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126
1917: The Halifax Disaster
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.19 €
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Concert band
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.49 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
America the Beautiful - Concert Band (with Optional Strings) Score and Parts PDF
Concert band
Full Orchestra - Level 2 - Digital Download SKU: A0.750976 Composed by Samuel A. Wa…
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Full Orchestra - Level 2 - Digital Download SKU: A0.750976 Composed by Samuel A. Ward (1848-1903). Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. Score and parts. 38 pages. BJE Music #5793315. Published by BJE Music (A0.750976). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for Concert Band [Key of Bb]. There is also an optional Piano Part (Not shown on the score) and well as Optional String Parts (Not shown on the score) for an orchestral arrangement. There are parts for Descant Trumpet and Horn in F in the last verse (the 3rd verse in the MP3 recording).The MP3 was recorded with NotePerformer 3 - There are 3 verses:1. Clarinets only then Flutes and Saxophones successively added during this 1st verse2. All Brass and Percussion added for the 2nd verse.3. Full Band with the Descant line played by a Solo Trumpet and Solo F Horn in the 3rd verseGrade = 2.5 Duration = 2:28 mins (3 verses)
$25.00
23.05 €
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Concert band
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Samuel A
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America the Beautiful - Concert Band
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BJE Music
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 2
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.49 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Cross Kirk and the lang walk
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Gr…
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.87 €
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Concert band
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
Concert band
Concert Band - Digital Download SKU: A0.935510 Composed by Richard Wagner (1813-188…
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Concert Band - Digital Download SKU: A0.935510 Composed by Richard Wagner (1813-1883). Arranged by Kazys Daugėla. Romantic Period,Wedding. Score and parts. 14 pages. Kazys Daugela #6685623. Published by Kazys Daugela (A0.935510). Elsa's Procession to the Cathedral arranged for concert band (Grade 4) by Kazys Daugėla comes originally from the second act, scene 4 of Richard Wagner’s famous romantic opera Lohengrin. This solemn and stately music accompanies the wedding procession that carries Elsa, a princess in Brabant (Antwerp), and her rescuer and hero to the church. Wagner himself recommended this music as an addition to the band repertoire.
$10.00
9.22 €
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Concert band
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Richard Wagner
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"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
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Kazys Daugela
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SheetMusicPlus
"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.935509 Composed by Richard Wagner…
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Concert Band - Level 4 - Digital Download SKU: A0.935509 Composed by Richard Wagner (1813-1883). Arranged by Kazys Daugėla. Romantic Period,Wedding. Score and parts. 110 pages. Kazys Daugela #6685619. Published by Kazys Daugela (A0.935509). Elsa's Procession to the Cathedral arranged for concert band (Grade 4) by Kazys Daugėla comes originally from the second act, scene 4 of Richard Wagner’s famous romantic opera Lohengrin. This solemn and stately music accompanies the wedding procession that carries Elsa, a princess in Brabant (Antwerp), and her rescuer and hero to the church. Wagner himself recommended this music as an addition to the band repertoire.
$60.00
55.31 €
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Concert band
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Richard Wagner
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"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
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Kazys Daugela
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SheetMusicPlus
Nearer my God to Thee
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1104815 Composed by Auther Suliva…
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Concert Band - Level 2 - Digital Download SKU: A0.1104815 Composed by Auther Sulivan. Arranged by Pete Cross. Christian,Classical,Easter,Jewish,Praise & Worship. Score and parts. 6 pages. Robert Peter Cross #708052. Published by Robert Peter Cross (A0.1104815). Arranged to be performed in a church setting, the wonderful things about hymns is that whichever way they are arranged there is always a freshness about them.
$50.00
46.09 €
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Concert band
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Auther Sulivan
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Nearer my God to Thee
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Robert Peter Cross
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SheetMusicPlus
Ain't No Rest For The Wicked
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By …
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Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and Parts. 44 pages. Music Arrangement Services Inc. #831282. Published by Music Arrangement Services Inc. (A0.1235771). Performed by Cage The Elephant. Â This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. . Â This song is about no rest for the wicked (or eternal work for evil doers). Â The song refers to money not growing on trees, working unethically to make money, making a living any way possible, a girl offering company, a man attempting to rob, a preacher robbing from the church. Â This arrangement includes a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:00.
$49.99
46.08 €
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Concert band
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Cage The Elephant
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Ain't No Rest For The Wicked
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Music Arrangement Services Inc.
