Download Digital Sheet Music of As If for Clarinet

As If
Clarinet

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53273 Air favori de lâ€™opÃ©ra La muette de Portici de D.F.E. Auber. Composed by Christian Rummel. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 12 pages. Schott Music - Digital #Q53273. Published by Schott Music - Digital (S9.Q53273). German â€¢ Danish.Christian Rummel (also ChrÃ©tien Rummel), music educator, pianist, clarinettist, violinist and composer, was born in Gollachostheim, Franconia (Germany). He received his musical education in Mannheim. Rummel first worked as a military band director. Following his military career, he moved to Wiesbaden as he was offered a position as a music teacher there. Later he directed the court orchestra in Biebrich and following its dissolution, he directed the Wiesbaden theatre orchestra. On the occasion of a visit to Vienna, the publishers Schott recommended him to Ludwig van Beethoven (letter of 19th April 1824), with the request for â€˜friendship and good willâ€˜. He is said to have had an â€˜urge for perfection through studying compositionâ€˜. This Schlummerlied is dedicated to Baron Breidbach-BÃ¼rresheim. The melody comes from the opera â€˜La muette de Portici (The mute girl of Portici) by the composer Daniel-FranÃ§ois-Esprit Auber (1782â€“1871), which was first performed at the Paris Opera House in 1828. The setting is a fishing village near Naples. The plot revolves around love, marriage, revolt against the Spanish occupying forces and, as if that were not enough, the volcano Vesuvius erupts at the end. The piece was published by Schott in 1832 (plate number 3733).

Sonata for Clarinet Solo Clarinet

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1486131 Composed by Henri…(+)

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 pages. HENRIQUE PEIXOTO RABELO #1063188. Published by HENRIQUE PEIXOTO RABELO (A0.1486131). The Sonata for Clarinet Solo was written in Laramie, Wyoming, in 2022. It is dedicated to Blake McGee, who premiered the piece in February of 2023. The sonata is in two movements: Andante con affetto and Ballad. The first movement is in sonata form, written in a neo-romantic style and contrasts the different registers of the clarinet: the rich and beautiful chalumeau register in the first theme, with grim and melancholic character, and the more brilliant higher notes of the clarinet in the second theme, flowing and operatic. The theme on the second movement is meant to entice the imagination of the listener with the image of a minstrel telling of a journey made a long time ago, entertaining the audience with the variations that unfold, only to return with the opening melody back in the end, as if teaching the morals of the story.
$12.00 10.88 € #Clarinet #Henrique Rabelo #Sonata for Clarinet Solo #HENRIQUE PEIXOTO RABELO #SheetMusicPlus