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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…(+)

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Handel's Gigue or Tarantela For Clarinet Solo Clarinet

A Clarinet,B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet,Piano - Level 2 - Digital Downloa…(+)

A Clarinet,B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1075837 By Rainer's Rainbow. By George Frederic Handel 1685-1759. Arranged by R G Roth. Baroque,Classical,Folk,Jazz,Romantic Period. Score and part. 12 pages. Rainer's Rainbow #680006. Published by Rainer's Rainbow (A0.1075837). Handels Gigue or Tarantella for Clarinet Solo is based on Handels Violin Sonata in Gm written in 1724. For the very first time it is presented here for Clarinet with Piano accompaniement and chords in case an alternative guitar replaces the piano. Also alternative parts for Clarinet in Eb or A are included as a technical expercise.
$6.99 6.39 € #Clarinet #Rainer's Rainbow #Handel's Gigue or Tarantela For Clarinet Solo #Rainer's Rainbow #SheetMusicPlus

Burgmüller "La chasse " clarinet & piano Clarinet

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1389657 By Johann Friedr…(+)

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1389657 By Johann Friedrich Burgmuller. By Johann Friedrich Burgmuller. Arranged by pfkaori. Classical. Score and part. 4 pages. Pfkaorimusic #973250. Published by pfkaorimusic (A0.1389657). Composer:BurgmÃ¼llerSong:25 Leichte Etuden La chasse op.100-9Orchestration: clarinet & pianoKey: Cdur(clarinet inBâ™)Level: Beginner to intermediate (level varies by individual)Part music includedI arranged a piano practice song so that it can be played on clarinet and piano. It is also a nostalgic song for piano lovers. Please take this opportunity to try it.
$6.00 5.49 € #Clarinet #Johann Friedrich Burgmuller #Burgmüller "La chasse " clarinet & piano #pfkaorimusic #SheetMusicPlus

"Valse op.64-1" (Cdur) clarinet & piano Clarinet

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1404958 By F.ChopinÂ .…(+)

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1404958 By F.ChopinÂ . By F.ChopinÂ . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987994. Published by pfkaorimusic (A0.1404958). Composer: F.ChopinÂ Song: Valse (Waltz)/op.64-1Â Key: Cdur (clarinet inBâ™)Â Orchestration: clarinet& pianoÂ Level: IntermediateÂ (There are individual differences in level)Â *with part scoreÂ *This is an arrangement of the 2nd edition.*The first edition of clarinet is not available for sale.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys]Â Desdur.
$6.50 5.94 € #Clarinet #F #"Valse op.64-1" #pfkaorimusic #SheetMusicPlus

The Rose of Alcala - Clarinet & Piano Clarinet

Instrumental Duet,Piano Clarinet,Piano - Level 3 - Digital Download SKU: A0.572848 …(+)

Instrumental Duet,Piano Clarinet,Piano - Level 3 - Digital Download SKU: A0.572848 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Score and part. 6 pages. James M Stevens Music ASCAP #4360673. Published by James M Stevens Music ASCAP (A0.572848). This is an original composition for Clarinet and Piano in a lyrical and romantic style. There is a separate clarinet part in the score and the track as heard is available under The Rose of Alcala Piano Track. Alcala is the hometown of Dr. Stevens' wife. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=IycAwB_n6bM
$6.99 6.39 € #Clarinet #James Michael Stevens #The Rose of Alcala - Clarinet & Piano #James M Stevens Music ASCAP #SheetMusicPlus

Amazing Grace - Solo Clarinet & Piano Clarinet

Instrumental Duet,Piano Clarinet,Piano - Level 3 - Digital Download SKU: A0.572823 …(+)

Instrumental Duet,Piano Clarinet,Piano - Level 3 - Digital Download SKU: A0.572823 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contemporary,Holiday,Multicultural,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #4333409. Published by James M Stevens Music ASCAP (A0.572823). This is an original arrangement for Clarinet and Piano of the classic devotional hymn, Amazing Grace. There is a separate clarinet part in the score and track as heard is available under Amazing Grace Piano Track - E Flat Major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=qC4NUzEGHDU
$6.99 6.39 € #Clarinet #Traditional American Melody #Amazing Grace - Solo Clarinet & Piano #James M Stevens Music ASCAP #SheetMusicPlus

Amazing Grace - Solo clarinet and piano accompaniment (Easy) Clarinet

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1039810 Composed by John…(+)

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1039810 Composed by John Newton. Arranged by Levy Nunes. Christmas,Easter,Instructional,Praise & Worship,Traditional. Score and part. 5 pages. Cambiata #644653. Published by Cambiata (A0.1039810). Amazing Grace For clarinet (solo) and piano accompaniment. Easy. Score and parts available. See other publications by Cambiata - Sheet Music Editions. Arrangement for solo clarinet (Bb). Subscribe to our channel and check out our playlist (Play Along) - https://bit.ly/subtoCAMBIATA FOLLOW US on instagram https://bit.ly/followCAMBIATA.
$4.99 4.56 € #Clarinet #John Newton #Amazing Grace - Solo clarinet and piano accompaniment #Cambiata #SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Â Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.Â School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ€™s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems likeÂ BachÂ created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â

E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the DepthsÂ I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Sippin Cider Through a Straw - Clarinet Bb + Piano Accompaniment Clarinet

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1091773 By Unknown - tra…(+)

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1091773 By Unknown - traditional. By Unknown - traditional. Arranged by G.D.V.S.L.J. Children,Classical,Folk,Traditional. Score and part. 4 pages. Grant Davis Jr. #695930. Published by Grant Davis Jr. (A0.1091773). It's an easy-intermediate arrangement for Clarinet Bb and Piano Accompaniment.
$5.99 5.48 € #Clarinet #Unknown - traditional #Sippin Cider Through a Straw - Clarinet Bb + Piano Accompaniment #Grant Davis Jr. #SheetMusicPlus

Higher Ground, Gospel Hymn for Alto Clarinet and Piano Clarinet

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592812 Composed by J Oat…(+)

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592812 Composed by J Oatman Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6413071. Published by David McKeown (A0.592812). Higher Ground is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Higher Ground was written Johnson Oatman Jr in 1898. Oatman, a part-time preacher, was a prolific hymn writer with some three thousand compositions to his credit.
$2.49 2.28 € #Clarinet #J Oatman Jr #Higher Ground, Gospel Hymn for Alto Clarinet and Piano #David McKeown #SheetMusicPlus

Go Tell It On The Mountain, Gospel Song for Alto Clarinet and Piano Clarinet

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592762 Composed by Tradi…(+)

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592762 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6412417. Published by David McKeown (A0.592762). Go Tell It on The Mountain is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere; Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963.
$2.49 2.28 € #Clarinet #Traditional #Go Tell It On The Mountain, Gospel Song for Alto Clarinet and Piano #David McKeown #SheetMusicPlus