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Concerto C major
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Concerto C major
Clarinet
Sheetmusic to print
7 sheet music found
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1
Piano Concerto Nº 1 - 1st Mov. Theme (P. Tchaikovsky) for Clarinet in Bb Solo (C Major)
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Clarinet
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INTERMEDIATE/ADVANCED
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Piotr Ilitch Tchaikovsky
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Fernando Britto
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Piano Concerto Nº 1 - 1st Mov
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Minhas Partituras
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.685849 Composed by Piotr Ilitch Tchaikovsky. Arranged by Fernando Britto. Romantic Period,Wedding. Ind...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.685849 Composed by Piotr Ilitch Tchaikovsky. Arranged by Fernando Britto. Romantic Period,Wedding. Individual part. 1 pages. Minhas Partituras #6405185. Published by Minhas Partituras (A0.685849). Arrangement of Piano Concerto Nº 1 1st Mov. Theme (P. Tchaikovsky) for Clarinet in Bb Solo (In C Major).
$4.99
Concerto No. 21 in C major, K. 467 - II. Andante
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Clarinet
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INTERMEDIATE
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Classical
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Mozart
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Concerto n° 21 en do majeur,
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
2.99€
Concerto No. 2
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Clarinet
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Classical
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Wolfgang Amadeus Mozart
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Mikhail Nakariakov
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Concerto No. 2
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Editions Marc Reift - Digital
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SheetMusicPlus
Clarinet & Piano - Grade 5 - Digital Download SKU: R0.50243 C Major, K. 417. Composed by Wolfgang Amadeus Mozart. Arranged by Mikhail Nakariakov. ...
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Clarinet & Piano - Grade 5 - Digital Download SKU: R0.50243 C Major, K. 417. Composed by Wolfgang Amadeus Mozart. Arranged by Mikhail Nakariakov. Clarinet & Piano. Score and parts. 24 pages. Duration 14'05. Editions Marc Reift - Digital #50243. Published by Editions Marc Reift - Digital (R0.50243).
$21.95
Concerto
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Clarinet
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Classical
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Wolfgang Amadeus Mozart
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Mikhail Nakariakov
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Concerto
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Editions Marc Reift - Digital
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SheetMusicPlus
Clarinet & Piano - Grade 6 - Digital Download SKU: R0.50311 C Major, K. 207. Composed by Wolfgang Amadeus Mozart. Arranged by Mikhail Nakariakov. ...
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Clarinet & Piano - Grade 6 - Digital Download SKU: R0.50311 C Major, K. 207. Composed by Wolfgang Amadeus Mozart. Arranged by Mikhail Nakariakov. Clarinet & Piano. Score and parts. 32 pages. Duration 17'08. Editions Marc Reift - Digital #50311. Published by Editions Marc Reift - Digital (R0.50311).
$27.95
Piano Concerto No. 21 in C major, K. 467: II. Andate (Elvira Madigan Theme) by Wolfgang Amadeus Mozart - Clarinet Solo
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Clarinet
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Wolfgang Amadeus Mozart
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Piano Concerto No. 21 in C maj
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Musicnotes
Sheet Music for PIANO CONCERTO ELVIRA MADIGAN' by Wolfgang Amadeus Mozart arranged for Clarinet Solo in F Major. Digital sheet music from Musicnotes. ...
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Sheet Music for PIANO CONCERTO ELVIRA MADIGAN' by Wolfgang Amadeus Mozart arranged for Clarinet Solo in F Major. Digital sheet music from Musicnotes.
$1.99
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinet
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EASY
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Ea...
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
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