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38 sheet music found
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1
26
Fanfare pour preÌceÌder "La PeÌri" (arr. for flexible instrumentation)
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Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Ian Deterling
#
Ian Deterling
#
Fanfare pour preÌceÌder
#
Ian Deterling
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.872342 By Ian Deterling. By Paul Dukas. Arranged by Ian Deterling. 20th Century,Classical. 33 pages. Ia...
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Concert Band - Level 4 - Digital Download SKU: A0.872342 By Ian Deterling. By Paul Dukas. Arranged by Ian Deterling. 20th Century,Classical. 33 pages. Ian Deterling #478758. Published by Ian Deterling (A0.872342). A triumphant opener for your next concert! This arrangement of the Fanfare for “La Péri†by Paul Dukas captures the essence of the original with only slight modifications to make it more accessible for flexible instrumentation. Although Dukas is perhaps best known for The Sorcerer’s Apprentice, his music for La Péri (a ballet in one act - also his last published work) is considered by many to be his most musically mature piece.
$55.00
Pomp and Circumstance (Flexible Instrumentation)
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Concert band
#
INTERMEDIATE/ADVANCED
#
Classical
#
Edward Elgar
#
Ian Deterling
#
Pomp and Circumstance
#
Ian Deterling
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742988 Composed by Edward Elgar. Arranged by Ian Deterling. Romantic Period. Score and parts. 86 pages....
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Concert Band - Level 4 - Digital Download SKU: A0.742988 Composed by Edward Elgar. Arranged by Ian Deterling. Romantic Period. Score and parts. 86 pages. Ian Deterling #5359777. Published by Ian Deterling (A0.742988). A new version of Pomp and Circumstance with the musicians, directors, and marathon-length performances in mind! This arrangement captures the essence of the original while giving everyone measures of rest to save on chops. Countermelodies and the use of different textures make each part more musically interesting.
$65.00
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Éxodo (Reduced version) - Score Only
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Salvador Rojo Gamón
#
Éxodo
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1083309 Composed by Salvador Rojo Gamón. Classical,Contemporary,Instructional,Traditional. Score and...
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Concert Band - Level 4 - Digital Download SKU: A0.1083309 Composed by Salvador Rojo Gamón. Classical,Contemporary,Instructional,Traditional. Score and parts. 64 pages. Salvador Rojo-Gamon #687511. Published by Salvador Rojo-Gamon (A0.1083309). This version was commisioned for the band Unió Musical d'Algimia d'Alfara. The instrumentation was reduced keeping the essence. This composition was premiered of Premio Maestro Villa 2010 as a wind band composition. This recording was made at the premiere of the work on November 8, 2011 in charge of the Banda Sinfónica Municipal de Madrid under conducting Enrique GarcÃa Asensio. Esta composición fue estrenada de Premio Maestro Villa 2010 como una banda de viento composición. Esta grabación se realizó en el estreno de la obra el 8 de noviembre de 2011 a cargo de la Banda Sinfónica Municipal de Madrid bajo la dirección de Enrique GarcÃa Asensio. Éxodo es un poema sinfónico en un solo movimiento, inspirado en los sentimientos y las diferentes sensaciones provocadas por el éxodo sufrido por diferentes pueblos a lo largo de la historia. Musicalmente intercala dos amplias secciones que se van entrelazando como si de un rondó se tratase, siendo su estructura final la sonata.
$40.00
Éxodo (Reduced version)
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Concert band
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INTERMEDIATE/ADVANCED
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Salvador Rojo Gamón
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Éxodo
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1083325 Composed by Salvador Rojo Gamón. Classical,Contemporary,Contest,Festival,Instructional,Tradi...
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Concert Band - Level 4 - Digital Download SKU: A0.1083325 Composed by Salvador Rojo Gamón. Classical,Contemporary,Contest,Festival,Instructional,Traditional. Score and parts. 279 pages. Salvador Rojo-Gamon #687526. Published by Salvador Rojo-Gamon (A0.1083325). This version was commisioned for the band Unió Musical d'Algimia d'Alfara. The instrumentation was reduced keeping the essence. This composition was premiered of Premio Maestro Villa 2010 as a wind band composition. This recording was made at the premiere of the work on November 8, 2011 in charge of the Banda Sinfónica Municipal de Madrid under conducting Enrique GarcÃa Asensio. Esta composición fue estrenada de Premio Maestro Villa 2010 como una banda de viento composición. Esta grabación se realizó en el estreno de la obra el 8 de noviembre de 2011 a cargo de la Banda Sinfónica Municipal de Madrid bajo la dirección de Enrique GarcÃa Asensio. Éxodo es un poema sinfónico en un solo movimiento, inspirado en los sentimientos y las diferentes sensaciones provocadas por el éxodo sufrido por diferentes pueblos a lo largo de la historia. Musicalmente intercala dos amplias secciones que se van entrelazando como si de un rondó se tratase, siendo su estructura final la sonata.