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.2 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.2 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
LEANING ON THE EVERLASTING ARMS
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1005104 Composed by A.J. Showalte…
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Concert Band - Level 2 - Digital Download SKU: A0.1005104 Composed by A.J. Showalter. Arranged by Ron Flintjer. Contemporary. Score and parts. 25 pages. Ron Flintjer #5044359. Published by Ron Flintjer (A0.1005104). Of all church hymns, a longstanding classic is the upbeat, Leaning on the Everlasting Arms by A.J. Showalter. Written all the way back in 1887, I can still hear the choir and congregation belting out this wonderful hymn, while the piano and organ accompany them at full force. This arrangement for elementary band begins with the verse in a very laid-back, cantabile style. The chorus then joins in, led by snare drums in a stirring march style. Great moving lower brass lead all to a big broad ending. This piece is a perennial audience favorite, and one your group will enjoy performing time and again.All parts are written within the range of young elementary grade musicians. To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.Includes: Full score, flute, oboe, bells, Bb clarinet, Eb alto sax, tenor sax, (baritone horn), bass clarinet, French horn, Bb cornet, trombone (baritone horn), tuba, percussion.Should you have any questions, feel free to contact the composer ronflintjer@gmail.com
$16.00
14.75 €
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Concert band
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A
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LEANING ON THE EVERLASTING ARMS
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Ron Flintjer
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SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
23.05 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.2 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
SOUTHERN HYMN
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1166852 Composed by Unknown. Arra…
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Concert Band - Level 1 - Digital Download SKU: A0.1166852 Composed by Unknown. Arranged by Mark Danner. Contest,Festival,Folk,Sacred,Spiritual,Traditional. Score and parts. 28 pages. Mark Danner #767230. Published by Mark Danner (A0.1166852). I am sure your parents and grandparents remember this when they attend church. This adaptation is a simple and quiet lyrical and a great tempo change from a fast peice.
$40.00
36.87 €
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Concert band
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Unknown
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SOUTHERN HYMN
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Mark Danner
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SheetMusicPlus
The King Is Coming
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1236256 Composed by Bill Gaither,…
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Concert Band - Level 2 - Digital Download SKU: A0.1236256 Composed by Bill Gaither, Charles Millhuff, and Gloria Gaither. Arranged by Ewerton Rocha. Christian,Praise & Worship,Religious,Singer/Songwriter,Spiritual. Score and Parts. 19 pages. Ewerton Rocha #831769. Published by Ewerton Rocha (A0.1236256). A beautiful arrangement for Banda without strings. Perfect for playing in church with orchestra and congregational singing.The Formation of the Arrangement is for:Flute 1,2Clarinet 1,2,3,4soprano saxAlto Sax 1.2Tenor Sax 1.2baritone saxtrumpet 1,2Trombone 1,2Electric Bass (with chord for the entire base)Any questions, send me an email: mewertonrocha@gmail.com...Um lindo arranjo para Banda sem strings. Perfeito para tocar na igreja com orquestra e canto congregacional.A Formação do Arranjo é para:Flauta 1,2Clarinete 1,2,3,4Sax SopranoSax Alto 1,2Sax Tenor 1,2Sax BarÃtonoTrompete 1,2Trombone 1,2Baixo Elétrico (com cifra para toda a base)Qualquer dúvida, me envie um email: mewertonrocha@gmail.com.
$49.99
46.08 €
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Concert band
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Bill Gaither, Charles Millhuff, and Gloria Gaither
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The King Is Coming
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Ewerton Rocha
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SheetMusicPlus
3 Easter Hymns for Flexible ensembles (Thine be the Glory, When I Survey, Amazing Grace)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.739539 Composed by Various. Arran…
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Concert Band - Level 3 - Digital Download SKU: A0.739539 Composed by Various. Arranged by David Catherwood. Easter,Sacred. Score and parts. 58 pages. Opus 3 Music #6311235. Published by Opus 3 Music (A0.739539). These versions of Three Popular Easter Hymns are straightforward arrangement for Flexible ensembles in 4 Parts and are suitable for any combination of Brass, Woodwind or Strings plus Percussion. The keys chosen are perfect to accompany singing and whilst the arrangements are suitable for school and church ensembles they will also work well with experienced players.The arrangements also allow for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players.A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in F (Horn in F)Part 2 in Eb (Alto Saxophone, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$14.99
13.82 €
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Concert band
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Various
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3 Easter Hymns for Flexible ensembles
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Opus 3 Music
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SheetMusicPlus
There is a Redeemer
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1108333 Composed by GREEN. Arrang…
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Concert Band - Level 2 - Digital Download SKU: A0.1108333 Composed by GREEN. Arranged by Pete Cross. Christian,Country,Easter,Praise & Worship. Score and parts. 4 pages. Robert Peter Cross #710972. Published by Robert Peter Cross (A0.1108333). In church music there are some great tunes and I have used this tune for Concert Band and can be played in most setting church or concert.
