well within the technical reach of vocalists and guitarists alike and will make an engaging addition to concert and recital programs. As the human voice brings an added lyrical dimension to any musical performance, audiences will love this music.Includes an outstanding online audio recording by the author and soprano, Kate Rawls.
$24.99
22.85 €
#
Guitar
#
Giovanni De Chiaro
#
Songs of the Heart
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Laurindo Almeida - Brazilian Reflections
Guitar
By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Publis…
(+)
By Laurindo Almeida. For Guitar (Classical and Fingerpicking). Brazilian. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655606. A collection of rich harmonic and contrapuntal vocal/ guitar arrangements by the renowned guitarist and composer, Laurindo Almeida. Born in Sao Paulo Brazil in 1917 and immigrating to the U.S. in 1947, it was Almeida who brought the bossa nova style to the United States long before it was so named. With Brazilian Reflections, the always elegant and tasteful Almeida brings his skills as a supreme guitarist and arranger to bear in these stunning arrangements of traditional and modern songs from Brazil. Written in standard notation with Portuguese lyrics. The companion online audio available for download included with this book features Almeida accompanying his wife, soprano Deltra (Didi) Eamon Almeida, in spirited and soulful renditions which reflect their love of this music and their life-long personal/ professional collaboration.
$14.99
13.7 €
#
Guitar
#
Laurindo Almeida
#
Laurindo Almeida - Brazilian Reflections
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Adagio
Guitar
By Tomaso Giovanni Albinoni (1671-1751). For Guitar (Classical). Classic. 40 pages. Publis…
(+)
By Tomaso Giovanni Albinoni (1671-1751). For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744229. This is an adaptation of the well-known "Adagio" by Tomaso Albinoni. Especially noted for its depth and beauty, this piece is arranged for the intermediate-level classical quartet (or large ensemble). Includes score and individual parts plus optional parts for contrabass guitar and soprano guitar. Written in standard notation only.
$14.99
13.7 €
#
Guitar
#
Tomaso Giovanni Albinoni
#
Adagio
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Aase's Death" from Peer Gynt Suite for Saxophone Ensemble Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax,Woodwind Ensemble or Choir Score,Set of Parts Romantic Period,Classical Period,Repertoire,Classroo
Guitar
By Johann Sebastian Bach and Johann Sebastian Bach. For guitar solo. Classical. 2 pages. P…
(+)
By Johann Sebastian Bach and Johann Sebastian Bach. For guitar solo. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music
$10.00
9.14 €
#
Guitar
#
Johann Sebastian Bach and Johann Sebastian Bach
#
Aase's Death" from Peer Gynt Suite for Saxophone Ensemble Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax,Woodwind Ensemble or Choir Score,Set of Parts Romantic Period,Classical Period,Repertoire,Classroo
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version