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Elegy of Seven
Concert band
Sheetmusic to print
4 sheet music found
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1
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
10.8 €
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Concert band
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
71.97 €
#
Concert band
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Elegy for Solo Clarinet and Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.723622 Composed by Joel Jacklich …
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Concert Band - Level 3 - Digital Download SKU: A0.723622 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and parts. 31 pages. Joel Jacklich #3046585. Published by Joel Jacklich (A0.723622). Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band.
$40.00
35.98 €
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Concert band
#
Joel Jacklich
#
Elegy for Solo Clarinet and Band
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Joel Jacklich
#
SheetMusicPlus
Elegy (In Memoriam Rupert Brooke)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1430031 Composed by Frederick Sep…
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Concert Band - Level 5 - Digital Download SKU: A0.1430031 Composed by Frederick Septimus Kelly. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Romantic Period,World. 67 pages. John Ivor Holland #1010645. Published by John Ivor Holland (A0.1430031). Born in Sydney in 1881, the seventh child of a wealthy family, Kelly was educated at Sydney Grammar School before being sent to England where he attended Eton College and Oxford University. At Eton his musical talents were nurtured under the tutelage of Dr Charles Harford Lloyd. He also developed a passion for rowing, eventually winning a gold medal for England in the 1908 London Olympics. After graduating from Oxford, Kelly began five years of musical study in piano and composition at the Hoch Conservatorium in Frankfurt, Germany. He made his professional debut as a pianist in Sydney in 1911. His London debut followed in 1912. His career was interrupted by the outbreak of the First World War.Elegy for String Orchestra In Memoriam Rupert Brooke was written during his war service in the final year of his life. It is an accomplished and moving work in the English pastoral style of the time, its lush modal string-writing sounding not unlike his famous English near-contemporary Ralph Vaughan Williams (1872-1958). In the Australian context it stands out as a mature and beautiful musical statement by an Australian composer in relation to actual personal experiences of the tragedy of the First World War. As such it's unique in the Australian classical canon, and also part of that wider generational tragedy of what might have been if such an accomplished composer had lived on to create music into his old age. Arranged from the original string orchestra for symphonic wind ensemble and harp.
$99.99
89.95 €
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Concert band
#
Frederick Septimus Kelly
#
Elegy
#
John Ivor Holland
#
SheetMusicPlus
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