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Clarinet
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Take On Me
Clarinet
Clarinet Solo - Level 2 - Digital Download SKU: A0.853673 By a-ha. By Magne Furuhol…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.853673 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Andrew Wrangell, Samuel Dickenson. Contemporary. Individual part. 2 pages. Sheet Music Boss #3050625. Published by Sheet Music Boss (A0.853673). Take On Me is the 1985 hit by Norwegian A-ha, famous for its unforgettable music video featuring rotoscoped comic-style black and white animation. Having sold over 7 millions copies worldwide, Take On Me is one of best-selling singles of all time.This arrangement, professionally prepared by Andrew Wrangell and Samuel Dickenson is sure to be a fantastic repertoire choice and not too difficult to play!Sheet Music Boss tutorials here: https://www.youtube.com/SheetMusicBossAbout the arranger:Andrew Wrangell is a composer and arranger from Brisbane, Australia. He began adapting music for piano as soon as he began learning at the age of 5, playing his favourite TV show themes on piano. He has been arranging music for all sorts of instrument combinations ever since, and has 90 piano arrangements to his name and counting!https://www.facebook.com/composer1992/https://twitter.com/composer1992/https://www.youtube.com/composer1992/About the arranger and editor:Samuel is a composer and engraver from Brisbane, Australia. He regularly edits music for professional composers and ensembles. Clients include The Camerata of St. John's, Greg Andrew (Elton John Experience), Sydney based Fluteworthy and various community and youth orchestras.https://www.samueldickenson.com/
$4.99
4.6 €
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Clarinet
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a-ha
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Take On Me
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Sheet Music Boss
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
Clarinet
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.35 €
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Clarinet
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Bach-Gounod
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Clarinet & Piano
Clarinet
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
22.98 €
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Clarinet
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Johann Sebastian Bach
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
Clarinet
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1142137 Composed by Henry…
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742511. Published by Download Church Music (A0.1142137). Two different Bb clarinet descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. For concert key of F major. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the C is changed to C# in measure 36:4. “O Little Town of Bethlehem†also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with clarinet playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Clarinet solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Clarinet solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.
$2.25
2.07 €
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Clarinet
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Henry John Gauntlett and Louis H
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first is sample page)
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O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
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Download Church Music
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SheetMusicPlus
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