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7 sheet music found
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1
Wade in the Water for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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Jazz
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Traditional Spiritual
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Cheryl Bray Jackson
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Wade in the Water for Concert
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Cheryl Bray Jackson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.971181 Composed by Traditional Spiritual. Arranged by Cheryl Bray Jackson. Spiritual. Score and parts. ...
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Concert Band - Level 4 - Digital Download SKU: A0.971181 Composed by Traditional Spiritual. Arranged by Cheryl Bray Jackson. Spiritual. Score and parts. 66 pages. Cheryl Bray Jackson #6441517. Published by Cheryl Bray Jackson (A0.971181). Instrumentation includes piccolo, flute, oboe, bassoon, clarinet, alto clarinet, bass clarinet, contralto clarinet, contrabass clarinet, alto sax, tenor sax, baritone sax, trumpet in Bb, horn in F, trombone, bass trombone, euphonium, tuba, timpani, percussion, mallets, drum set. This piece is appropriate for school, community or church settings. Rhythmical challenges are presented somewhat with the use of swung rhythms. Each instrumental section has a time to shine; however, the clarinet section is highlighted. The arrangement is about 3:50 minutes in length. .
$49.99
Does Jesus Care?
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Concert band
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INTERMEDIATE/ADVANCED
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S
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SRT Music
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Does Jesus Care?
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S.R.T. Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.931873 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Sacred,Standards. Score and parts. 26 ...
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Concert Band - Level 4 - Digital Download SKU: A0.931873 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Sacred,Standards. Score and parts. 26 pages. S.R.T. Music #4581029. Published by S.R.T. Music (A0.931873). Does Jesus Care? is a composition based on the traditional church hymn of the same name. This arrangement is appropriate for church ensembles as well as parochial/christian schools. The ensemble will also experience this arrangement in different 4/4 and 5/4 time signatures for this normally 3/4 melody. This would be an exciting number for church preludes, offertories and school concerts.
$19.95
Kittatinny Ridge Suite
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Concert band
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INTERMEDIATE/ADVANCED
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Sacred music
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Nathaniel Hontz
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Kittatinny Ridge Suite
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TigerSong LLC
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hontz. Classical,Contemporary,Sacred. Score and parts. 129 pages. TigerSo...
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Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hontz. Classical,Contemporary,Sacred. Score and parts. 129 pages. TigerSong LLC #722510. Published by TigerSong LLC (A0.1121338). Kittatinny Ridge Suite is composed of three movements: I. On the Delaware at Carpenter's Point, II. The Fields of Walpack at Dusk, and III. Yellow Frame's Harvest Home. The suite is a musical landscape of different points along the Kittatinny mountain ridge in western Sussex County, New Jersey. I. On the Delaware at Carpenter's Point explores a kayaking trip at the very northern point of New Jersey. From the river one can see the High Point monument, the highest point in the state, as one crosses under bridges, passes islands, and speeds through small rapids. II. The Fields of Walpack at Dusk paints the tiny, rural township of Walpack, with its quiet fields and forests. The central theme is In Babilone: an old Dutch melody, echoing the regions colonial-era settlers. III. Yellow Frame's Harvest Home is a fantasy on Come, Ye Thankful People, Come, illustrating the late summer community dinner, Harvest Home run by the Yellow Frame Presbyterian Church, of Fredon township. Other hymn tunes surface in the piece, including May the Lord Mighty God and St. Anne (the colonial-era psalm tune for O God our Help in Ages Past).
$49.99
1917: The Halifax Disaster
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501....
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
Revelations 5 (Mvt. II)
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhau...
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Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Richard Wagner
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Kazys DaugÄ—la
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"Elsa's Procession to the Cath
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.935509 Composed by Richard Wagner (1813-1883). Arranged by Kazys DaugÄ—la. Romantic Period,Wedding. ...
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Concert Band - Level 4 - Digital Download SKU: A0.935509 Composed by Richard Wagner (1813-1883). Arranged by Kazys Daugėla. Romantic Period,Wedding. Score and parts. 110 pages. Kazys Daugela #6685619. Published by Kazys Daugela (A0.935509). Elsa's Procession to the Cathedral arranged for concert band (Grade 4) by Kazys Daugėla comes originally from the second act, scene 4 of Richard Wagner’s famous romantic opera Lohengrin. This solemn and stately music accompanies the wedding procession that carries Elsa, a princess in Brabant (Antwerp), and her rescuer and hero to the church. Wagner himself recommended this music as an addition to the band repertoire.
$60.00
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