$40.00
36.87 €
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Concert band
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GREEN
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There is a Redeemer
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Robert Peter Cross
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SheetMusicPlus
The Day Thou Gavest Lord Is Ended (St. Clement) - For 4 Horns and Concert Band Score and Parts PDF
Concert band
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.750821 Composed by Rev. Cl…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.750821 Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. Christian,Contemporary,Sacred. Score and parts. 38 pages. BJE Music #3630323. Published by BJE Music (A0.750821). This piece of music is dedicated to the memory of Vic Sykes (1929-2018) - who was Principal Horn player for my local orchestra - The Frankston Symphony Orchestra - for over 50 years!It is an arrangement of the hymn tune St. Clement - The Day Thou Gavest Lord Is Ended - or Evening Hymn. It features, of course, the French Horn - a Horn Quartet in fact with Concert Band accompaniment. The Solo Horn parts are also cued on the Sax and Trombone parts where appropriate. There are also Trombones 1 and 2 in Treble Clef [Bb] included.St Clement, in 98. 98. meter is a popular British tune to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotterill Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan's Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia]Grade = 3.5 Duration = 3:05 mins.The MP3 recording was done with NotePerformer 3.
$30.00
27.65 €
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Concert band
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Rev
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The Day Thou Gavest Lord Is Ended
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BJE Music
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SheetMusicPlus
All Hail the Power of Jesus' Name
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.931872 Composed by S.R. Thomas. A…
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Concert Band - Level 5 - Digital Download SKU: A0.931872 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Holiday,Sacred,Standards. Score and parts. 30 pages. S.R.T. Music #4580527. Published by S.R.T. Music (A0.931872). All Hail the Power of Jesus’ Name is a composition based on the traditional church hymn of the same name. This advanced level arrangement is appropriate for church ensembles as well as parochial/christian schools. This would be an exciting number for church preludes, offertories and school concerts.
$19.95
18.39 €
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Concert band
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S
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All Hail the Power of Jesus' Name
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S.R.T. Music
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SheetMusicPlus
The Lord Bless You and Keep You
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.931876 Composed by S.R. Thomas. A…
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Concert Band - Level 5 - Digital Download SKU: A0.931876 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Sacred,Standards. Score and parts. 19 pages. S.R.T. Music #4604461. Published by S.R.T. Music (A0.931876). The Lord Bless You and Keep You is a composition based on the traditional sacred choral arrangement by Peter C. Kutkin of the same name. This advanced level arrangement is appropriate for church ensembles as well as parochial/christian schools. This would be an exciting number for church preludes, offertories and school concerts. This arrangement can be used as an independent band arrangement or combined with a Choral ensemble.
$19.95
18.39 €
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Concert band
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The Lord Bless You and Keep You
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S.R.T. Music
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SheetMusicPlus
And All the Bells on Earth Shall Ring: 2nd F Horn
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016778_H2 2nd F Horn. Arrange…
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Concert Band - Digital Download SKU: AX.00-PC-0016778_H2 2nd F Horn. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_H2). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
2.77 €
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Concert band
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And All the Bells on Earth Shall Ring: 2nd F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
And All the Bells on Earth Shall Ring: 3rd B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016778_C3 3rd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0016778_C3 3rd B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_C3). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
2.77 €
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Concert band
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And All the Bells on Earth Shall Ring: 3rd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
And All the Bells on Earth Shall Ring: 1st B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016778_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0016778_C1 1st B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_C1). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
2.77 €
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Concert band
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And All the Bells on Earth Shall Ring: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
And All the Bells on Earth Shall Ring: 2nd Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016778_PC2 2nd Percussion. Ar…
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Concert Band - Digital Download SKU: AX.00-PC-0016778_PC2 2nd Percussion. Arranged by Douglas E. Wagner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_PC2). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
2.77 €
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Concert band
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And All the Bells on Earth Shall Ring: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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