$200.00
Our Flirtations
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Concert band
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INTERMEDIATE/ADVANCED
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts...
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
Monody
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Concert band
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INTERMEDIATE/ADVANCED
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. ...
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Puzzle IV "Rätsel IV" - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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Film/TV
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Puzzle IV "Rätsel IV" - Score
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Alicia Dominguez
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1363992 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃngu...
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Concert Band - Level 4 - Digital Download SKU: A0.1363992 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. 15 pages. Alicia Dominguez #948314. Published by Alicia Dominguez (A0.1363992). Jazz Band Sheet Music, Fantasy Study in a puzzle if the instruments are not synchronized the melody does not sound correctly, the musical performance in a group synchronizes the brains of its performers, the coordination of this puzzle between the instruments, in which studied with all its instruments Between his brain waves, he confirms that the frontal and central regions of the brain, temporal and parietal regions are synchronized when the musicians have to play, all brain areas would be involved in the processes that help produce coordinated actions between the performers.
$10.00
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, percussion parts + harp and contrabass par
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Concert band
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Musi...
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Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Music Publishing #62099. Published by Musik Fabrik Music Publishing (A0.540713). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains the percussion, harp, and contrabass parts. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available The fullscore is available as a seperate item..
$19.95
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
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Concert band
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music ...
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Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
$19.95
Empyrean Kingdom
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Noah Hughes
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Empyrean Kingdom
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Noah Hughes
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1028959 Composed by Noah Hughes. Contemporary. Score and parts. 78 pages. Noah Hughes #4596289. Publish...
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Concert Band - Level 4 - Digital Download SKU: A0.1028959 Composed by Noah Hughes. Contemporary. Score and parts. 78 pages. Noah Hughes #4596289. Published by Noah Hughes (A0.1028959). This is an original composition for Concert Band or Wind Symphony. It's a dance like piece in 6/8 time in the key of Db major. There are some challenging sections for individual instruments (some notes are pushing the instrument's range) and the piece as a whole will ask players to listen and balance musically. There's no recording of the piece, only a midi realization.
$50.00
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, woodwind parts
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Concert band
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music ...
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Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music Publishing #62097. Published by Musik Fabrik Music Publishing (A0.540712). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains all of the woodwind parts The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available. The full score is available as a seperate item.
$59.95
Arizona Centennial Overture - Band Version
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Concert band
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INTERMEDIATE/ADVANCED
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy B...
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Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
Stardust
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Concert band
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INTERMEDIATE/ADVANCED
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Jazz
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Artie Shaw
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Graham Hickey
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Stardust
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Graham Hickey
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1151001 By Artie Shaw. By Hoagy Carmichael and Mitchell Parish. Arranged by Graham Hickey. 20th Century...
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Concert Band - Level 4 - Digital Download SKU: A0.1151001 By Artie Shaw. By Hoagy Carmichael and Mitchell Parish. Arranged by Graham Hickey. 20th Century,Broadway,Contemporary,Contest,Festival,Jazz,Musical/Show. Score and parts. 43 pages. Graham Hickey #750998. Published by Graham Hickey (A0.1151001). A solo for trumpet or Flugel in Bb and concert wind band accompaniment of the jazz standard “Stardustâ€. Includes the refrain and a full section for band and shows off all instruments. The band parts are medium and the solo is intermediate too advanced. Instrumentation; INSTRUMENTATION Conductor Solo Trumpet/Flugel in Bb 1st flute/piccolo 2nd Flute Oboe Bassoon 1st Clarinet in Bb 2nd Clarinet in Bb 3rd Clarinet in Bb Bass Clarinet in Bb 1st Alto Saxophone in Eb 2nd Alto Saxophone in Eb 1st Tenor Saxophone in Bb 2nd Tenor Saxophone in Bb Baritone Saxophone in Eb 1st Horn in F 2nd Horn in F 1st Cornet/Trumpet in Bb 2nd Cornet/Trumpet in Bb 3rd Cornet/Trumpet in Bb 1st Tenor Trombone 2nd Tenor Trombone Bass Trombone Euphonium Tuba Bass Guitar Drum set EXTRA PARTS 1st Horn in Eb, 2nd Horn in Eb,1st Tenor Trombone in Bb (treble clef), 1st Tenor Trombone in Bb (treble clef), Euphonium in Bb (treble clef), Bass in Eb (treble clef).
$49.99
Overture Promenade
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Frank Bryce
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Clive Longhurst
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Overture Promenade
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Clive Longhurst
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.918665 Composed by Frank Bryce. Arranged by Clive Longhurst. Contemporary. Score and parts. 137 pages. ...
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Concert Band - Level 4 - Digital Download SKU: A0.918665 Composed by Frank Bryce. Arranged by Clive Longhurst. Contemporary. Score and parts. 137 pages. Clive Longhurst #6883763. Published by Clive Longhurst (A0.918665). This arrangement is a re-orchestration of a British brass band contest piece, commisioned for the 1970, 2nd Section,W.D. & H. O. Wills Final test piece. A particularly musical (unlike a lot of more recent contest pieces), yet subtly testing piece for most sections of the band. I have included a page (page 35) with useful printing instructions.I hope I have done it justice as it is my personal favourite contest piece. And, if you would like parts for other instruments, please contact me via my email address: clive.longhurst57@gmail.com.Please do leave comments - good or bad - I will be most grateful.
$49.99
Las Estrellas En Tus Ojos Orchestra/Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Michael Drake
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Kevin Carberry
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Las Estrellas En Tus Ojos Orch
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Michael Gene Drake
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1350614 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Classical,Film/TV,Ja...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1350614 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Classical,Film/TV,Jazz,Latin,Musical/Show. 230 pages. Michael Gene Drake #935435. Published by Michael Gene Drake (A0.1350614). Las Estrellas En Tus Ojos - from the CD SAZZUNK, is a 3 movement composition beginning with a Fugue. The 5 bar phrase Orchestra version begins with Bassoon and Viola playing a haunting melody that is joined by Tuba and Double Bass for 5 bars then Alto Sax and Viola join followed by Bass Clarinet and Trombone and eventually builds to include 26 Wind, String and Brass instruments as they make their individual entrances symbolizing many evening stars. As each new star appears every 5th bar until the eyes of the skies drench the night with light.  Wrapping up the Fugue is a 4 Octave trumpet solo line that explodes onto the scene and pulls you uncontrollably into the Bolero. This wonderfully melodic dance is rich in authentic character and attitude augmented by the entire orchestra with lines and elements that support the simple, yearning, lifting lines for the soloist. El Festiva is the reward for being a great listener! This tropical up-tempo 3rd movement lives up to its title. Rhythms and lines that push and pull your creative ear to a fun, party place… a Festival!
$35.00
Concerto pour Quartet de Saxophones
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Gilles Arcens
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Difficuly Level: Grade 4
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Concerto pour Quartet de Saxop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Orchestra, Concert Band Concert Band - Grade 4 - Digital Download SKU: FX.FX072849 Composed by Gilles Arcens. Original Composition. Classical. Score and ...
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Orchestra, Concert Band Concert Band - Grade 4 - Digital Download SKU: FX.FX072849 Composed by Gilles Arcens. Original Composition. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX072849. Published by FLEX Editions - Digital Sheet Music (FX.FX072849). Instruments: Soprano Saxophone Solo (1 part) Alto Saxophone Solo (1 part) Tenor Saxophone Solo (1 part) Baritone Saxophone Solo (1 part) Flute 1 (1 part) Flute 2 (1 part) Flute 3 (1 part) Oboe 1 (1 part) Oboe 2 (1 part) Bassoon 1(1 part) Bassoon 2(1 part) Bb Clarinet 1 (4 parts) Bb Clarinet 2 (4 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophones 1&2 (2 parts) Baritone Saxophone (1 part) Bb Trumpet 1 (1 part) Bb Trumpet 2 (1 part) Bb Trumpet 3 (1 part) F Horn 1 (1 part) F Horn 2 (1 part) F Horn 3 (1 part) Trombone 1 (1 part) Trombone 2 (1 part) Bass Trombone (1 part) Bb Baritone / Euphonium B.C. (1 part) C Tuba (1 part) Double Bass (1 part) Vibraphone & Timpani (1 part) Glockenspiel & Xylophone (1 part) Suspended Cymbal/Tambourine/Bass Drum (2 parts) Triangle/Cymbal/Chimes/Snare Drum/Wood Block (2 parts)Additional Parts: C Baritone / Euphonium T.C. (1 part) Bb Baritone / Euphonium T.C. (1 part) C Euphonium B.C. (1 part) Bb Tuba (1 part) Eb Tuba (1 part); Difficuly Level: Grade 4; Duration: 11 mn 30 s; Musical Style: Classical; Category: Original Composition; Composer: Gilles ARCENS;.
$95.95
Cabaret - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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Herb Alpert And The Tijuana Br
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Thomas Graf
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Cabaret - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1115744 By Herb Alpert And The Tijuana Brass. By Fred Ebb and John Kander. Arranged by Thomas Graf. Bro...
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Concert Band - Level 4 - Digital Download SKU: A0.1115744 By Herb Alpert And The Tijuana Brass. By Fred Ebb and John Kander. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #717474. Published by Thomas Graf - the-hit-factory.com (A0.1115744). This arrangement of Cabaret; the title song from the 1966 musical of the same name; will give you the whole Liza Minelli Feeling and will surely be the crowd pleaser of your upcoming concerts. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe Bassoon Clarinet 1 in Bb (Solo) Clarinet 1 in Bb (sub Alto 1) Clarinet 2 in Bb (sub Alto 2) Clarinet 3 in Bb (sub Alto 3) Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trumpet 4 in Bb Horn 1/3 in F Horn 2/4 in F Baritone in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Drum Set Glockenspiel Guitar / Banjo Piano Vocal Bass in Eb Bass in Bb Contrabass Euphonium 1 (sub Tbn. 1) Euphonium 2 (sub Tbn. 2) Euphonium 3 (sub Tbn. 3) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
The Impossible Dream (the Quest)
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Concert band
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INTERMEDIATE/ADVANCED
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Broadway
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Musical Creations Studio Music
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Dico
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The Impossible Dream
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Dico
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.843046 By Musical Creations Studio Music. By Joe Darion, Mitch Leigh, and Mitchell Leigh. Arranged by D...
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Concert Band - Level 4 - Digital Download SKU: A0.843046 By Musical Creations Studio Music. By Joe Darion, Mitch Leigh, and Mitchell Leigh. Arranged by Dico. Broadway,Musical/Show. Score and parts. 57 pages. Dico #6536741. Published by Dico (A0.843046). The intro is a little different in the video. The version of the score is in the audio sample. The version in the video starts on measure 7, after a timpani roll (D).INSTRUMENTATION: Score | Voices | (4) Fl 1, 2 | Ob | Bssn | (9) Cl 1, 2, 3 | BCl | (2) Asax 1, 2 | (2) Tsax 1, 2 | Bsax | (6) Tpt 1, 2, 3 | (4) Hrn 1, 2 | (6) Tbn 1, 2, 3 | (4) Bar | (2) Tba | StrB | Timp | DrSet | BGtr | Pno
$56.50
A Mohigan Band Overture
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Concert band
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INTERMEDIATE/ADVANCED
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Tim Hill
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A Mohigan Band Overture
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Tim Hill Arrangements
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1316155 Composed by Tim Hill. Classical,Contest,Festival,Instructional,Traditional. 170 pages. Tim Hill...
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Concert Band - Level 4 - Digital Download SKU: A0.1316155 Composed by Tim Hill. Classical,Contest,Festival,Instructional,Traditional. 170 pages. Tim Hill Arrangements #904893. Published by Tim Hill Arrangements (A0.1316155). A Mohigan Band Overture  was commissioned by the Morgantown High School Band, in Morgantown, WV in January 2022, honoring their upcoming 100 year anniversary of the band program.  Through the last century, the band has been featured in many national appearances, including, the Macy’s Thanksgiving Day Parade, and the 75th Anniversary of the attack on Pearl Harbor in Hawaii.  This stylistic dramatic piece is built on the architecture of an overture in musical theater, or a ballet.  Overture, meaning “opening†is usually an instrumental piece at the beginning of the show performed by the orchestra.  Overtures usually contain bits and pieces of tunes which are heard during the opera or ballet.  It prepares the audience for what is to come.   This piece does the same.  It contains four songs which are iconic to Morgantown High School and their band program.  Those songs are the Morgantown High School Pep Song, The Morgantown High School Alma Mater, God Has Created A New Day (sung during their band camp at breakfast time), The Johnny Appleseed Song (sung during lunch time at their band camp).  These four songs represent a plethora of memories for the students and directors of the program.  Even included is a small musical kick line, a nod towards the Mohiganettes and Majorettes of the Morgantown High School Band.
$100.00
Never Enough
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Concert band
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INTERMEDIATE/ADVANCED
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Benj Pasek and Justin Paul
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Dico
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Never Enough
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Dico
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.842985 Composed by Benj Pasek and Justin Paul. Arranged by Dico. Broadway,Film/TV,Musical/Show. Score a...
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Concert Band - Level 4 - Digital Download SKU: A0.842985 Composed by Benj Pasek and Justin Paul. Arranged by Dico. Broadway,Film/TV,Musical/Show. Score and parts. 60 pages. Dico #6443353. Published by Dico (A0.842985). One of the main songs in the musical The Greatest Showman. The arrangement starts out delicate and grows until it becomes a grand march, with a great role for horns and percussion. For voice and concert band.INSTRUMENTATION:Score | Voice | Picc | (4) Fl 1, 2 | Ob 1, 2 | Bssn | (12) Cl 1, 2, 3 | ACl | BCl | (4) Asax | (2) Tsax | Bsax | (6) Tpt 1, 2, 3 | (4) Hrn 1, 2, 3, 4 | (6) Tbn 1, 2, 3 | (4) Bar-Euph | (4) Tba | Timp | (7) Perc | DrSet | ElGtr | BGtr | Pno
$78.00
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